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Considers (80) S. 984.
Brown combines an abiding admiration of classical idioms with an appreciation of new possibilities for the arts in worship. Interacting with a wide range of religious thinkers and leaders -- from Augustine and John Calvin to Rick Warren, Marcus Borg, and the Pope -- he addresses questions concerning "good" art and "good" music for worship. --from publisher description.
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This book offers a discussion of the Reformed worship tradition, its history, theology, and rationale. The authors discuss the characteristics of Reformed worship and focus on theology and the practice of the sacraments and ordinances of the church. They provide concrete suggestions as to how this tradition can be the basis of meaningful worship in American congregations today.
"This book constitutes the author's effort to provide a biblical foundation for answers to questions regarding congregational singing. The present work is broader in scope than the author's smaller book, Volumes of Praise for a Vanishing God, and unlike the earlier volume, contains full documentation and end-notes, many of which pursue topics of interest that are mentioned only briefly in the text proper. Each chapter of this book ends with a brief list of questions to spur further study and discussion. It is hoped that this book may be useful as a text for a seminary course on congregational singing, a course that the author believes to be great need for the church of the twenty-first century. Special attention is given to the issues raised in the "music wars" of the past fifty years."
This volumea (TM)s thematic and geographical perspectives on Lutheran ecclesiastical life invite readers to delve into post-Reformation efforts to continue the work of the Wittenberg reformers in new circumstances and times, applying their insights to concrete challenges in church and society.