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Summary of Chris Wiltz's The Last Madam
Please note: This is a companion version & not the original book. Sample Book Insights: #1 Norma Wallace, the last madam of New Orleans, was waiting at home for her young husband to come home. She had a life of adventure and intrigue, but now she was waiting and worrying. #2 Norma’s parents moved to New Orleans when she was three months old. Her father, John Gauley Badon, had come from Covington, Louisiana, on the north shore of Lake Pontchartrain across from New Orleans. Her mother, Amanda Easley Badon, was the daughter of Warren Easley, the first mayor of McComb. #3 Norma had two personas: one that was comfortable in the respectable world of family, and another that was equally comfortable in the underworld. She developed these personas early in her life, and they remained with her throughout her life. #4 Norma’s parents had split up by the time she was twelve, and she had gone to live with her mother in the French Quarter. She had met a bootlegger who had taken one look at her and said, Norma, darling, you know it’s going to be rough, but one hair on that thing is stronger than a cable under the ocean.
A Diamond Before You Die
A “likable, savvy New Orleans private eye” deals with marriage, murder, and Mardi Gras in this mystery by the author of The Last Madam (Publishers Weekly). Richard Cotton, aspiring to become district attorney, has hired private detective Neal Rafferty to keep tabs on his wife—who, in turn, has hired someone else to keep tabs on him. It’s almost Mardi Gras in 1980s New Orleans, and when the masks go on they hide a multitude of sins—like bribery, corruption, and drug-running, not to mention Richard Cotton’s own particular secret. And once bodies start showing up, Rafferty realizes that adultery is far from the only scandal. In this town, all things eventually settle into the Mississippi River mud. It’s just a question of what stays buried . . . “Wiltz bring a refreshing individual outlook to the formula of hard-boiled detective fiction.” —The Washington Post Book World
Shoot the Money
A tale of guns, greed, and girlfriends in post-hurricane New Orleans by the author of The Last Madam: “One of the stars in mystery and crime fiction” (James Lee Burke). Karen and Raynie are roommates. LaDonna is Karen’s boss. Life in New Orleans after Katrina isn’t easy, but they’re all tough women—and they all want more. But right now, what they have more of is problems. Karen’s past comes back to bite her, along with a Miami thug who wants to retrieve his stolen money. Raynie’s dealing with a violent man out of control. And LaDonna’s new lover has a dangerous idea . . . These three women are about to unite to confront the mess together. Along the way, they’ll find out what money does to those who have it, lose it, pursue it, or steal it—and what happens when they try a little revenge on their rapid chase toward a better life . . . “[A] fast-paced, action-packed novel which will especially delight female fans of Elmore Leonard and Carl Hiaasen. Wiltz writes about New Orleans as only an insider can. . . . Unputdownable, funny, sad, and true.” —Valerie Martin, Orange Prize–winning author of Property
The Last Madam
The “raunchy, hilarious, and thrilling” true story of the incomparable Norma Wallace, proprietor of a notorious 1920s New Orleans brothel (NPR). Norma Wallace grew up fast. In 1916, at fifteen years old, she went to work as a streetwalker in New Orleans’ French Quarter. By the 1920s, she was a “landlady”—or, more precisely, the madam of what became one of the city’s most lavish brothels. It was frequented by politicians, movie stars, gangsters, and even the notoriously corrupt police force. But Wallace acquired more than just repeat customers. There were friends, lovers . . . and also enemies. Wallace’s romantic interests ran the gamut from a bootlegger who shot her during a ...
Glass House
When Thea Tamborella returns to New Orleans after a ten-year absence, she finds a city gripped by fear. The privileged white socialites of her private-school days pack guns to fancy dinner parties and spend their free time in paramilitary patrols. The black gardeners, maids, and cooks who work days in the mansions of the elite Garden District return each evening to housing projects wracked by poverty, drugs, and gang violence. The city's haves and have-nots glare at each other across a yawning racial divide as fear turns to hate and an us-against-them mentality.
Transits
The traditional borders between the arts have been eroded to reveal new connections and create new links between art forms. Cultural Interactions is intended to provide a forum for this activity. It will publish monographs, edited collections and volumes of primary material on points of crossover such as those between literature and the visual arts or photography and fiction, music and theatre, sculpture and historiography.
Showdown in Desire
Showdown in Desire portrays the Black Panther Party in New Orleans in 1970, a year that included a shootout with the police on Piety Street, the creation of survival programs, and the daylong standoff between the Panthers and the police in the Desire housing development. Through interviews with Malik Rahim, the Panther; Robert H. King, Panther and member of the Angola 3; Larry Preston Williams, the black policeman; Moon Landrieu, the mayor; Henry Faggen, the Desire resident; Robert Glass, the white lawyer; Jerome LeDoux, the black priest; William Barnwell, the white priest; and many others, Orissa Arend tells a nuanced story that unfolds amid guns, tear gas, desperate poverty, oppression, and inflammatory rhetoric to capture the palpable spirit of rebellion, resistance, and revolution of an incendiary summer in New Orleans.
Against Academia
The history of the study of popular culture in American academia since its (re)introduction in 1967 is filled with misunderstanding and opposition. From the first, proponents of the study of this major portion of American culture made clear that they were interested in making popular culture a supplement to the usual courses in such fields as literature, sociology, history, philosophy, and the other humanities and social sciences; nobody proposed that study of popular culture replace the other disciplines, but many suggested that it was time to reexamine the accepted courses and see if they were still viable. Opposition to the status quo always causes anxiety and opposition, but when the iss...
New Orleans Noir
Beneath the glitter of Mardi Gras lies the sleaze of Bourbon Street; under the celestial sounds of JazzFest, the nightmare screams of a city traumatized long before the storm.
Men of the Mean Streets: Gay Noir
Noir has always been one of the most popular—and darkest—sub-genres of the mystery field. Following in the footsteps of such masters of the form as James M. Cain, Raymond Chandler, and Dashiell Hammett, some of the top writers of gay mystery explore this territory of amoral tough guys with a cynical view of the world by giving classic noir a gay twist. Edited by award winning author/editors Greg Herren and J.M. Redmann, Men of the Mean Streets changes the face of gay mystery—and the reader may never look at gay life and culture in the same way again.
