You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Historians have given much attention to the Civil War’s prominent players—its generals, politicians, and other public leaders—but they have devoted less attention to the common soldiers and civilians—the “plain folk”—who actively participated in the conflict. In his study of popular thought during the Civil War era, Randall C. Jimerson offers a grass-roots perspective on the war by examining the thoughts and ideas of these ordinary men and women. The Private Civil War derives much of its power from the author’s deft use of personal letters and diaries. Separated from home and family, virtually every soldier and many civilians wrote frequent and informative letters or recorded daily experiences and thoughts in journals. Jimerson has consulted a broad cross section of these documents, culling information from letters and diaries written by people from every state and from all social classes and military ranks. These documents, remarkable in many instances for their depth of feeling and eloquence, provide rich, detailed information about sectional perceptions and ideology as well as many private reflections.
Lafcadio Hearn (1850-1904) has long been marginalised as a failed Victorian Romantic whose writings on Japan were poetic but inconsequential; as a person, he emerges as a one-dimensional neurotic. In this new study, based on a wealth of hitherto unpublished sources, as well as a fresh reading of Hearn's writings, Paul Murray reveals a multi-faceted character of considerable depth, intelligence and literary skill. This is a book, therefore, that will appeal on many levels. The story of Hearn's life makes fascinating reading; his fantastic journey took him from conception outside marriage on a Greek island to a protected upbringing in Dublin; from a Gothic education in England to Cincinnati in...
While slavery was peculiar within a democratic republic, it was an integral and seldom questioned part of the 18th-century British empire. Examining the complex culture of the South Carolina law country from the end of the Stono Rebellion through the American Revolution, historian Robert Olwell analyzes the structures and internal dynamics of a world in which both masters and slaves were also imperial subjects.
None
A selection of writings from the author who created America's notion of New Orleans as an exotic and mysterious place
Folk art is one of the American South’s most significant areas of creative achievement, and this comprehensive yet accessible reference details that achievement from the sixteenth century through the present. This volume of The New Encyclopedia of Southern Culture explores the many forms of aesthetic expression that have characterized southern folk art, including the work of self-taught artists, as well as the South’s complex relationship to national patterns of folk art collecting. Fifty-two thematic essays examine subjects ranging from colonial portraiture, Moravian material culture, and southern folk pottery to the South’s rich quilt-making traditions, memory painting, and African American vernacular art, and 211 topical essays include profiles of major folk and self-taught artists in the region.
Lafcadio Hearn (1850-1904) prowled the streets of New Orleans from 1877 to 1888 before moving on to a new life and global fame as a chronicler of Japan. Hearn's influence on our perceptions of New Orleans, however, has unjustly remained unknown. In ten years of serving as a correspondent and selling his writing in such periodicals as the New Orleans Daily Item, Times-Democrat, Harper's Weekly, and Scribner's Magazine he crystallized the way Americans view New Orleans and its south Louisiana environs. Hearn was prolific, producing colorful and vivid sketches, vignettes, news articles, essays, translations of French and Spanish literature, book reviews, short stories, and woodblock prints. He ...
This is Volume 3 of 4 volumes. See Volume 1 for a complete book description.