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When Tobacco Was King
Tobacco has left an indelible mark on the American South, shaping the land and culture throughout the twentieth-century. In the last few decades, advances in technology and shifts in labor and farming policy have altered the way of life for tobacco farmers: family farms have largely been replaced by large-scale operations dependent on hired labor, much of it from other shores. However, the mechanical harvester and the H-2A guestworker did not put an end to tobacco culture but rather sent it in new directions and accelerated the change that has always been part of the farmer’s life. In When Tobacco Was King, Evan Bennett examines the agriculture of the South’s original staple crop in the Old Bright Belt—a diverse region named after the unique bright, or flue-cured, tobacco variety it spawned. He traces the region’s history from Emancipation to the abandonment of federal crop controls in 2004 and highlights the transformations endured by blacks and whites, landowners and tenants, to show how tobacco farmers continued to find meaning and community in their work despite these drastic changes.
Making Tobacco Bright
In her sweeping history of the American tobacco industry, Barbara Hahn traces the emergence of the tobacco plant's many varietal types, arguing that they are products not of nature but of economic relations and continued and intense market regulation. Hahn focuses her study on the most popular of these varieties, Bright Flue-Cured Tobacco. First grown in the inland Piedmont along the Virginia--North Carolina border, Bright Tobacco now grows all over the world, primarily because of its unique -- and easily replicated -- cultivation and curing methods. Hahn traces the evolution of technologies in a variety of regulatory and cultural environments to reconstruct how Bright Tobacco became, and re...
Gruesome Looking Objects
The 1898 lynching of Tom Johnson and Joe Kizer is retold in this groundbreaking book. Unlike other histories of lynching that rely on conventional historical records, this study focuses on the objects associated with the lynching, including newspaper articles, fragments of the victims' clothing, photographs, and souvenirs such as sticks from the hanging tree. This material culture approach uncovers how people tried to integrate the meaning of the lynching into their everyday lives through objects. These seemingly ordinary items are repositories for the comprehension, interpretation, and commemoration of racial violence and white supremacy. Elijah Gaddis showcases an approach to objects as materials of history and memory, insisting that we live in a world suffused with the material traces of racial violence, past and present.
Plantation Kingdom
Written for scholars and students alike, Plantation Kingdom is an accessible and fascinating study.
Redeeming the South
Together, and separately, black and white Baptists created different but intertwined cultures that profoundly shaped the South. Adopting a biracial and bicultural focus, Paul Harvey works to redefine southern religious history, and by extension southern culture, as the product of such interaction--the result of whites and blacks having drawn from and influenced each other even while remaining separate and distinct. Harvey explores the parallels and divergences of black and white religious institutions as manifested through differences in worship styles, sacred music, and political agendas. He examines the relationship of broad social phenomena like progressivism and modernization to the development of southern religion, focusing on the clash between rural southern folk religious expression and models of spirituality drawn from northern Victorian standards. In tracing the growth of Baptist churches from small outposts of radically democratic plain-folk religion in the mid-eighteenth century to conservative and culturally dominant institutions in the twentieth century, Harvey explores one of the most impressive evolutions of American religious and cultural history.
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