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Charles Le Brun: Drawings and Paintings
Charles Le Brun (24 February 1619 - 22 February 1690) was a French painter, art theorist, interior decorator and a director of several art schools of his time. As court painter to Louis XIV, who declared him "the greatest French artist of all time", he was a dominant figure in 17th-century French art and much influenced by Nicolas Poussin. Le Brun primarily worked for King Louis XIV, for whom he executed large altarpieces and battle pieces. His most important paintings are at Versailles. Besides his gigantic labours at Versailles and the Louvre, the number of his works for religious corporations and private patrons is enormous. Le Brun was also a fine portraitist and an excellent draughtsman...
Charles Le Brun: Drawings
Charles Le Brun (1619 - 1690) was a French painter and art theorist. Declared by Louis XIV "the greatest French artist of all time", he was a dominant figure in 17th-century French art and much influenced by Nicolas Poussin. Le Brun primarily worked for King Louis XIV, for whom he executed large altarpieces and battle pieces. His most important paintings are at Versailles. Le Brun was also a fine portraitist and an excellent draughtsman, but he was not fond of portrait or landscape painting, which he felt to be a mere exercise in developing technical prowess. What mattered was scholarly composition, whose ultimate goal was to nourish the spirit. The fundamental basis on which the director of the Academy based his art was unquestionably to make his paintings speak, through a series of symbols, costumes and gestures that allowed him to select for his composition the narrative elements that gave his works a particular depth. Nearly all his compositions have been reproduced by celebrated engravers.
Charles Le Brun: 215 Colour Plates
Charles Le Brun was a French painter and art theorist. Declared by Louis XIV "the greatest French artist of all time", he was a dominant figure in 17th-century French art and much influenced by Nicolas Poussin. Le Brun primarily worked for King Louis XIV, for whom he executed large altarpieces and battle pieces. His most important paintings are at Versailles. Le Brun was also a fine portraitist and an excellent draughtsman, but he was not fond of portrait or landscape painting, which he felt to be a mere exercise in developing technical prowess. What mattered was scholarly composition, whose ultimate goal was to nourish the spirit. The fundamental basis on which the director of the Academy based his art was unquestionably to make his paintings speak, through a series of symbols, costumes and gestures that allowed him to select for his composition the narrative elements that gave his works a particular depth. Nearly all his compositions have been reproduced by celebrated engravers.
The Sovereign Artist
This monograph examines the wide artistic production of Louis XIV's most prolific and powerful artist, Charles Le Brun (1619-1690), illustrating the magnificence of his paintings and focusing particularly on the interiors and decorative art works produced according to his designs. In his joint capacities of Premier peintre du roi, director of the Gobelins manufactory and rector of the Acad mie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts - so much so that some scholars have repeatedly described him as 'dictator' of the arts in France. The Sovereign Artist explores how Le Brun operated in his diverse fields of ...
Charles Le Brun, First Painter to King Louis XIV
There are those who claim that LeBrun is the greatest of the French painters. The main purpose of this book is to view LeBrun through the eyes of the time in which he lived in order to better appreciate him.
Charles Le Brun: His Palette
Charles Le Brun was a French painter and art theorist. Declared by Louis XIV "the greatest French artist of all time", he was a dominant figure in 17th-century French art and much influenced by Nicolas Poussin. Le Brun primarily worked for King Louis XIV, for whom he executed large altarpieces and battle pieces. His most important paintings are at Versailles. Le Brun was also a fine portraitist and an excellent draughtsman, but he was not fond of portrait or landscape painting, which he felt to be a mere exercise in developing technical prowess. What mattered was scholarly composition, whose ultimate goal was to nourish the spirit. The fundamental basis on which the director of the Academy based his art was unquestionably to make his paintings speak, through a series of symbols, costumes and gestures that allowed him to select for his composition the narrative elements that gave his works a particular depth. Nearly all his compositions have been reproduced by celebrated engravers.
Charles Le Brun:Master Drawings
Charles Le Brun (1619 - 1690) was a French painter and art theorist. Declared by Louis XIV "the greatest French artist of all time", he was a dominant figure in 17th-century French art and much influenced by Nicolas Poussin. Le Brun primarily worked for King Louis XIV, for whom he executed large altarpieces and battle pieces. His most important paintings are at Versailles. Le Brun was also a fine portraitist and an excellent draughtsman, but he was not fond of portrait or landscape painting, which he felt to be a mere exercise in developing technical prowess. What mattered was scholarly composition, whose ultimate goal was to nourish the spirit. The fundamental basis on which the director of the Academy based his art was unquestionably to make his paintings speak, through a series of symbols, costumes and gestures that allowed him to select for his composition the narrative elements that gave his works a particular depth. Nearly all his compositions have been reproduced by celebrated engravers.
A Grand Tableau Charles Le Brun’s Portrait of the Jabach Family
Few things are more exciting than the rediscovery of a lost but storied work of art. This Bulletin examines Charles Le Brun’s spectacular Everhard Jabach (1618–1695) and His Family, a landmark of Western portraiture that was long thought destroyed—known only from photographs taken before World War II—when it was found hanging in an English country house, where it had languished for more than a century prior to its acquisition by The Met. The authors tease out the many secrets bound up in Le Brun’s canvas and its extraordinary sitter, who was one of the greatest art collectors of seventeenth-century Europe.
Resemblances, Amazing Faces
"Series of Charles Le Brun's witty and satiric engravings of men and their animal counterparts"--Back cover.
Charles Le Brun
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