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Curating Human Rights conceptualizes the human rights museum as a dynamic cultural-political genre that interacts with multiple social activist, state and corporate stakeholders. Drawing upon ethnographic and archival research on seven human rights museums in six countries, Ostow examines specifically what these museums do when they set out, or purport, to promote human rights. This includes the stories they visualize, display strategies, educational and other activities, internal structures, the way they position their visitors, the parameters of the human rights they address and the politics of pleasing their multiple stakeholders. The book also explores the contradictions and political an...
Public History for a Post-Truth Era explores how to combat historical denial when faith in facts is at an all-time low. Moving beyond memorial museums or documentaries, the book shares on-the-ground stories of participatory public memory movements that brought people together to grapple with the deep roots and current truths of human rights abuses. It gives an inside look at "Sites of Conscience" around the world, and the memory activists unearthing their hidden histories, from the Soviet Gulag to the slave trade in Senegal. It then follows hundreds of people joining forces across dozens of US cities to fight denial of Guantánamo, mass incarceration, and climate change. As reparations proposals proliferate in the US, the book is a resource for anyone seeking to confront historical injustices and redress their harms. Written in accessible, non-academic language, it will appeal to students, educators, or supportive citizens interested in public history, museums, or movement organizing.
"The resulting material challenges previous findings in those feminist and youth anthropological studies based on too narrow a concept of class, ethnicity or populist approaches to culture. Rejecting the still prevalent notion of resistance, this study reveals instead that the girls' activities are more about accommodation to the constraining givens of social life, stretching these to discover their possibilities while simultaneously working hard to remain within their parameters of safety and reassurance. In this conceptual framework popular music and other global cultural texts emerge to gain a new significance within their local settings."--BOOK JACKET.
What drives young women and what drives them mad? Twentysomething women talk about their feminism. What they do, how they do it and why they choose to do it as feminists. Exploring a range of personal and political experiences, this collection defines the landscape in which young women stake their claim to feminism. The private collides with the public, anger with humour, desire with ideals. Writing themselves into the debate, these young women are 'talking up'. Covering a diversity of themes including relationships between older and younger women (and feminists), experiences of young migrant women, feminist activism, the marginalisation of non-white and lesbian women, the emerging role of young women in corporate, legal and educational institutions. Although young women have been publicly silent, they are neither indifferent, nor dispassionate about feminism. This book shows the diversity and depth of young women's ideas.
When the past is painful, as riddled with violence and injustice as it is in postapartheid South Africa, remembrance presents a problem at once practical and ethical: how much of the past to preserve and recollect and how much to erase and forget if the new nation is to ever unify and move forward? The new South Africa’s confrontation of this dilemma is Martin J. Murray’s subject in Commemorating and Forgetting. More broadly, this book explores how collective memory works—how framing events, persons, and places worthy of recognition and honor entails a selective appropriation of the past, not a mastery of history. How is the historical past made to appear in the present? In addressing ...
This political analysis of teen culture examines the historical and ideological development of American youth society, the economic and ideological relationship between television and popular music, and the ideological rivalry between Nickelodeon and Disney. More than mere entertainment, teen sitcoms and pop music portray a complex and often contradictory set of cultural discourses. They engage in a process of ideology marketing and "hip versus square" politics. Case studies include Saved by the Bell, Britney Spears, the movie School of Rock, early "pop music sitcoms" like The Monkees and The Partridge Family, and recent staples of teen culture such as iCarly and Hannah Montana. What is occurring in teen culture has a crucial bearing as today's teens age into adulthood and become the dominant generation in the impending decades.