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The Blade Runner Experience
Since its release in 1982, Ridley Scott's Blade Runner, based on Philip K. Dick's novel Do Androids Dream of Electric Sheep?, has remained a cult classic through its depiction of a futuristic Los Angeles; its complex, enigmatic plot; and its underlying questions about the nature of human identity. The Blade Runner Experience: The Legacy of a Science Fiction Classic examines the film in a broad context, examining its relationship to the original novel, the PC game, the series of sequels, and the many films influenced by its style and themes. It investigates Blade Runner online fandom and asks how the film's future city compares to the present-day Los Angeles, and it revisits the film to pose surprising new questions about its characters and their world.
Counterfeit Worlds
Philip K. Dick struggled to make a living during his lifetime, but his work has since served as a deep seam of ideas to be mined by filmmakers such as Ridley Scott, Paul Verhoeven, Steven Spielberg, John Woo and Richard Linklater, resulting in some of the most successful and influential SF movies of all time. For the still-unequalled future world of Blade Runner to the mind-bending A Scanner Darkly, via the blockbusting action/adventure of Total Recall, Paycheck and Minority Report – not to mention the debt of gratitude films like The Matrix and The Truman Show owe to his work – the legacy of Philip K. Dick has revolutionised Hollywood.
The Collapse of the Conventional
"Bringing together many of the most important scholars of German film, this hugely significant collection offers a fascinating and subtle account of the contours of the political in the post-Wall cinematic landscape."---Paul Cooke, professor of German cultural studies in the School of Modern Languages and Cultures, University of Leeds --Book Jacket.
Movies Made for Television
Supplementing Movies Made for Television: 1964-2004, this new volume contains entries on an additional 400 television films and mini-series produced between 2005 and 2009. Each entry includes extensive production credits (director, writer, producer, composer, director of photography, and editor) and a complete cast and character listing.
The Sound of Pictures
The Sound of Pictures is an illuminating journey through the soundtracks of more than 400 films. How do filmmakers play with sound? And how does that affect the way we watch their movies? Whether pop or classical, sweeping or sparse, music plays a crucial role in our cinematic experience. Other sounds can be even more evocative: the sounds of na...
Public Art in Canada
Arguably, public art is experienced daily by more people than most offerings in galleries, yet our notion of what constitutes public art is surprisingly limited. Public Art in Canada broadens the critical discussion by exploring public art's varied means of engaging with public space and the public sphere. Annie Gérin and James S. McLean have assembled contributions from new and established Canadian scholars, curators, and artists. Each contributor enlivens our understanding of public art as a practice and its place in the social and aesthetic formation of which it is a part. As a result, the book provides an overview of the current debates in the field of public art that are informed by th...
Future Imperfect
Examines the first eight cinematic adaptations of Dick's fiction in light of their literary sources.
Profiles of Canada
This book brings together contributions on a wide range of topics, including regionalism, the North, demography, ethnicity, culture, and sport, to create a comprehensive and interesting introduction to Canadian society. The addition of a short story by Alistair MacLeod is a creative departure from the academic writing of the other chapters. This updated edition is an innovative collection that combines depth, breadth, sophistication, and readability to offer the reader a comprehensive overview of Canada. Contributors include Michael Howlett, Alistair MacLeod, Don Rubin, and Patricia Monture-Angus and subjects include public policy, theatre, minorities, globalisation, and aboriginal women.
Historical Dictionary of Holocaust Cinema
The Historical Dictionary of Holocaust Cinema examines the history of how the Holocaust is presented in film, including documentaries, feature films, and television productions. It contains a chronology of events needed to give the films and their reception a historical contex...
A Knight at the Movies
Imagining the Middle Ages is an unprecedented examination of the historical content of films depicting the medieval period from the 11th to the 15th centuries. Historians increasingly feel the need to weigh in on popular depictions of the past, since so much of the public's knowledge of history comes from popular mediums. Aberth dissects how each film interpreted the period, offering estimations of the historical accuracy of the works and demonstrating how they project their own contemporary era's obsessions and fears onto the past.
