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United States Board on Geographic Names: Gazetteer
  • Language: en
  • Pages: 788

United States Board on Geographic Names: Gazetteer

  • Type: Book
  • -
  • Published: 1955
  • -
  • Publisher: Unknown

None

Daily Report, Foreign Radio Broadcasts
  • Language: en
  • Pages: 674

Daily Report, Foreign Radio Broadcasts

  • Type: Book
  • -
  • Published: 1969
  • -
  • Publisher: Unknown

None

Mainland China
  • Language: en
  • Pages: 776

Mainland China

  • Type: Book
  • -
  • Published: 1968
  • -
  • Publisher: Unknown

None

Directory of Officials of the People's Republic of China
  • Language: en
  • Pages: 686

Directory of Officials of the People's Republic of China

  • Type: Book
  • -
  • Published: 1974
  • -
  • Publisher: Unknown

None

Current Catalog
  • Language: en
  • Pages: 1144

Current Catalog

  • Type: Book
  • -
  • Published: Unknown
  • -
  • Publisher: Unknown

First multi-year cumulation covers six years: 1965-70.

Mainland China, Official Standard Names Approved by the United States Board on Geographic Names: M-Z
  • Language: en
  • Pages: 774
National Library of Medicine Current Catalog
  • Language: en
  • Pages: 690

National Library of Medicine Current Catalog

  • Type: Book
  • -
  • Published: 1993
  • -
  • Publisher: Unknown

First multi-year cumulation covers six years: 1965-70.

Daily Report
  • Language: en
  • Pages: 976

Daily Report

  • Type: Book
  • -
  • Published: 1979
  • -
  • Publisher: Unknown

None

Shanghai Telephone Directory [and Buyer's Guide]
  • Language: en
  • Pages: 568

Shanghai Telephone Directory [and Buyer's Guide]

  • Type: Book
  • -
  • Published: 1947
  • -
  • Publisher: Unknown

None

A Critical History of New Music in China
  • Language: en
  • Pages: 962

A Critical History of New Music in China

By the end of the nineteenth century, Chinese culture had fallen into a stasis, and intellectuals began to go abroad for new ideas. What emerged was an exciting musical genre that C. C. Liu terms "new music." With no direct ties to traditional Chinese music, "new music" reflects the compositional techniques and musical idioms of eighteenth- and nineteenth-century European styles. Liu traces the genesis and development of "new music" throughout the twentieth century, deftly examining the social and political forces that shaped "new music" and its uses by political activists and the government.