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Hojoki
A luminous translation of the classic Buddhist poem
Writing and Renunciation in Medieval Japan
This is the first monograph-length study in English of Kamo no Chomei, one of the most important literary figures of medieval Japan. Drawing upon a wide range of writings in a variety of genres from the Heian and Kamakura periods, Pandey focuses on the terms kyogen kigo (wild words and fancy phrases), shoji soku nehan (samsara is nirvana), hoben (expedient means), and suki (single-minded devotion to an art). She shows how these terms deployed by writers in an attempt to reconcile literary and artistic activities with a commitment to Buddhism. By locating Chomei within this broad context, the book offers an original reading of his texts, while at the same time casting a light upon intellectua...
Hōjōki
Hōjōki is an extended reflection on the impermanence of the word written in Japan by the recluse Kamo no Chōmei around the dawn of the thirteenth century. The work is celebrated both for its poetic style and philosophical depth. The simplicity and consistency of the writing makes it ideal for teaching Classical Japanese. For its reflection on impermanence and non-attachment, Hōjōki is a model of Buddhist thought. Mindful of the fleeting nature of this world, Chōmei demands that readers reconsider what is most important in life. The message is as evocative as it is universal. This book presents the text of the Japanese original and English translation on facing pages with annotations and illustrations.
Essays in Idleness
These two works on life's fleeting pleasures are by Buddhist monks from medieval Japan, but each shows a different world-view. In the short memoir Hôjôki, Chômei recounts his decision to withdraw from worldly affairs and live as a hermit in a tiny hut in the mountains, contemplating the impermanence of human existence. Kenko, however, displays a fascination with more earthy matters in his collection of anecdotes, advice and observations. From ribald stories of drunken monks to aching nostalgia for the fading traditions of the Japanese court, Essays in Idleness is a constantly surprising work that ranges across the spectrum of human experience. Meredith McKinney's excellent new translation...
Hojoki
Hojoki is an extended meditation on the impermanence of the world and the dangers of attachment. Written by the reclusive monk Kamo no Chomei at the dawn of the thirteenth century, this classic work of Japanese literature is celebrated for its lyrical beauty and philosophical depth. Using the house as a metaphor for worldly attachment, Chomei encourages readers not to cling to possessions, status, and social recognition. Simplicity and self-reliance, he argues, are the keys to extinguishing desire and finding peace. Although Hojoki is unmistakably inspired by Buddhist ideas from another place and time, its message is universal and timeless. This fourth edition includes the original Japanese verse and English translation, presented as parallel text. Historical maps and annotations enhance the book's academic value, while illustrations by Reginald Jackson add striking visual power to Chomei's narrative of loss and transcendence. The companion website provides digital resources and learning materials: www.vicuslusorum.com/hojoki
Hojoki: a Buddhist Reflection on Solitude
Discover the tranquil wisdom of Chomei's 13th-century masterpiece, Hojoki, as it unveils the beauty of imperfection and the serenity of a simple life amidst the chaos of existence. Hojoki is an introspective poem written in the 13th century by the enigmatic Japanese hermit Kamo no Chomei, who as a young man served in the capital as official court poet but later in life withdrew from society. Composed in a time of devastating fires, floods, earthquakes, droughts and famines, Chomei's masterpiece reflects on the impermanence of things, expressing life's mysterious beauty and the profound wisdom to be found in nature. Chomei paints a vivid picture of the chaos and suffering of the human conditi...
The Aesthetics of Discontent
This series of interpretations of selected classics examines premodern Japanese literature from the perspective of conflictual ideologies. Professor Marra's analysis of such works as the Ise Monogatari, the Hojoki, and Tsurezuregusa highlights the existence of discontent in the authors of the so-called high tradition and explains the means these authors used to express their social dissatisfaction in literary texts. His aim is to recover the validity of the historicist approach in literary studies by focusing on the importance of the context in the formation of the text. The text is seen as a product of ideological manipulation on the part of those who, by reading, writing or editing, appropriate it according to specific and private concerns. Professor Marra displays both sensitivity to the texts and a comprehensive grasp of Japanese and Western scholarship in making his argument that aesthetics and politics in premodern Japanese literature are mutually defining.
Finding Wisdom in East Asian Classics
Finding Wisdom in East Asian Classics is an essential, all-access guide to the core texts of East Asian civilization and culture. Essays address frequently read, foundational texts in Chinese, Japanese, Korean, and Vietnamese, as well as early modern fictional classics and nonfiction works of the seventeenth century. Building strong links between these writings and the critical traditions of Confucianism, Buddhism, and Daoism, this volume shows the vital role of the classics in the shaping of Asian history and in the development of the humanities at large. Wm. Theodore de Bary focuses on texts that have survived for centuries, if not millennia, through avid questioning and contestation. Reco...
