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A Human-Shaped God
A Human-Shaped God approaches the humanlike accounts of God in the Old Testament as the starting places for theology and uses them to build a picture of the divine. This understanding of God is then brought into conversation with traditional conceptions that depict God as a being who knows everything that happens, is at every place at the same time, is constant and unchanging, and does not ultimately have material form. But instead of pitting the Old Testament's humanlike view of God against traditional theology and assuming that only one of these understandings is correct, A Human-Shaped God posits that theologians should embrace both of these constructions simultaneously. This is a new way of theological inquiry that embraces both the humanlike characteristics of God and the transcendence of God in traditional theology. By seeing and understanding the humanlike depictions of God in the Old Testament and by using the rich language of traditional theology together in tandem, the reader acquires a much deeper and meaningful understanding of God.
"A" Western Filmmakers
From High Noon to Unforgiven, the "A" Western represents the pinnacle of Western filmmaking. More intellectual, ambitious, and time-consuming than the readily produced "B" or serial Westerns, these films rely on hundreds of talented artists. This comprehensive reference work provides biographies and Western filmographies for nearly 1,000 men and women who have contributed to at least three "A" Westerns. These contributors are arranged by their role in film production. Cinematographers, composers, actors, actresses, and directors receive complete biographical treatment; writers whose work was used in at least two Westerns are also featured. An appendix lists well-known actors who have appeared in either one or two "A" Westerns, as specified.
Allan Dwan and the Rise and Decline of the Hollywood Studios
It could be said that the career of Canadian-born film director Allan Dwan (1885-1981) began at the dawn of the American motion picture industry. Originally a scriptwriter, Dwan became a director purely by accident. Even so, his creativity and problem-solving skills propelled him to the top of his profession. He achieved success with numerous silent film performers, most spectacularly with Douglas Fairbanks Sr. and Gloria Swanson, and later with such legendary stars as Shirley Temple and John Wayne. Though his star waned in the sound era, Dwan managed to survive through pluck and ingenuity. Considering himself better off without the fame he enjoyed during the silent era, he went on to do some of his best work for second-echelon studios (notably Republic Pictures' Sands of Iwo Jima) and such independent producers as Edward Small. Along the way, Dwan also found personal happiness in an unconventional manner. Rich in detail with two columns of text in each of its nearly 400 pages, and with more than 150 photographs, this book presents a thorough examination of Allan Dwan and separates myth from truth in his life and films.
Duke
Traces the life story of the famous actor from his beginnings in Winterset, Iowa, to his death in 1979, becoming a legendary character in his own right
History, Gazetteer and Directory of Lincolnshire, and the City and Diocese of Lincoln
Valuable reference book, please ask at library issue desk.
Hollywood Beauty
At fifteen, Linda Darnell left her Texas home and normal adolescence to live the Hollywood dream promoted by fan magazine and studio publicity offices. She appeared in dozens of films and won international acclaim for Blood and Sand (playing opposite Tyrone Power), Forever Amber, A Letter to Three Wives, and the original version of Unfaithfully Yours. Driven by a stage mother to become rich and Famous, but unable to cope with the career she had longed for as a child, Darnell soon was caught in a downward spiral of drinking, failed marriages, and exploitive relationships. By her early twenties she was an alcoholic, hardened by a life in which beautiful women were chattel, and by the time of h...
Jennifer Jones
The distinguished film career of Academy Award-winning actress Jennifer Jones (1919-2009) is thoroughly chronicled from her faltering start as Phylis Isley (her real name) at Republic Studios in 1939, to her re-invention as a major star by producer David O. Selznick, the actress' second husband. Each of her 24 films--among them The Song of Bernadette, Since You Went Away, Duel in the Sun, Portrait of Jennie, Madame Bovary and Love Is a Many Splendored Thing--is discussed in depth. Robert Osborne, host of the Turner Classic Movies cable channel, affectionately recalls his interview with Jennifer Jones in the Foreword. The actress' biography, radio appearances and unrealized projects are also covered, along with previously undocumented details of her limited stage career, including a 1966 revival of Clifford Odets' The Country Girl.
Hollywood Movie Musicals
When most people think of movie musicals, films like "Singin' in the Rain", "Sound of Music", "The Red Shoes", "On the Town", "White Christmas", "Ziegfeld Follies", "Top Hat", "Funny Face" and "Funny Girl" immediately come to mind. Such films are included in this book, as are many of the works of major stars, including Fred Astaire, Bing Crosby, Gene Kelly, Betty Grable, Shirley Temple, Julie Andrews, Elvis Presley, Lucille Ball, Alice Faye, Jeanette MacDonald, Maurice Chevalier, Nelson Eddy, Doris Day, Dick Powell, Betty Hutton, Eleanor Powell, and Al Jolson. But attention is also drawn to less lavishly produced but very pleasant musical offerings from both major and minor studios (including perhaps the finest "B" musical ever made). In all, 125 pictures are reviewed and detailed with full cast and technical credits, plus songs and musical numbers, awards, release dates and other essential background information.
A Wonderful Heart
Revered by his cinematic peers, William Wyler (1902-1981) was one of the most honored and successful directors of Hollywood's Golden Age, with such classics as Dead End, Wuthering Heights, The Little Foxes, Roman Holiday and Ben-Hur. He won three directing Oscars and elicited over a dozen Oscar-winning performances from his actors. Such exacting performers as Bette Davis, Laurence Olivier and Charlton Heston counted him the best director they had worked with. Yet during the era of the "auteur" theory his films fell out of fashion, lacking, it was said, a distinctive stylistic and thematic signature. This new critical study of Wyler's work, the first in more than thirty years, challenges the ...
History in Movies Hollywood Style
Table of Contents: Abraham Lincoln, Adventures of Marco Polo, Affaire Nina B., All Quiet on the Western Front, Anastasia, Anna Boleyn, Assassination of Jesse James, Belle Starr, The Big Knife, Bonnie Prince Charlie, Boys Town, Brigham Young, Butch and Sundance: The Early Days, Captain Fly-By-Night, Carry On Dick, Charge of the Light Brigade, Children of Eve, Cleopatra, The Court Martial of Billy Mitchell, The Cruel Sea, Day of the Locust, Destination Unknown, Disraeli, Divine Lady, The Devil's Brigade, The Devil's Needle, Don't Lose Your Head, Dr. Jekyll and Mr. Hyde, End of the Trail, The Enforcer, Excalibur, Fangs of Destiny, Great Gatsby, Great Dictator, Great Moment, Hawk of the Hills, Helen of Troy, Humanity and Paper Balloons, If I Were King, The Informer, In Old Arizona, In Old Chicago Is Paris Burning?, James Dean Story, The Jayhawkers, Joyeux Noel, King of Kings, The Lady of the Lake, The Law and Outlaw, Lives of a Bengal Lancer, The Lawless Breed, Man with the Green Carnation, Marco Polo, etc. etc.
