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Regionalism and Modernity
The complex and shifting relation between regionalism and modernity With its search for purity, honesty, modesty, and ‘fitness of purpose', the late 19th and early 20th century concept of architectural regionalism is seminal to the modern movement. In later historiography, however, regionalism in Europe was neglected and even labeled ‘backward'. The origins of this drastic change of perception can be traced to the 1930s, when regionalism as a positive form gradually turned into a ‘closed' form of regionalism, a folding back on one's own region as a defence mechanism in an economically and politically turbulent decade.
Modern Architecture and the Mediterranean
Considering the influence of the forms and tectonics of the Mediterranean vernacular on modern architectural practice and discourse from the 1920s to the 1960s.
Loose-Fit Architecture
Loose-Fit Architecture: Designing Buildings for Change September/October 2017 Profile 249 Volume 87 No 5 ISBN 978 1119 152644 Guest-Edited by Alex Lifschutz The idea that a building is 'finished' or 'complete' on the day it opens its doors is hardwired into existing thinking about design, planning and construction. But this ignores the unprecedented rate of social and technological change. A building only begins its life when the contractors leave. With resources at a premium and a greater need for a sustainable use of building materials, can we still afford to construct new housing or indeed any buildings that ignore the need for flexibility or the ability to evolve over time? Our design cu...
Pride in Modesty
Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s. Through in-depth examinations of texts, drawings, and buildings, Michelangelo Sabatino finds that the folk traditions of the pre-industrial countryside have provided formal, practical, and poetic inspiration directly affecting both design and construction practices over a period of sixty years and a number of different political regimes. This surprising continuity allows Sabatino to reject the division of Italian history into sharply delimited periods such as Fascist Interwar and Democratic Postwar and to instead emphasize the long, continuous process that transformed pastoral and urban ideals into a new, modernist Italy.
The Social City
In the post-war period, Berlin and Naples experienced a phase of profound changes, essentially influenced by external factors: the less rigid urban structure which had been ruined by World War II, resulting in severe changes in the social and economic structure, an uncritical reception and implementation of largely theoretical models of functionalism in urban planning, and in the design of the new public building interventions. On the one hand, between the 1940s and the 1980s, Berlin experienced a considerable loss in population, a political isolation and an urban splitting, as the urban planning institutions, deeply influenced by relevant politics, slowly and thoroughly changed the cityscap...
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MCM – Milan, Capital of the Modern
MCM - Milano Capital of the Modern, edited by Lorenzo Degli Esposti, is made up of texts and images from over 300 contributors from Europe and the US, across three generations, involved in the activities of the Padiglione Architettura in EXPO Belle Arti of Vittorio Sgarbi, a programme by the Regione Lombardia hosted in the Grattacielo Pirelli during the EXPO 2015. They investigate the relationships between modern architecture, the city of Milan (Razionalismo, reconstruction, Tendenza, Radical Design, up to current research) and the city in general, between single and specific works and the large scale of the urban territory, in the contradictions between architecture autonomy and its dependence on specific place and historical time. The idea of MCM is that each capital of the Modern brings an original version of modernity in architecture: in the specific Milanese case, this kind of Modern is characterized by the simultaneous presence of abstract, systematic and syntactic features and an ontological conception of both buildings and architectural and urban voids.
Todd Saunders - Architecture in Northern Landscapes
Todd Saunders (1969) is one of the most important young contemporary Canadian architects working internationally. His architecture, simple yet powerful, incorporates elements of his country’s architectural identity – including the use of wood and carefully picked Modernist influences – bringing it at the same time into the 21st century with excellent execution, carefully chosen materials and a hands-on approach. Saunders (he lives and works in Bergen, Norway) has successfully executed work in both Canada, Norway, and Finland, creating architecture with a strong sense of northern identity, an individual approach that is informed by the strongness of natural landscape. The most important...
Community/architecture
Il volume raccoglie i contributi di ricerca dell'International call for papers Community/architecture promosso dal Festival dell'Architettura nell'edizione 2009-2010. Cinquantasette eterogenei contributi provenienti da diversi Paesi del mondo sul tema generale del Festival e suddivisi sulla base di tre focus tematici: Città e quartiere, Il congegno tipologico e le forme di aggregazione, Composizione architettonica e nuove tecnologie: architetture eco-virtuose. Saggi di: Pierluigi Grandinetti, Raffaele Panella, Enrico Prandi, Carlo Quintelli Contributi di ricerca di: Shun Kanda (Usa), Angelo Torricelli (Italy), Cherubino Gambardella (Italy), Pasquale Miano (Italy), Sally Harrison (Usa), Mari...
