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Mary Pickford
“Explains Pickford’s roles as not only a talented actress, but also as a philanthropist and industry leader who managed to end up her own producer.” —Time Out In the early days of cinema, when actors were unbilled and unmentioned in credits, audiences immediately noticed Mary Pickford. Moviegoers everywhere were riveted by her magnetic talent and appeal as she rose to become cinema’s first great star. In this engaging collection, co-published with the Library of Congress, an eminent group of film historians sheds new light on this icon’s incredible life and legacy. Pickford emerges from the pages in vivid detail, revealed as a gifted actress, a philanthropist, and a savvy industry leader who fought for creative control of her films and ultimately became her own producer. With extensive photos and illustrations, this book paints a fascinating portrait of a key figure in American cinematic history. Includes over 200 photos, illustrations, and stills from the collections of the Library of Congress and Academy of Motion Picture Arts and Sciences
Pickford
A comprehensive biography of film's first star traces her rise to fame with the growth of the medium, her influence as a partner in United Artists, her relationship with Douglas Fairbanks, and her struggles later in life. UP.
A Feminist Reader in Early Cinema
A Feminist Reader in Early Cinema marks a new era of feminist film scholarship. The twenty essays collected here demonstrate how feminist historiographies at once alter and enrich ongoing debates over visuality and identification, authorship, stardom, and nationalist ideologies in cinema and media studies. Drawing extensively on archival research, the collection yields startling accounts of women's multiple roles as early producers, directors, writers, stars, and viewers. It also engages urgent questions about cinema's capacity for presenting a stable visual field, often at the expense of racially, sexually, or class-marked bodies. While fostering new ways of thinking about film history, A F...
The Role of the Court of Justice in EU Labour Law
In an unresolved ongoing debate, the Court of Justice of the European Union (CJEU) is often included among the institutional actors responsible for the declining condition of labour law in Europe. Has its case law been more protective of employers’ interests than of workers’ rights? This innovative book greatly enhances the discussion by bringing to light the judicial lawmaking logic, other than those pertaining to the balancing of social and business values, that drive the CJEU’s reasoning in its interpretation of the labour law provisions enshrined in the European Union (EU) law, with particular attention to the directive on transfer of undertakings. Addressing fundamental issues –...
Sisters
Harlot, pious martyr, marriage breaker, obedient sister, prophetess, literate woman, agent of the devil, hypocrite. These are some qualifications of the image of Anabaptist/Mennonite women, from a wide array of perspectives. Over the ages they became both negative and positive stereotypes, created by either opponents or sympathizers, as a means of demonizing or promoting the dissident, radical free church movement. This volume explores the characteristics, backgrounds and effects of the collective perceptions of Anabaptist/Mennonite women, as well as their self-understanding, from the sixteenth into the nineteenth centuries, in a variety of case studies. This is not a gender study in the traditional sense. The theory of imagology sets the stage for the interpretation of the image of the European Mennonite sisters, acting within their religious, moral, cultural and social landscapes of Austria, Belgium, Germany, the Netherlands, Poland, Switzerland, and the Ukraine (tsarist Russia).
European Private Law - Current Status and Perspectives
Business law and labour law are driving forces and core areas of European private law. New concepts and approaches are thus required that are not limited to civil law and that are different from those traditionally embraced by national private law. These new challenges regarding the current status and perspectives of European private law are discussed in this volume by sixteen highly reputed researchers from across Europe. The contributions concern various areas of European private law, including contract, property, company, competition and labour law. This book will be an invaluable source for all those working on European law and private law within Europe.
The Divo and the Duce
At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In the post–World War I American climate of isolationism, nativism, democratic expansion of civic rights, and consumerism, Italian-born star Rodolfo Valentino and Italy’s dictator Benito Mussolini became surprising paragons of authoritarian male power and mass appeal. Drawing on extensive archival research in the United States and Italy, Giorgio Bertellini’s work shows how their popularity, both political and erotic, largely depended on the efforts of public opinion managers, including publicists, journalists, and even ambassadors. Beyond the democratic celebrations of the Jazz Age, the promotion of their charismatic masculinity through spectacle and press coverage inaugurated the now-familiar convergence of popular celebrity and political authority. This is the first volume in the new Cinema Cultures in Contact series, coedited by Giorgio Bertellini, Richard Abel, and Matthew Solomon.
Understanding EU Law
This unique book is not an introduction to European Law. It provides an understanding of methodology, objectives and principles of EU law. It tries to explain its legal peculiarities, particularly with regard to the concept of internal market. It takes as starting point its liberal roots enshrined in the free movement, competition and autonomy provisions, but focuses equally on the development of countervailing principles about citizenship, adequate standards, and governance. It refers selectively to important secondary law, in particular directives, and to leading cases of the European Court of Justice. It is directed at all law scholars, students, practitioners, political scientists, in the old and new Member countries of the EU as well as third countries who want to understand what EU law is all about. It will allow the reader a first orientation, without suffocating him or her in too much detail.
Best Actress
Showcasing a dazzling collection of 200 photographs, many of which have never before been seen, this lavishly illustrated book offers a captivating historical, social, and political examination of the first 75 women--from Janet Gaynor to Emma Stone--to have won the coveted and legendary Academy Award for Best Actress.t Actress.
The Suicidal State
Through mapping the entwinement between the turn-of-the-century nativist discourse, "race suicide," and the frequent representation of suicide in Progressive-Era literature, The Suicidal State asks what kind of agency, subjectivity, and intimacies suicide could forge in its undoing of the selfhood. Prefiguring the twenty-first-century white nationalist discourse "replacement theory," race suicide imagined the white race's declining birthrate as a sign of its imminent extinction, sparking anti-immigrant sentiment and legislation. Suicidal figures in period literature, this book argues, symptomatically enact race suicide to short-circuit the imperatives of racial reproduction and self-preservation, instead gesturing toward new erotic relationalities and pleasures.
