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Published in conjunction with an exhibition held at Spanierman Modern, New York, NY, Sept. 8-Oct. 1, 2011.
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The first in a beautiful four-volume complete catalogue of all known works by the beloved American artist William Merritt Chase A perennial favorite of museum visitors, the works of William Merritt Chase (1849-1916) embody the quintessential characteristics of American Impressionism: outdoor landscapes, a colorful palette, and an energetic brushstroke. He was also a portrait painter of the first rank, a master of still life, a renowned teacher, and a leader of artists' societies. This gorgeous book, the first of a four-volume definitive catalogue, features Chase's stunning paintings in pastel, which constitute a major and previously understudied body of work by the artist; monotypes; painted...
Den amerikanske kunstner John Singer Sargents (1856-1925) skildringer af Venedig.
Intended as the companion art book to a travelling exhibition, An American Impressionist: The Art And Life Of Alson Skinner Clark is the first in-depth scrutiny of the American Impressionist painter Alson Skinner Clark (1876-1949). Featuring 77 colour plates and 10 halftones of Clark's work, ranging from nude figures to bustling urban centres to panoramic scenes from all over the world, An American Impressionist pairs the raw beauty and gentle imagery of the oil on canvas works with a brief discussion of Clark's life, his marriage, travels abroad, the toll World War I took upon him, his obscure retirement and the recent rediscovery of his contributions, particularly to the Impressionist tradition in California, where Clark made a name and lasting memory for himself among the local art community. Especially recommended for collectors, students, and connoisseurs of the Impressionist style. 77 colour & 10 halftone plates
Robin Veder's The Living Line is a radical reconceptualization of the development of late-nineteenth- and early-twentieth-century American modernism. The author illuminates connections among the histories of modern art, body cultures, and physiological aesthetics in early-twentieth-century American culture, fundamentally altering our perceptions about art and the physical, and the degree of cross-pollination in the arts. The Living Line shows that American producers and consumers of modernist visual art repeatedly characterized their aesthetic experience in terms of kinesthesia, the sense of bodily movement. They explored abstraction with kinesthetic sensibilities and used abstraction to ach...
This extensively revised edition of Thurman Wilkins’s masterful and engaging biography - well illustrated in color and black-and-white - draws on new information and recent scholarship to place Thomas Moran more securely in the milieu of the Gilded Age. It also portrays more fully the controversies that surrounded the art of Moran’s time, as he became "the Dean of American Painters." The American West was the subject of Thomas Moran’s greatest artistic triumphs - Yosemite, the Grand Canyon of the Colorado, Zion Canyon, the Virgin River, Colorado’s Mountain of the Holy Cross, and the Grand Tetons - but his travels with Ferdinand V. Hayden’s geological surveys of the Upper Yellowston...
Catalog of an exhibition held Nov. 24 - Dec. 30, 2010 at Spanierman Gallery, New York.
A teenage girl and her brother fight for their family’s future in a world devastated by climate change: “Thrillingly scary . . . There is much here to enjoy” (The Washington Post). In a dystopian future brought about by global warming, seventeen-year-old Nat and her hacker brother, Sam, have come by ship to the Big Island of Hawaii for their parents’ Final Week. The few Americans who still live well also live long—so long that older adults bow out not by natural means but by buying death contracts from the corporates who now run the disintegrating society, keeping the people happy through a constant diet of “pharma.” Nat’s family is spending their pharma-guided last week at a...