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Kinship
Work by eight of today's leading contemporary artists exploring the complex nature of familial relationships and other interpersonal bonds. Recent events such as the COVID-19 pandemic have forced many of us, including artists, to view ideas of closeness in a new light. Kinship, published on the occasion of the National Portrait Gallery's tenth "Portraiture Now" exhibition, features the work of eight leading contemporary artists who explore familial relationships through photography, painting, sculpture, and performance. Contemporary portraiture offers a way to consider the mutable yet enduring qualities of kinship and the internal and external forces that affect our bonds with others. For example, interpretations of distance--whether emotional, physical, or geographical--have recently become more fraught. By recognizing the transformations that occur in the genre of portraiture and the threads that today's portraits share, we can better understand the universality and specificity of kinship.
Kinship
Recent events have pushed artists to visualize ideas of closeness in a new light. "Kinship", published on the occasion of the National Portrait Gallery’s next “Portraiture Now” exhibition, features the work of eight leading contemporary artists who explore familial relationships through photography, painting, sculpture and performance.
Ginny Casey & Jessi Reaves
This volume features new and recent works by New York-based artists Ginny Casey (born 1981) and Jessi Reaves (born 1986) exploring the relationship between painting and sculpture, domestic objects and decorative surfaces, by reimagining the form and function of objects encountered in daily life.
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Anteaesthetics
In Anteaesthetics, Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity. Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contem...
Salado
Salado, a small village in Central Texas, enjoys a classic history. One of the first colleges in the state of Texas was founded at Salado. One of the village's first homes was a 22-room Classic Revival plantation house, which still sits today in the midst of a ranch covering several thousand acres. Other stately homes soon followed, many of them bearing historical markers today. Herds of cattle followed the Chisholm Trail across the spring-fed waters of Salado Creek. Dusty cowhands rested and ate their fill at the old Shady Villa Hotel. The stage stops at the hotel always brought excitement and, occasionally, renowned visitors such as Stephen F. Austin, Gen. Sam Houston, and Gen. Robert E. Lee.
1898
A revealing look at U.S. imperialism through the lens of visual culture and portraiture In 1898, the United States seized territories overseas, ushering in an era of expansion that was at odds with the nation’s founding promise of freedom and democracy for all. This book draws on portraiture and visual culture to provide fresh perspectives on this crucial yet underappreciated period in history. Taína Caragol and Kate Clarke Lemay tell the story of 1898 by bringing together portraits of U.S. figures who favored overseas expansion, such as William McKinley and Theodore Roosevelt, with those of leading figures who resisted colonization, including Eugenio María de Hostos of Puerto Rico; Jos...
