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Cornwall, the land of sandy beaches, pretty fishing coves, historic fishing ports, tin mining, mansions and gardens, quaint thatched cottages, atmospheric moors, art galleries, writers and picturesque towns? All of that is true but there is so much more to Cornwall and its influence on the rest of Britain and many parts of the world is often forgotten or unknown but yet continues. The county has seen political intrigue; religious upheavals; financial scandals. It has produced political radicals, slaves and slave owners; artists, writers and musicians; renowned engineers, mineralogists and scientists and was the first to introduce compulsory education. Cornwall was the birthplace of the discoverers of chemical elements, the planet Neptune and solar power and has been hugely significant in radio, electrical telegraphy and television. Cornish people have been influential across the centuries, the world and an incredible number of disciplines.
A Place in History: The Biography of John C. Kendrew is the story of the influential 20th century scientific pioneer and winner of the 1962 Nobel Prize in chemistry.
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A Library Journal Starred Review (March 2024) praises the book as a "remarkable resource that will please both musical professionals and amateurs, along with teachers and their students, and conductors and singers.” Throughout the ages, people have wanted to sing in a communal context. This desire apparently stems from a deeply rooted human instinct. Consequently, choral performance historically has often been related to human rituals and ceremonies, especially rites of a religious nature. Historical Dictionary of Choral Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1,300 cross-referenced entries on composers, conductors, choral ensembles, choral genres, and choral repertoire. This book is an excellent resource for students, researchers, and anyone wanting to know more about choral music.
At this book's core is a critical edition of letters exchanged over 50 years between Anglo-Irish composer Elizabeth Maconchy (1907-1994) and the Welsh composer Grace Williams (1906-1977). These two innovative and talented women are highly regarded for their music, their professional activities and their roles in British musical life. The edition comprises around 200 letters from 1927 to 1977, none of which have been published before, along with scholarly introductions and contextualizations. Interwoven commentaries, in tandem with carefully constructed appendices, frame the letter texts. Moreover, the commentaries and introductory essays highlight and track the development of important themes and issues that characterize the study of twentieth-century British music today. This edition presents a dialogue, through both sides of a unique correspondence, offering an alternative commentary on musical and cultural developments of this period.
At this book's core is a critical edition of letters exchanged over 50 years between Anglo-Irish composer Elizabeth Maconchy (1907-1994) and the Welsh composer Grace Williams (1906-1977). These two innovative and talented women are highly regarded for their music, their professional activities and their roles in British musical life. The edition comprises around 200 letters from 1927 to 1977, none of which have been published before, along with scholarly introductions and contextualizations. Interwoven commentaries, in tandem with carefully constructed appendices, frame the letter texts. Moreover, the commentaries and introductory essays highlight and track the development of important themes and issues that characterize the study of twentieth-century British music today. This edition presents a dialogue, through both sides of a unique correspondence, offering an alternative commentary on musical and cultural developments of this period.
Throughout the western classical tradition, composers have influenced and been influenced by their students and teachers. Many musicians frequently add to their personal acclaim by naming their teachers and the lineage through which they were taught. Until now, the relationships between composers have remained uncataloged and understudied, but with enough research, it is possible to document entire schools of composition. Composer Genealogies: A Compendium of Composers, Their Teachers, and Their Students is the first volume to gather the genealogies of more than seventeen thousand classical composers in a single volume. Functioning as its own fully cross-referenced index, this volume lists composers and their dates, followed by their teachers and notable students. A short introduction presents the parameters by which composers were selected and provides a survey of the literature available for further study. Gathering records and information from reference books, university websites, obituaries, articles, composers’ websites, and even direct contact with some composers, Pfitzinger creates a valuable resource for music researchers, composers, and performers.
'The Alan Clark diaries of cultural politics' Sunday Times 'At every word a reputation dies' A. N. Wilson Roy Strong is best known as the flamboyant former director of two great cultural institutions - the National Portrait Gallery and the Victoria & Albert Museum. In his first volume of diaries, he takes the reader into the heart of his career, revealing himself to be not just a mercurial and brilliant administrator, but also a shrewd observer of the glittering and political milieu into which he was drawn. We encounter David Hockney in his studio, the poignant figure of Cecil Beaton in decline, Nureyev fizzing with ideas and the Philistine Mrs Thatcher among many others, including a bevy of the Royal Family. And throughout the diaries runs the thread of an exceptional marriage, following his elopement with the designer Julia Trevelyan Oman. Splendours and Miseries provides a unique panorama of the world of the arts, fashion and society, taking us from the outrageous Swinging Sixties to the hard-edged glitz of Thatcher's Britain.
'Impressive in its scope... will provide instruction and delight to a wide range of readers.' Calvin Stapert, Professor of Music, Calvin College, Grand Rapids, Michigan Tim Dowley traces the story of Christian music from its earliest Jewish origins, through the Renaissance, Reformation and up to the present day, discussing various liturgical traditions as well as non-liturgical sacred music. He also covers the fascinating story of hymns and sacred songs, and Christian expressions in modern jazz, folk, rock and pop. This comprehensive book ranges widely, with specialist chapters on Christian music worldwide, and covers such varied topics as Christmas carols, the music of Handel and Bach, spirituals and the blues, medieval polyphony, Hildegard of Bingen and contemporary Christian music. 'A beautiful book with many fascinating insights.' Sir David Willcocks CBE, MC 'For anyone with an interest in Christian culture . . . not only music enthusiasts.' The Tablet 'Demonstrates just how rich, wide and varied has been the music and song of Christians of all kinds over the centuries.' Irish Catholic