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The Frontline
Saturday night outside the tube: God, strip bars, weed, crack, lost old men, unemployed actors and vegans all collide in a riptide of chaos on the streets of London. There's Beth the reformed Christian and Erkenwald the hot-dog seller, old Ragdale on a quest to find his daughter, actor-playwright and egomaniac Mordechai Thurrock, and Cockburn, Elliot and Clayton the dealers and junkies whose trade both sustains and destroys the lives of those around them. In this vibrant and darkly comic new play, a dozen private stories emerge and their voices give utterance to a storm of subjects and feelings: pop culture and sexual fantasy, the ruins of empire and the delusions of religion, foreign oil and prehistoric London. A panorama of contemporary London encompassing the cruel and the tender, the gutter and the stars. Che Walker's The Frontline premiered at Shakespeare's Globe Theatre, London, in July 2008. 'The brusque, bathetic poetry of back-street Camden is Walker's lingua franca. Flesh and blood and honour are his themes' Time Out on Ché Walker's Flesh Wound
Been So Long
Che Walker and Arthur Darvill's neon-soaked, soul-fuelled new musical arrives to smarten up London... Yvonne and Simone are cruising for action. Raymond stole Gil's girl and now Gil wants to slice him up. Barney is just after a quiet life. When all five collide in a seedy London bar, their desires ignite in a guttural blast of cusses, laughs and unexpected romance. Love looks set to finally conquer the two people who swore they could live without it. But how will they know it's for real?
Flesh Wound
'Biological don't matter: iss a lie that you can't pick your family, you can. And you can unpick it. And thass what I'm choosing to do.'Vincent is always in trouble, this time with the infamous Calderazzos. His sister Deirdra stays out of danger in her flat high above the streets of London. His father Joseph is in the protection business, but that doesn't mean protecting his own son. Now the family needs help, it's down to Joseph.Flesh Wound premièred at the Royal Court Jerwood Theatre Upstairs in May 2003.
The loneliness of the spider
The young Bruno Mulas is found dead in the street, a few meters from the apartment he shared with his friend Gavino. Several posts on Facebook seem to point to a suicide, but Gavino does not think so. Bruno's parents are bewildered, his friends seem to be entrenched in silence. The case becomes an obsession for the protagonist, the crime journalist Nereo Carta, who remains entangled in a network of relationships in which no one is what they seem. The story, structured as a mystery-noir, deals with themes and topics related to the cosmos of young people. Suicide, for example, to which the protagonist dedicates extensive reflections, as well as mental illness and existential distress because of the inability to find a position and meaning in one's life. Translator: Barbara Maher PUBLISHER: TEKTIME
Pictures
*** Reduced from $250.00 while stocks last *** This book offers us a privileged glimpse into the artistic process used by top fashion photographer Tim Walker. This comprehensive overview of his work brings us deep inside his glamorous world of adventure. Featuring a wide array of sketches, contacts and Polaroids--we share in source materials normally hidden within the photographer's studio. The evocative images are rich with textured nuance and intriguing details. Walker gives full rein to his playful side and intersperses collages among the photographs. The over-sized format showcases some of the most imaginative and exuberant art being produced today. AUTHOR: Tim Walker's work appears in trend-setting magazines such as Vogue and W. He has also created advertising campaigns for exclusive clients such as Comme des Garcons. SELLING POINTS: A comprehensive overview of Walker's work and artistic process A must-have for admirers of fashion photography and all those fascinated by the creative process ILLUSTRATIONS: 245 colour & b/w photos
The Lightning Child
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Not The Worst Place
I ain't got a city named for me . . . The swans have though, haven't they. They got a city named for them. Seventeen-year-old Emma dreams of travelling adventures beyond her Swansea home. Rhys, her boyfriend, has other plans for them. Facing the consequences of their actions under the disapproving eye of Emma's mother, they struggle to find a happy medium. Now, camped out on Swansea seafront, they must confront the difficult question of what it takes to leave the place that shaped them. A story about what happens when life gets in the way of your dreams. Sam Burns weaves together a touching, sensitive play that tackles our conflicting emotions about the place we call home. Not The Worst Place received its world premiere at Clywd Theatr Cymru on 23 April 2014 in a production by Paines Plough.
Artefacts
Sixteen-year-old Kelly has never known her Dad. Turns out he's from Iraq, which her mum never mentioned, and he's brought an ancient Mesopotamian vase as some kind of present. But Kelly doesn't want a vase. She wants her dad to stay and get to know her. It's not the reunion either of them expected and for Kelly, it's the beginning of an epic and dangerous journey. Mike Bartlett has been described as 'One of the most exciting new talents to emerge in recent times'. (The Stage). His first play My Child was called 'Brutal, thrilling, unmissable' (Evening Standard) and 'the theatrical equivalent of a firecracker'. (Metro).
The Navy List
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Shockwave
The story of the bombing of Hiroshima presented in a new and dramatic way: a minute-by-minute account told from multiple perspectives, both in the air and on the ground British feature and documentary director Stephen Walker tells the story of the bombing of Hiroshima in a way only a filmmaker can—not as a dry history of the sad, regrettable, mission, but as an immediate and perilous drama. Walker has extensively interviewed American soldiers, Los Alamos scientists, and Japanese survivors that were involved in the bombing, and thus is able to tell the story through truly alive-on-the-page characters. The result is a narrative that—without either trivializing the tragedy of the bombing or ignoring its importance in WWII’s end—tells the real story of why and how one of the most important events of the 20th century took place. Shockwave might not change anyone’s opinion about the justification of the Hiroshima bombing, but it will provide readers with an unprecedented viewpoint that is sure to educate and enthrall its audience.
