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Die Sammlung Marzona
Alfabetisk ordnet udstillingskatalog over Egidio Marzonas privatsamling af moderne kunst i Gardenpalais Liechtenstein
The View from Denver
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“I am Jugoslovenka!”
“I am Jugoslovenka” argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia’s unique history of patriarchy and women’s emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia’s anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redžepova. “I am Jugoslovenka” tells a unique story of women’s resistance through the intersection of feminism, socialism and nationalism in East European visual culture.
Abstrakt, Real
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Chimerical horizon
Catalogue of an exhibition held at the Musée d'art moderne et contemporain de Strasbourg, May 11-Sept. 9, 2007.
Erwin Wurm
Text by Helmut Friedel, Franz Schuh, Stephan Berg, et al.
Warhol on Warhol
Warhol was an extremely public figure, but a very private person. His guardedness, offset by his desire to place himself in front of the media, has created a confounding situation. While Warhol masterfully presented a honed persona to the world, his faade also drove critics, fans, acquaintances, and perfect strangers to hunt for evidence of his personal life. As a result, many observers who did not directly know Warhol feel a personal claim to the white-wigged phenomenon and often refer to him as Andy. Rather than using Warhols formal surname, his given name hints at heightened familiarity and understanding.
Warhol Wool Newman
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Exhibition
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