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The writers and artists described in this book are joined by a desire to embrace 'Eastern' aesthetics as a means of redeeming 'Western' technoculture. The assumption they all share is that at the core of modern Western culture there lies an originary and all-encompassing philosophical error - and that Asian art offers a way out of that awful matrix. That desire, this book attempts to demonstrate, has informed Anglo- and even Asian-American debates about technology and art since the late nineteenth century and continues to skew our responses to our own technocultural environment.
"Among color field painters, Dan Christensen (1942-2007) is best known for his pioneering use of the spray gun and the window-washing squeegee, from which he produced innovative and dynamic works with lustrous surface qualities"--Page 3.
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