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In this “thought-provoking blend of history, biography, women’s studies, and travelogue” (Library Journal) Mia Kankimäki recounts her enchanting travels in Japan, Kenya, and Italy while retracing the steps of ten remarkable female pioneers from history. What can a forty-something childless woman do? Bored with her life and feeling stuck, Mia Kankimäki leaves her job, sells her apartment, and decides to travel the world, following the paths of the female explorers and artists from history who have long inspired her. She flies to Tanzania and then to Kenya to see where Karen Blixen—of Out of Africa fame—lived in the 1920s. In Japan, Mia attempts to cure her depression while researc...
Fourteen essays provide a challenging outlook on narratives by women explorers and travellers from five different continents, spanning nearly one century from 1850 to 1945. The map thus drawn enables one to revisit, restore, and reassess the content and the originality of these narratives by women. The essays are relevant to the fields of travel writing and gender studies, and all draw from referential contemporary theoretical and critical works (Michel Foucault, Homi Bhabha, Edward Said, Roland Barthes, Michel de Certeau, Gilles Deleuze, Sara Mills, Kristi Siegel, and Jane Robinson). The main interest and originality of the volume result from the perspectives adopted by the different authors. The text-oriented analyses rely on close reading, thus definitely providing accurate and perceptive critical insights into the narratives. Such perspective precludes erasing the differential features characterizing each geographical space and each travelling subject. It also moves away from any temptation at creating a naturalized mythical image of these women.
Dúnlaith Bird argues that vagabondage - a physical and textual elaboration of gender identity in motion - emerges as a totemic concept in European women's travel writing from 1850. For travellers including Olympe Audouard, Isabella Bird, Isabelle Eberhardt, and Freya Stark,vagabondage is a means of pushing out the physical, geographical, and textual parameters by which 'women' are defined. Travelling in Different Skins explores the negotiations of European women travel writers from 1850-1950 within the traditionally male-oriented discourses of colonialism and Orientalism. Moving from historical overview to close textual reading, it traces a complex web of tacit collusion and gleeful defianc...
These new essays tell the stories of daring reporters, male and female, sent out by their publishers not to capture the news but to make the news--indeed to achieve star billing--and to capitalize on the Gilded Age public's craze for real-life adventures into the exotic and unknown. They examine the adventure journalism genre through the work of iconic writers such as Mark Twain and Nellie Bly, as well as lesser-known journalistic masters such as Thomas Knox and Eliza Scidmore, who took to the rivers and oceans, mineshafts and mountains, rails and trails of the late nineteenth century, shaping Americans' perceptions of the world and of themselves.
"The author brings to life the stories of the greatest women adventurers in history. Crossing five continents, these indomitable women faced unimaginable dangers, from deserts and jungles to mountains and icebergs, often armed with little in the way of specialist equipment other than an umbrella and a "good, thick skirt". Spanning a century, this book mixes triumph and tragedy as it follows these heroines' extraordinary adventures. Archival photographs and extracts from diaries, journals, letters, and other writings thrillingly bring to life the unquenchable spirit of adventure of these courageous women."--Global Books in Print.
'Full of heart.' Michael Harris, author of Solitude Being alone isn't something to endure - it's something to relish. ________ The average adult spends about a third of his or her waking time alone. Yet research suggests we aren't very good at using, never mind enjoying, alone time. Rising to the challenge, travel writer Stephanie Rosenbloom explores the joys and benefits of being alone in four mouth-watering journeys to the cities of Paris, Istanbul, Florence and New York, in four seasons. This is a book about the pleasures and benefits of savouring the moment, examining things closely, using all your senses to take in your surroundings, whether travelling to faraway places or walking the streets of your own city. Through on-the-ground observations and anecdotes, and drawing on the thinking of artists, writers and innovators who have cherished solitude, Alone Time illuminates the psychological arguments for alone time and lays bare the magic of going solo.
Fanny Bullock Workman was a complicated and restless woman who defied the rigid Victorian morals she found as restrictive as a corset. With her frizzy brown hair tucked under a helmet, Workman was a force on and off the mountain. Instrumental in breaking the British stranglehold on Himalayan mountain climbing, this American woman climbed more peaks than any of her peers and became the first woman to map the far reaches of the Himalayas and the second to address the Royal Geographic Society of London, whose past members included Charles Darwin, Richard Francis Burton, and David Livingstone. Her books—replete with photographs, illustrations, and descriptions of meteorological conditions, gla...
Luggage is an overlooked detail in the stock sketch of the expatriated modernist writer from the valise-fashioned desks of both James Joyce and Vladimir Nabokov to the lost manuscript-laden cases of Ernest Hemingway and Walter Benjamin. While the trope of modernist exile has long been spotlighted, little attention has been given to the material meaning of this condition. What things and objects do modernism's exiles and emigres carry with them and how does the act of carriage enter into the modernist picture more broadly? What are the implications and historical resonances of a portable outlook, particularly from the angles of gender, wartime conflict and character conception? Above all, how far does such an outlook impact upon artistic vision? Portability represents the simultaneous transportation and repudiation of domesticity and the home, those key frames of reference in the nineteenth-century novel. This book examines the multifarious ways in which the emergence of a modern culture of portability prompts a radical, if often problematic, departure from Victorian architectural conceptions of fiction towards more movable understandings of form and character.
This book examines the processes of scientific, cultural, political, technical, colonial and violent appropriation during the 19th century. The 19th century was the century of world travel. The earth was explored, surveyed, described, illustrated, and categorized. Travelogues became world bestsellers. Modern technology accompanied the travelers and adventurers: clocks, a postal and telegraph system, surveying equipment, and cameras. The world grew together faster and faster. Previously unknown places became better known: the highest peaks, the coldest spots, the hottest deserts, and the most remote cities. Knowledge about the white spots of the earth was systematically collected. Those who m...