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Pottery, Passages, Postholes, and Porcelain
Charles H. Faulkner arrived at the University of Tennessee in 1964 charged with the unenviable task of building upon the archaeological legacy of Thomas M. N. Lewis and Madeline D. Kneberg. After a career that has spanned four decades, numerous site investigations, and valiant preservation efforts, Faulkner has created a legacy all his own among archaeologists working in the Tennessee River Valley. Pottery, Passages, Postholes, and Porcelain brings together more than twenty contributors--many, Faulkner's former students--and thirteen essays dedicated to the craft of archaeological inquiry in Tennessee and the southeastern United States. In paying homage to Faulkner's own career that included...
The Prehistoric Native American Art of Mud Glyph Cave
This is the only book on the historic art to be found in Mud Glyph Cave.
The Southern Colonial Backcountry
This book brings a variety of fresh perspectives to bear on the diverse people and settlements of the eighteenth- and early-nineteenth-century southern backcountry. Reflecting the growth of interdisciplinary studies in addressing the backcountry, the volume specifically points to the use of history, archaeology, geography, and material culture studies in examining communities on the southern frontier. Through a series of case studies and overviews, the contributors use cross-disciplinary analysis to look at community formation and maintenance in the backcountry areas of Virginia, North Carolina, South Carolina, and Tennessee. These essays demonstrate how various combinations of research stra...
The Woodland Southeast
This collection presents, for the first time, a much-needed synthesis of the major research themes and findings that characterize the Woodland Period in the southeastern United States. The Woodland Period (ca. 1200 B.C. to A.D. 1000) has been the subject of a great deal of archaeological research over the past 25 years. Researchers have learned that in this approximately 2000-year era the peoples of the Southeast experienced increasing sedentism, population growth, and organizational complexity. At the beginning of the period, people are assumed to have been living in small groups, loosely bound by collective burial rituals. But by the first millennium A.D., some parts of the region had dens...
TVA Archaeology
Since its inception in 1933, the Tennessee Valley Authority has played a dual role as federal agency and steward of the Tennessee River Valley. While known to most people today as an energy provider, the agency is also charged with managing and protecting the nation's fifth-largest river system, the Tennessee River, and vast tracts of land and resources encompassing Tennessee and portions of Alabama, Georgia, Kentucky, Mississippi, North Carolina, and Virginia. Included in TVA's mandate is the preservation of the archaeological record of the valley's prehistoric peoples-a record that would have been forever lost beneath floodwaters had TVA not demonstrated a commitment to minimize its impact...
The Development of Southeastern Archaeology
Ten scholars whose specialties range from ethnohistory to remote sensing and lithic analysis to bioarchaeology chronicle changes in the way prehistory in the Southeast has been studied since the 19th century. Each brings to the task the particular perspective of his or her own subdiscipline in this multifaceted overview of the history of archaeology in a region that has had an important but variable role in the overall development of North American archaeology. Some of the specialties discussed in this book were traditionally relegated to appendixes or ignored completely in site reports more than 20 years old. Today, most are integral parts of such reports, but this integration has been hard...
William Faulkner
Amid all that has been published about William Faulkner, one subject--the nature of his thought--remains largely unexplored. But, as Daniel Singal's new intellectual biography reveals, we can learn much about Faulkner's art by relating it to the cultural and intellectual discourse of his era, and much about that era by coming to terms with his art. Through detailed analyses of individual texts, from the earliest poetry through Go Down, Moses, Singal traces Faulkner's attempt to liberate himself from the repressive Victorian culture in which he was raised by embracing the Modernist culture of the artistic avant-garde. To accommodate the conflicting demands of these two cultures, Singal shows, Faulkner created a complex and fluid structure of selfhood based on a set of dual identities--one, that of a Modernist author writing on the most daring and subversive issues of his day, and the other, that of a southern country gentleman loyal to the conservative mores of his community. Indeed, it is in the clash between these two selves, Singal argues, that one finds the key to making sense of Faulkner.
