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Literary Nonfiction. Women's Studies. From award-winning essayist Chelsea Biondolillo, THE SKINNED BIRD is about all the ways we break our own hearts. In lyric, fragmented essays--full of geological, ornithological and photographic interventions, with landscapes, loss, and longing--Biondolillo travels the terrain of leaving and finding home while keeping her sights fixed firm on the natural world around her. Includes "How to Skin a Bird," winner of the Carter Prize for the Essay, and the Best American Essays 2014 notable, "Phrenology." "Sometimes when a human is truly an animal, their thinking patterns shift in fundamental ways, absorbing the color here and the systems within systems, to the...
Ologies is Chelsea Biondolillo's debut chapbook of essays about her relationship as a woman with an interest in science. These memoir-style essays with gruesome imagery form a compelling narrative of Biondolillo's adolescence. Through these descriptions, Biondolillo claims that women can be scientists in a male-dominated, sexist field of study.
Waveform champions the diversity of women?s approaches to the structure of the essay, today a site of invention and innovation, with experiments in col-lage, fragments, segmentation, braids, triptychs, and diptychs.
Every day we are forced to integrate the world's news into our personal lives; we all have to decide what parts of the flood of news resonate with us and what we need to turn away from, out of necessity or sensitivity. Obliterations--a collection of erasure poems that use The New York Times as their source texts--springs from that seemingly immediate process of personalizing news information. By cutting, synthesizing and arranging existing news items into new poems, the erasure process creates a link between the authors' poetic sensibilities and the supposedly more "objective" view of the newsmakers. Each author used the same articles but wrote separate erasures without seeing the other's versions, highlighting the wonderful similarities and differences that arise when two works--or any two people with individual tastes and lenses--share the same stories.
The best of Essay Daily--each a writer in conversation with and about an essay, whatever its variety, contemporary and classic.
The librarian walks the streets of her beloved Paris. An old lady with a limp and an accent, she is invisible to most. Certainly no one recognizes her as the warrior and revolutionary she was, when again and again she slipped into the Jewish ghetto of German-occupied Vilnius to carry food, clothes, medicine, money, and counterfeit documents to its prisoners. Often she left with letters to deliver, manuscripts to hide, and even sedated children swathed in sacks. In 1944 she was captured by the Gestapo, tortured for twelve days, and deported to Dachau. Through Epistolophilia, Julija Šukys follows the letters and journals—the “life-writing”—of this woman, Ona Šimaitė (1894–1970). A...
J.J. Anselmi's Out Here on Our Own tells the story of Rock Springs, Wyoming, a mining boomtown with a history of brutal racial violence, widespread addiction, prostitution, and a staggeringly high per-capita suicide rate--yet a place that has proved remarkably resilient. Anselmi stitches together an array of original interviews with people who've seen those things firsthand, tracing the boom-bust trajectory of a town known for its corruption, vice, and violence. Amid such horrors as the massacre of Chinese miners in 1885 and the ongoing methamphetamine and opioid epidemics, the town has fought hard to keep its identity of rugged individualism intact. In 2022 Rock Springs is slipping into yet another bust. Anselmi's narrative offers searing personal accounts of a community in crisis, whose problems are fanned by severely limited mental health resources, dying industries, and Wyoming's still-pervasive idea that people should deal with their troubles alone. In a community's own words, Out Here on Our Own depicts a place that's as tough and weathered as the sagebrush and sandstone surrounding it.
In a breathtaking blend of lyrical memoir, photographs, and textual artifacts, Mother of Stories examines the complex legacy of a mother who was a gifted teacher, a passionate reader, and a pathological liar. While Alice Dailey was immersed in an academic study of death in Shakespeare’s history plays, her mother died from toxic exposure to mold. Composed in a fugue of grief, Mother of Stories is Dailey’s uncompromising account of the months before and after her mother’s death. Through varied forms of episodic and visual recreation, Mother of Stories confronts what it means to inherit violent family narratives and, in their wake, to have to reconceive the borders between lived, imaginar...
A child keeps a pet cloud in a dresser drawer. A man has coffee with his doppelganger. A 20-something stunt double performs pirate swordplay at birthday parties. A schoolkid ponders the absurdity of Hell. A woman sings a Diana Ross song to a stranger across a subway platform. In this genre-defying collection of short prose pieces, Aaron Angello explores the subtleties of recollection, imagination, and the connections, both momentary and long-lasting, between oneself and others. Each piece riffs on a word from Shakespeareís Sonnet 29; over the course of 114 days, Angello woke early, meditated upon a single word from the sonnet, and wrote. The results are sometimes funny, sometimes profound, ...