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In this major contribution to debates about English identity, leading theorist Robert J.C. Young argues that Englishness was never really about England at all. In the nineteenth century, it was rather developed as a form of long-distance identity for the English diaspora around the world. Young shows how the effects of this continue to reverberate today, nationally and globally. Written by an internationally established theorist, whose work has been translated into 20 languages Shows how potent the idea of Englishness is Helps to explain why the UK continues to act as if it has a ‘special relationship’ to the US Helps to explain why the UK is so successfully multicultural Part of the prestigious Blackwell Manifestos series
The Wild Irish Boy (1808) was Charles Robert Maturin's second novel. Set in Ireland and England, the story follows the adventures of Ormsby Bethel, a young Irishman of uncertain ancestry, as he navigates through the temptations of high life, the intrigues of swindlers, gamblers, and fast women, and his own uncertainties about his place in the societies of both countries. Combining features of the silver fork novel, coming-of-age story, and to some degree (in scenes of Irish life) the national novel, The Wild Irish Boy is an entertaining tale full of unexpected twists and turns, extravagant scenes of fashionable excess, misguided and dangerous passions, and long-held secrets with dire consequences: riches and ruin, both moral and financial. Among the colorful characters is the too-fascinating Lady Montrevor, cultured, ingenious, and enigmatic, who adds a dimension of excitement and intrigue that contributes to making The Wild Irish Boy a novel rich with conflicting social and moral viewpoints.