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The first illustrated monograph dedicated to the history of the House of Worth, the world’s pioneering haute couture label Arriving in Paris in 1845, at the age of twenty and with only a few francs in his pocket, Charles Frederick Worth would go on to build the most prominent, innovative, and successful fashion house of the century. He was inspired by a love of fine art, luxurious fabrics, and his vision of the female ideal, and was the first to set out to dictate new styles and silhouettes to his elite clientele— not the other way around. He hosted them in his rue de la Paix salons, which included groundbreaking sportswear and maternity departments as well as silk, velvet, and brocade rooms, and a special salon with closed shutters and gas lighting designed to allow clients to try on ball gowns in lighting conditions precisely matched to those of the event at which they would be worn. Organized chronologically and illustrated with striking ensembles, paintings, and documents sourced from both private family archives and the best fashion collections from museums around the world, The House of Worth is an inspiring tribute to the house that started it all.
Covers D'Arensbourg's early years in Europe to his death in Louisiana.
"Paul Poiret (1879-1944) led the fashion world in the first decade of the twentieth century and his autobiography tells the extraordinary story of his meteoric rise to fame. From his humble Parisian childhood to his debut as a couturier, to his experiences during the First World War, Poiret reveals all in this captivating tale, first published in 1931. An astute businessman, Poiret translated the spirit of Art Deco into revolutionary garments, and his memoir brings this astonishing period to life."--Publisher's description
Published on the occasion of the exhibition "Second nature: the art of Charles Tunnicliffe RA," held at the Tennant Gallery, Royal Academy of Arts, London, 11 July - 8 October 2017.
D_TEX presents itself as a starting point at a crossroads of ideas and debates around the complex universe of Textile Design in all its forms, manifestations and dimensions. The textile universe, allied to mankind since its beginnings, is increasingly far from being an area of exhausted possibilities, each moment proposing important innovations that need a presentation, discussion and maturation space that is comprehensive and above all inter- and transdisciplinary. Presently, the disciplinary areas where the textile area is present are increasing and important, such as fashion, home textiles, technical clothing and accessories, but also construction and health, among others, and can provide...
The Condition of England was first published in 1909. Faber Finds are reissuing it to celebrate its one hundredth anniversary. Although copies are now hard to come by, it was a success on first publication running quickly into six editions. It has often been likened to Matthew Arnold's Culture and Anarchy though it is more sombre. Charles Masterman, who was in the Liberal Government when he wrote this, provides a penetrating, sceptical and unsettling anatomy of Edwardian England, seeing beneath the imperial splendour a society 'fissured into unnatural plenitude on the one hand and ... an unnatural privation on the other'. This remains a work of acute social analysis.
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What to Look for in Winter is a beautiful book from Ladybird's vintage archive, part of the popular Nature series. First published in 1959, this book has been specially re-released to celebrate the 100th anniversary of Ladybird Books in 2015. Complete with stunning dust jacket, this limited edition facsimile copy of the original book faithfully reproduces all the beautiful, memorable art by C.F. Tunnicliffe and is perfect for a new generation of nature fans to enjoy.
The life of Worth, the great couturier whose name was for so long unique in the world of fashion, is a remarkable story of an Englishman conquering a domain which for many centuries had belonged to the French alone. Going to Paris at the age of twenty, with no assets other than an apprentice's training and the moral qualities derived from an Evangelical upbringing, he saw the revolution of 1848 and the establishment of the Second Empire. Risining on the wave of prosperity which France experienced under the rule of Napoleon III, he became the couturier of the Empress Eugénie, and before he reached the age of forty he had made himself the arbiter of Parisian elegance.