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Mia’s happy marriage is shattered when a brain tumor begins to change her husband’s personality beyond recognition. As Frederik becomes ever more a stranger before her eyes, the revelation that he has used his position as headmaster to mbezzle millions from his school's treasury turns Mia's private crisis into one that involves the community. But this disgraceful crime could become Mia’s salvation: working with a defense lawyer to build Frederik's case, they wrestle with the latest brain research, the question of free will—and their growing attraction to each other. Consumed by her new obsessions, Mia must reexamine everything she thought she knew about her marriage, and herself, as she too starts to change. . . .
A pyschological thriller in which four women are stalked - possibly by a war criminal or someone closer to home Four women work at the Danish Centre for Genocide Studies. When two of them start receiving death threats, they suspect they are being stalked by Mirko Zigic, a Bosnian torturer and war criminal. But perhaps he is not the person behind the threats - it could be someone in their very midst. Much of the drama created revolves not only around the scary sense of a killer prowling in the shadows but also around the manipulative games being played between the women in the office as they come under pressure and turn on each other. The irony is that these betrayals and persecutions are taking place amongst professionals who daily analyse cases of appalling cruelty. Now and again, the narrative is broken with extracts from 'articles' dealing with crimes against humanity and the pyschology of evil. Whilst the women apply this to their work with genocide (and the killer), there are parallels to their own behaviour.
Mia’s happy marriage is shattered when a brain tumor begins to change her husband’s personality beyond recognition. As Frederik becomes ever more a stranger before her eyes, the revelation that he has used his position as headmaster to mbezzle millions from his school's treasury turns Mia's private crisis into one that involves the community. But this disgraceful crime could become Mia’s salvation: working with a defense lawyer to build Frederik's case, they wrestle with the latest brain research, the question of free will—and their growing attraction to each other. Consumed by her new obsessions, Mia must reexamine everything she thought she knew about her marriage, and herself, as she too starts to change. . . .
"Fictionality and Multimodal Narratives interrogates the multimodal relationship between fictionality and factuality. The contemporary discussion about fictionality coincides with an increase in anxiety regarding the categories of fact and fiction in popular culture and global media. Today's media-saturated historical moment and political climate give a sense of urgency to the concept of fictionality, distinct from fiction, specifically in relation to modes and media of discourse. Torsa Ghosal and Alison Gibbons explicitly interrogate the relationship of fictionality with multimodal strategies of narrative construction in the present media ecology. Contributors consider the ways narrative structures, their reception, and their theoretical frameworks in narratology are influenced and changed by media composition-particularly new media. By accounting for the relationship of multimodal composition with the ontological complexity of narrative worlds, Fictionality and Multimodal Narratives fills a critical gap in contemporary narratology-the discipline that has, to date, contributed most to the conceptualization of fictionality"--
In this book, a group of lawyers and legal historians help to identify the new Nordic legal map, which is under construction. This book is a collection of papers addressing legal staging, and most of the articles combine theoretical approaches to the visuality of law with practical experiences and effects. The texts show that law is so much more than law in action and law in books: law is also part of a visual culture. It contributes to that culture and is, in turn, analyzed, maintained, and criticized by that culture. At the same time, the cultural manifestations of law change the way we understand law and, thus, change law itself.
Ideas in Profile: Small Introductions to Big Topics In the first title of an exciting new series one of the world's leading political scientists asks the big questions about politics: what is it, why we do we need it and where, in these turbulent times, is it heading? From the gap between rich and poor to the impact of social media, via Machiavelli, Hobbes and Weber, Runciman's comprehensive short introduction is invaluable to those studying politics or those who want to know how life in Denmark became more comfortable than in Syria. The Ideas in Profile series is what introductions can and should be. Concise, clear, relevant, entertaining, original and global in scope, Politics makes essential reading for anyone, from students to the general reader.
Now available in paperback, the editors of this book are internationally known in the field of literary translation and translation studies - particularly as promoters of the view that translation as a creative practice rather than a mechanical process.
Since the late 1960s, the novels of Sjowall and Wahloo's Martin Beck detective series, along with the works of Henning Mankell, Hakan Nesser and Stieg Larsson, have sparked an explosion of Nordic crime fiction--grim police procedurals treating urgent sociopolitical issues affecting the contemporary world. Steeped in noir techniques and viewpoints, many of these novels are reaching international audiences through film and television adaptations. This reference guide introduces the world of Nordic crime fiction to English-speaking readers. Caught between the demands of conscience and societal strictures, the detectives in these stories--like the heroes of Norse mythology--know that they and their world must perish, but fight on regardless of cost. At a time of bleak eventualities, Nordic crime fiction interprets the bitter end as a celebration of the indomitable human spirit.
The essays collected in this volume form a multifaceted discourse on religious, philosophical, historical, ethnocultural and sociocultural, literary and linguistic issues. A multicultural approach to the problem of the soul allows the presentation of it on a microscale, focused on national and regional specificity, as well as on the macroscale, oriented toward universal values which can be observed in the cultures of peoples distant from each other in both time and space. The book consists of 28 chapters, addressing the fundamental themes of human existence, which find expression in cultural texts in both colloquial and artistic language, and which have a prominent place in anthropological, psychological, metaphysical and theological debates.
Barry Forshaw, the UK's principal crime fiction expert, presents a celebration and analysis of the Scandinavian crime genre, from Sjöwall and Wahlöö's Martin Beck series through Henning Mankell's Wallander to Stieg Larsson's demolition of the Swedish Social Democratic ideal in the publishing phenomenon The Girl with the Dragon Tattoo .