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Her Majesty's Pleasure
This unique book raises the curtain on the history of Adelaide's most remarkable playhouse - Her Majesty's Theatre. For 100 years 'the Maj' has hosted a cavalcade of entertainment. With a treasure-trove of rare photographs, posters and costume and set designs, this book will delight anyone who loves show business and who loves Adelaide.
Wanted, More than Human Intellectual Property
This book analyses animal creativity in order to unsettle the dominant assumptions that underpin current ideas of authorship and ownership in intellectual property. Drawing upon theories of animal behaviour and cognitive ethology, the book exposes and disrupts the anthropocentrism that informs prevailing assumptions about creativity, intentionality, and authorship within the field of intellectual property, towards a new theory of authorship and personhood through play and the playful. Moving on to challenge the invocation of a more general human-nonhuman distinction in this context, the book also engages the challenge to this distinction posed by artificial intelligence. Incorporating critic...
The Great Apes
Foreword / by Jane Goodall -- The uncanniness of similitude : wild men, simians, and hybrid beings -- Skeletons, skins, and skulls : apes in the age of colonial expansion and natural history collections -- Apes as guinea pigs : primates and experimental research -- Great apes in the eyes of scientists : what does it mean to be an ape? -- Apes that think they are human : astronaut apes, painting apes, talking apes -- Conquering the field : pioneers, the quest for origins, and primates -- Socialities, culture, and traditions among primates : when the boundary between humans and apes blurs -- Women and apes : sex, gender, and primatology -- Becoming-human, being-ape
Animal Biographies
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The Critique of Work in Modern French Thought
What is work? Why do we do it? Since time immemorial the answer to these questions, from both the left and the right, has been that work is both a natural necessity and, barring exploitation, a social good. One might criticise its management, its compensation and who benefits from it the most, but never work itself, never work as such. In this book, Alastair Hemmens seeks to challenge these received ideas. Drawing on the new ‘critique-of-value’ school of Marxian critical theory, Hemmens demonstrates that capitalism and its final crisis cannot be properly understood except in terms of the historically specific and socially destructive character of labour. It is from this radical perspecti...
Lost Kingdom: Animal Death in the Anthropocene
The authors in ‘Lost Kingdom’ grapple with both the catastrophe of mass animal extinction, in which the panoply of earthly life is in the accelerating process of disappearing, and with the mass death of industrial animal agriculture. Both forms of anthropogenic violence against animals cast the Anthropocene as an era of criminality and loss driven by boundless human exceptionalism, forcing a reckoning with and an urgent reimagining of human-animal relations. Without the sleights of hand that would lump “humanity” into a singular Anthropos of the Anthropocene, the authors recognize the differential nature of human impacts on animal life and the biosphere as a whole, while affirming th...
Thoreauvian Modernities
Does Thoreau belong to the past or to the future? Instead of canonizing him as a celebrant of “pure” nature apart from the corruption of civilization, the essays in Thoreauvian Modernities reveal edgier facets of his work—how Thoreau is able to unsettle as well as inspire and how he is able to focus on both the timeless and the timely. Contributors from the United States and Europe explore Thoreau's modernity and give a much-needed reassessment of his work in a global context. The first of three sections, “Thoreau and (Non)Modernity,” views Thoreau as a social thinker who set himself against the “modern” currents of his day even while contributing to the emergence of a new era....
Lines
What do walking, weaving, observing, storytelling, singing, drawing and writing have in common? The answer is that they all proceed along lines. In this extraordinary book Tim Ingold imagines a world in which everyone and everything consists of interwoven or interconnected lines and lays the foundations for a completely new discipline: the anthropological archaeology of the line. Ingold’s argument leads us through the music of Ancient Greece and contemporary Japan, Siberian labyrinths and Roman roads, Chinese calligraphy and the printed alphabet, weaving a path between antiquity and the present. Drawing on a multitude of disciplines including archaeology, classical studies, art history, linguistics, psychology, musicology, philosophy and many others, and including more than seventy illustrations, this book takes us on an exhilarating intellectual journey that will change the way we look at the world and how we go about in it. This Routledge Classics edition includes a new preface by the author.
