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Examines the social importance of chivalry as a secular ideal during the Middle Ages, traces the origins of knighthood and chivalry, and looks at chivalric rituals and literature.
This work considers how chivalry was interpreted in 15th century Scotland and how it compared with European ideas of chivalry; the resposibilities of knighthood in this period and the impact on political life; the chivalric literature and the relevance of Christian components of chivalric culture.
The literature of medieval knighthood is shown to have influenced exploration narratives from Marco Polo to Captain John Smith. Explorers from Marco Polo to Captain John Smith viewed their travels and discoveries in the light of attitudes they absorbed from the literature of medieval knighthood. Their own accounts, and contemporary narratives [reinforced by the interest of early printers], reveal this interplay, but historians of exploration on the one hand, and of chivalry on the other, have largely ignored this cultural connection. Jennifer Goodman convincingly develops the ideaof the chivalric romance as an imaginative literature of travel; she traces the publication of medieval chivalric texts alongside exploration narratives throughout the later middle ages and renaissance, and reveals parallel themesand preoccupations. She illustrates this with the histories of a sequence of explorers and their links with chivalry, from Marco Polo to Captain John Smith, and including Gadifer de la Salle and his expedition to the Canary Islands, Prince Henry the Navigator, Cortés, Hakluyt, and Sir Walter Raleigh. JENNIFER GOODMAN teaches at Texas A & M University.
This volume, intended for the general reader, throws a great deal of light on that very characteristic feature of the Middle Ages, the institution of Chivalry. The first chapter deals with the place of chivalry in history, describing its effects and influences. Subsequent chapters address the earliest beginnings of chivalry and its manifestations in France, Germany, Spain, Portugal, etc. Among other subjects dealt with are the Courtesy books, the romances of Chivalry, and the Chivalric ideal. The book is an excellent introduction to a field that has been greatly neglected in recent years. This edition first published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
This is the first large-scale study of conduct in warfare and the nature of chivalry in the Anglo-Norman period. The extent to which the knighthood consciously sought to limit the extent of fatalities among its members is explored through a study of notions of a 'brotherhood in arms', the actualities of combat and the effectiveness of armour, the treatment of prisoners, and the workings of ransom. Were there 'laws of war' in operation in the eleventh and twelfth centuries and, if so, were they binding? How far did notions of honour affect knights' actions in war itself? Conduct in war against an opposing suzerain such as the Capetian king is contrasted to behaviour in situations of rebellion and of civil war. An overall context is provided by an examination of the behaviour in war of the Scots and the mercenary routiers, both accused of perpetrating 'atrocities'.
Wide-ranging, vivid and authoritative, this is the first book to treat chivalry as part of the wider history of medieval England. The world of medieval chivalry is at once glamorous and violent, alluring yet alien. Our popular views of the period are largely inherited from the nineteenth-century romantics, for whom chivalry evoked images of knights in shining armour, competing for the attention of fair ladies -- with pennons and streamers fluttering from castle battlements. But what is the reality? Were the rituals and romance of chivalry designed to provide an escape from the brutal facts of almost continuous warfare? Or did they instead help regulate the conduct of war and moderate its vio...
Medieval Europe was a rapidly developing society with a problem of violent disorder. Professor Kaeuper's original and authoritative study reveals that chivalry was not simply part of the solution. Chivalry praised heroic violence by knights, and fused such displays of prowess with honour, piety, high status, and attractiveness to women. Though the vast body of chivalric literature, here examined, praises chivalry as necessary to civilization, most texts also worry over knightly violence, criticize all ideals and practices of chivalry, and often propose reforms. The knights themselves joined the debate, absorbing some reforms, ignoring others, sometimes proposing their own. Complexity likewise characterized the interaction of chivalry with major governing institutions ("church" and "state") emerging at the same time: kings and clerics both needed and feared the force of knighthood. This fascinating book lays bare the conflicts and paradoxes surrounding the concept of chivalry in medieval Europe.
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Craig Taylor's study examines the wide-ranging French debates on the martial ideals of chivalry and knighthood during the period of the Hundred Years War (1337–1453). Faced by stunning military disasters and the collapse of public order, writers and intellectuals carefully scrutinized the martial qualities expected of knights and soldiers. They questioned when knights and men-at-arms could legitimately resort to violence, the true nature of courage, the importance of mercy, and the role of books and scholarly learning in the very practical world of military men. Contributors to these discussions included some of the most famous French medieval writers, led by Jean Froissart, Geoffroi de Charny, Philippe de Mézières, Honorat Bovet, Christine de Pizan, Alain Chartier and Antoine de La Sale. This interdisciplinary study sets their discussions in context, challenging modern, romantic assumptions about chivalry and investigating the historical reality of debates about knighthood and warfare in late medieval France.
The propriety of my writing a History of Chivalry, as a companion to my History of the Crusades, was suggested to me by a friend whose acquaintance with middle-age lore forms but a small portion of his literary attainments, and whose History of Italy shows his ability of treating, as well as his skill in discovering, subjects not hitherto discussed with the fulness which their importance merits. The works of Menestrier and Colombiere sleep in the dust of a few ancient libraries; and there are only two other books whose express and entire object is a delineation of the Institutions of chivalry. The first and best known is the French work called “Mémoires sur l’ancienne Chevalerie; consid...