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In 1723 a number of Palatine families were allowed to take up lands in the Mohawk Valley of New York. Those settling in the bounds of the present county of Herkimer were known as the Burnetsfield Patentees, after the name of the grant made by New York Governor William Burnet, and are the subject of this formidable work. This book deals with the families established in the area before the Revolution, and detailed genealogies are given for almost 100 of them.
The Daughter’s Way investigates negotiations of female subjectivity in twentieth-century Canadian women’s elegies with a special emphasis on the father’s death as a literary and political watershed. The book examines the work of Dorothy Livesay, P.K. Page, Jay Macpherson, Margaret Atwood, Kristjana Gunnars, Lola Lemire Tostevin, Anne Carson, and Erin Mouré as elegiac daughteronomies—literary artifacts of mourning that grow from the poets’ investigation into the function and limitations of elegiac convention. Some poets treat the father as a metaphor for socio-political power, while others explore more personal iterations of loss, but all the poets in The Daughter’s Way seek to r...
A comprehensive and comparative examination of the concept of recognition across history and disciplines.
This study is a textual and contextual appraisal of the writings of Yorkshire-born Hedley Smith (1909-94) whose depiction of the fictional mill village of Briardale, Rhode Island, captures an early twentieth-century labor diaspora peopled with textile workers. Enraged and embittered at the transformatory experience of his own emigration, Smith used fiction to explore Yorkshire immigrants' culture and stubborn refusal to assimilate, their vital sexuality, and their vivid social customs. As Smith's writings reveal, emigration involves grief and anger, often universally concealed and problematic. Adopting a transnational perspective, Mary H. Blewett links Smith's fictional community to empirical data on the substance of working-class lives both in Yorkshire and in New England's worsted textile industries.
Among the proliferation of Protestant sects across England in the seventeenth century, a remarkable number began adopting demonstratively Jewish ritual practices. From circumcision to Sabbath-keeping and dietary laws, their actions led these movements were labelled by their contemporaries as Judaizers, with various motives proposed. Were these Judaizing steps an excrescence of over-exuberant biblicism? Were they a by-product of Protestant apocalyptic tendencies? Were they a response to the changing status of Jews in Europe? In Jewish Christians in Puritan England, Aidan Cottrell-Boyce shows that it was instead another aspect of Puritanism that led to this behaviour: the need to be recognised as a 'singular', positively distinctive, Godly minority. This quest for demonstrable uniqueness as a form of assurance united the Judaizing groups with other Protestant movements, while the depiction of Judaism in Christian rhetoric at the time made them a peculiarly ideal model upon which to base the marks of their salvation.
Up-to-date biographies with a list of works for each of the writers, detailed annotations to the original text and a glossary complete this edition."--BOOK JACKET.
Grief and Women Writers in the English Renaissance anatomizes the era's powerful but troubling links between the forgettable dead and the living mourners who are implicated in the same oblivion. Four major women writers from 1570 to 1670 construct these difficult bonds between the spectral dead and the liminal mourner. Mary Sidney Herbert, Countess of Pembroke, reinvents the controversial substitutions of aristocratic funerals. New Protestant ideologies of the sainted dead connect devotional mourning and patronage in Aemelia Lanyer's writing. Mary Wroth's verse enacts a uniquely exalted, imaginative melancholy in which Jacobean subjects dissolve into their mourning artifacts. Among the precarious political mourners of the later half of the period, Katherine Philips's lyric verse plays the shell game of private grief. Forgetting, being forgotten, and being dead are risks that the dead and the living ironically share in these central texts by the English Renaissance's most illustrious women writers.
Traditional approaches to Prairie literature have focussed on the significance of "the land" in attempts to make a place into a home. The emphasis on the importance of landscape as a defining feature ignores the important roles played by other influences brought to the land such as history, culture, gender, ethnicity, religion, community, family, and occupation. Deborah Keahey considers over 70 years of Canadian Prairie literature, including poetry, autobiography, drama, and fiction. The 17 writers range from the well-established, like Martha Ostenso and Robert Kroetsch, to newer writers, like Ian Ross and Kelly Rebar. Through their works, she asks whether the Prairies are a physical or a po...
Canada's rich literary heritage, dominated by a multicultural and multilingual presence, reflects the country's unique history and experience. In addition, an emerging body of new writers is redefining both the geographic and metaphorical boundaries of Canadian literature. Coupled with the propagation of digital technologies, Canada's burgeoning publishing industry presents unique challenges for both the introductory and seasoned literary researcher. Literary Research and Canadian Literature: Strategies and Sources provides researchers with the tools to navigate Canada's multifaceted literary scene. This guide addresses the tools and best practices for selecting and evaluating print and elec...
Saskatchewan’s literary history is both colourful and complex. It is also mature enough to deserve a critical investigation of its roots and origins, its salient features and its prominent players. This collection of scholarly essays, conceptualized and compiled by well-known Saskatchewan novelist, essayist and scholar David Carpenter, examines the Saskatchewan literary scene, from its early Aboriginal storytellers on through to the decades to the burgeoning 1970s. The dozen essays, preceded by a David Carpenter introduction, include such topics as “Our New Storytellers: Cree Literature in Saskatchewan”; “The Literary Construction of Saskatchewan before 1905: Narratives of Trade, Rebellion and Settlement” and “The New Generation: The Seventies Remembered.” Also included are special topics, among them – “Playwriting in Saskatchewan”; “Feral Muse, Angelic Muse – The Poetry of Anne Szumigalski”, and tribute pieces to John V. Hicks, R.D. Symons, Terrence Heath and Alex Karras. Contributing scholars include the likes of: Kristina Fagan, Jenny Kerber, Susan Gingell, Ken Mitchell and Martin Winquist.