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A South African Convivio with Dante
This book offers a collection of South African university students’ written responses to the Commedia and scholars’ commentary on them. The students’ collection includes writings of all genres and subjects: prose, poetry, personal reflection, dialogue, non-fiction based on the first two cantiche of the Commedia. Some are autobiographical and others are fictional stories, but they all have in common a very personal (and South African) approach to Dante’s text. The scholarly essays of the second part are concerned with the unusual way in which Dante is appreciated by our youth: not as a remote figure only encountered in the hallways of the literature department, but as an intimate presence, a guide, a friend whose language is familiar and invites a response.
A Long Walk to Purgatory: The Tales of Dante & Mashudu
A Long Walk to Purgatory is a play that places Dante in the South African context. It works with the idea that dead poets must guide living poets through the afterlife on a journey of poetic reckoning. It is now Dante's turn to guide a poet, as he was once guided by Virgil. Dante comes to meet Mashudu, a South African poet in her Dark Wood. He comes to take her through Inferno and Purgatory where she meets South African characters along the way including Jan Van Riebeeck and John Dube. Driving the play is the notion that poets need to know where they come from in order to play their role as aids to how a nation understands itself. This means Mashudu has to witness the truth of her context bo...
A Long Walk to Purgatory: The Tales of Dante & Mashudu
A Long Walk to Purgatory is a play that places Dante in the South African context. It works with the idea that dead poets must guide living poets through the afterlife on a journey of poetic reckoning. It is now Dante's turn to guide a poet, as he was once guided by Virgil. Dante comes to meet Mashudu, a South African poet in her Dark Wood. He comes to take her through Inferno and Purgatory where she meets South African characters along the way including Jan Van Riebeeck and John Dube. Driving the play is the notion that poets need to know where they come from in order to play their role as aids to how a nation understands itself. This means Mashudu has to witness the truth of her context bo...
Tornado Dreams
An engaging read I could not put down. The resilience of the human spirit shines through every episode Constance so compellingly shares. - Mary Hickey Zander In this unflinching memoir, Constance Malloy delivers a gripping story of suffering and redemption. Tormented by a manipulative, narcissistic father and a loving but delusional mother, young Constance fights to be seen or become invisible, depending on the scenario she's forced to endure. From this unpredictable and emotionally unstable childhood, where her fears are amplified by incessant dreams of natural disaster and violence, to the challenges of her young adult life, Constance manages to keep moving forward with remarkable optimism and strength. Her commitment to therapy and her desire to get well turn the momentum of the narrative toward healing. For survivors of childhood trauma or any reader seeking to restore emotional health, Tornado Dreams is a captivating tale of survival, perseverance, and, ultimately, personal triumph.
The Theatre of August Wilson
The first comprehensive study of August Wilson's drama introduces the major themes and motifs that unite Wilson's ten-play cycle about African American life in each decade of the twentieth century. Framed by Wilson's life experiences and informed by his extensive interviews, this book provides fresh, coherent, detailed readings of each play, well-situated in the extant scholarship. It also provides an overview of the cycle as a whole, demonstrating how it comprises a compelling interrogation of American culture and historiography. Keenly aware of the musical paradigms informing Wilson's dramatic technique, Nadel shows how jazz and, particularly, the blues provide the structural mechanisms that allow Wilson to examine alternative notions of time, property, and law. Wilson's improvisational logics become crucial to expressing his notions of black identity and resituating the relationship of literal to figurative in the African American community. The final two chapters include contributions by scholars Harry J. Elam, Jr. and Donald E. Pease
Ten-second Rainshowers
A collection of poems about childhood, family, nature, and other subjects, written by young people ranging in age from eight to eighteen.
He's Gone
How do you find a missing child when his mother doesn't believe you have the right to even exist? When Detective Inspector Roger Bailley returns to work as Robyn, all she wants is to get on with the job she loves while finally being herself. When toddler Ben Chivers is snatched from a shopping centre on her first day back at work, Robyn has to find Ben and herself as she deals with the reactions of her police colleagues, the media and her own daughter.
My Plunge to Fame
None
Forays into Contemporary South African Theatre
In the years that followed the end of apartheid, South African theatre was characterized by a remarkable productivity, which resulted in a process of constant aesthetic reinvention. After 1994, the “protest” theatre template of the apartheid years morphed into a wealth of diverse forms of stage idioms, detectable in the works of Greg Homann, Mike van Graan, Craig Higginson, Lara Foot, Omphile Molusi, Nadia Davids, Magnet Theatre, Rehane Abrahams, Amy Jephta, and Reza de Wet, to cite only a few prominent examples. Marc and Jessica Maufort’s multivocal edited volume documents some of the various ways in which the “rainbow” nation has forged these innovative stage idioms. This book’s underlying assumption is that creolization reflects the processes of identity renegotiation in contemporary South Africa and their multi-faceted theatrical representations. Contributors: Veronica Baxter, Marcia Blumberg, Vicki Briault Manus, Petrus du Preez, Paula Fourie, Craig Higginson, Greg Homann, Jessica Maufort, Marc Maufort, Omphile Molusi, Jessica Murray, Jill Planche, Ksenia Robbe, Mathilde Rogez, Chris Thurman, Mike van Graan, and Ralph Yarrow.
