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Distorted Bodies and Suffering Souls.
Chaos. Pain. Self-mutilation. Women starve themselves. They burn or slash their own flesh or their babies’ throats, and slam their newborns against walls. Their bodies are the canvases on which the suffering of the soul carves itself with knife and razor. In Australian fiction written by women between 1984 and 1994, female characters inscribe their inner chaos on their bodies to exert whatever power they have over themselves. Their self-inflicted pain is both reaction and language, the bodily sign not only of their enfeeblement but also to a certain extent of their empowerment, of themselves and their world. The texts considered in this book – chiefly by Margaret Coombs, Kate Grenville, ...
Towards a Transcultural Future
This second collection, complementing ASNEL Papers 9.1, covers a similar range of writers, topics, themes and issues, all focusing on present-day transcultural issues and their historical antecedents: TOPICS TREATED Preparing for post-apartheid in South African fiction; Maori culture and the New Historicism; Danish-New Zealand acculturation; linguistic approaches to 'void'; women's overcoming in Southern African writing; new post-apartheid approaches to literary studies; Afrikanerdom; postmodern psychoanalytic interpretations of Indian religion and identity; transcultural identity in the encounter with London: Malaysian, Nigerian, Pakistani; hypertextual postmodernism; fictionalized multicul...
Shared Waters
The present volume contains general essays on: unequal African/Western academic exchange; the state and structure of postcolonial studies; representing male violence in Zimbabwe’s wars; parihaka in the poetic imagination of Aotearoa New Zealand; Middle Eastern, Nigerian, Moroccan, and diasporic Indian women’s writing; community in post-Independence Maltese poetry in English; key novels of the Portuguese colonies; the TV series The Kumars at No. 42; fictional representations of India; the North in western Canadian writing; and a pedagogy of African-Canadian literature. As well as these, there is a selection of poems from Malta by Daniel Massa, Adrian Grima, Norbert Bugeja, Immanuel Mifsud...
A Pepper-pot of Cultures
The terms 'creole' and 'creolization' have witnessed a number of significant semantic changes in the course of their history. Originating in the vocabulary associated with colonial expansion in the Americas it had been successively narrowed down to the field of black American culture or of particular linguistic phenomena. Recently 'creole' has expanded again to cover the broad area of cultural contact and transformation characterizing the processes of globalization initiated by the colonial migrations of past centuries. The present volume is intended to illustrate these various stages either by historical and/or theoretical discussion of the concept or through selected case studies. The auth...
Lighting Dark Places
Preliminary Material -- Reading Feminism in Kate Grenville's Fiction /Susan Sheridan -- Kate Grenville as Public Intellectual /Brigid Rooney -- Author, Author!: The Two Faces of Kate Grenville /Elizabeth Mcmahon -- Madness and Power: Lilian's Story and the Decolonized Body /Bill Ashcroft -- “Africa and Australia” Revisited: Reading Kate Grenville's Joan Makes History /Kwaku Larbi Korang -- “Mobility is the Key”: Bodies, Boundaries, and Movement in Kate Grenville's Lilian's Story /Ruth Barcan -- Homeless and Foreign: The Heroines of Lilian's Story and Dreamhouse /Kate Livett -- “Impossible Speech” and the Burden of Translation: Lilian's Story from Page to Screen /Alice Healy -- Constructions of Nation and Gender in The Idea of Perfection /Sue Kossew -- Poison in the Flour: Kate Grenville's The Secret River /Eleanor Collins -- History, Fiction, and The Secret River /Sarah Pinto -- Learning From Each Other: Language, Authority and Authenticity in Kate Grenville's The Lieutenant /Lynette Russell -- Bibliography -- Notes on Contributors -- Index.
The Cambridge History of the Australian Novel
The Cambridge History of the Australian Novel is an authoritative volume on the Australian novel by more than forty experts in the field of Australian literary studies, drawn from within Australia and abroad. Essays cover a wide range of types of novel writing and publishing from the earliest colonial period through to the present day. The international dimensions of publishing Australian fiction are also considered as are the changing contours of criticism of the novel in Australia. Chapters examine colonial fiction, women's writing, Indigenous novels, popular genre fiction, historical fiction, political novels, and challenging novels on identity and belonging from recent decades, not least the major rise of Indigenous novel writing. Essays focus on specific periods of major change in Australian history or range broadly across themes and issues that have influenced fiction across many years and in many parts of the country.
Avatars contemporains des récits d'esclaves
One cannot fail to be impressed by the number of works of fiction relating to slavery and the slave trade, writing back to the original slave narratives of the 18th and 19th centuries. If the African-American authors of the 1960s and 1970s are now well-known, they find an echo in works written more recently in the 1980s and 1990s by American, African, African-American and Caribbean writers. About twenty writers come under the scrutiny of renowned scholars, offering perspectives into what makes it so necessary today for writers, critics and readers alike to revisit, reassess and reappropriate the canonical texts of slavery and post-slavery literature. The specificity of this collection is to focus on neo-slave novels while bringing together African-American and Caribbean authors.
Rethinking the Victim
This book is the first to examine gender and violence in Australian literature. It argues that literary texts by Australian women writers offer unique ways of understanding the social problem of gendered violence, bringing this often private and suppressed issue into the public sphere. It draws on the international field of violence studies to investigate how Australian women writers challenge the victim paradigm and figure women’s agencies. In doing so, it provides a theoretical context for the increasing number of contemporary literary works by Australian women writers that directly address gendered violence, an issue that has taken on urgent social and political currency. By analysing A...
