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Toledo
The last place most 19th-century settlers wanted to move was the swampy, fever-ridden Toledo area. However, with the assistance of Irish and German immigrants, among others, Toledo was transformed from a village into a thriving city within 50 years. Captured here is the growth and expansion of the area through the indelible contributions of Toledo's architects. In 1850, Toledo had only 3,800 residents, but the introduction of canals and railroads quadrupled the population. Designated as the new county seat, major public buildings and hotels were built. Isaiah Rogers, one of the most famous architects in the nation, designed the Oliver House Hotel; Toledo's first architect, Frank Scott, planned many notable landscapes in the city as well as some of the most interesting houses; and designing almost every major commercial building in the city was Charles Crosby Miller. All of these, as well as David Stine and Edward Fallis, infused Toledo's pride into local landmarks of the past and present, including the Boody House, the Wheeler Opera House, the mansions of Collingwood Avenue, and the churches and breweries that complete Toledo's neighborhoods and downtown.
Building an American Identity
This work follows the evolution of the pattern book houses and how they represented the notion of home and community in American historical memory. The book also includes illustrations of such communities.
Annual Report
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Senate Documents
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The Architecture of Downtown Troy
Winner of the 2021 Antoinette Forrester Downing Book Award presented by the Society of Architectural Historians Winner of the 2020 Excellence in Historic Preservation Award presented by the Preservation League of New York State Located about 150 miles north of Manhattan, on the east bank of the Hudson River, the city of Troy, New York, was once an industrial giant. It led the nation in iron production throughout much of the nineteenth century, and its factories turned out bells and cast-iron stoves that were sold the world over. Its population was both enterprising and civic-minded. Along with Troy's economic success came the public, commercial, educational, residential, and religious buildi...
From Hacienda to Bungalow
What do houses tell us about the people who built or remodeled them? Adobe carefully painted to make it look like brick says as much about Anglo culture and presence in New Mexico from 1850 to 1912 as does any political history of those years. This study of domestic architecture, though, is more than a regional one; it addresses issues basic to an understanding of how one culture transports its social mores, cultural values, and material goods to a frontier where they can take hold.
