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English Writers
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Patristic and Text-Critical Studies
This volume brings together thirty-two essays by William L. Petersen (1950-2006), offering an overview of his ground-breaking work on, among other things, Tatian’s Diatessaron and New Testament textual criticism.
Anglia
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Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture
Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture is an anthology of the most recent works by Barbara Baert, discussing the connection between the experiences of the senses in the medieval and early modern visual culture, the hermeneutics of imagery, and the limits and possibilities of contemporary Art Sciences. The six chapters include Pentecost, Noli me tangere, the woman with an issue of blood, the Johannesschüssel, the dancing Salome, and the role of the wind. The reader is shown a medieval and early modern visual culture as a history of artistic solutions, as the fascinating approach between biblical texts, plastic imagination, and the art-scientific métier. This makes him a privileged guest in a unique in-between space where humans and their artistic expression can meet existentially.
Imagining the Anglo-Saxon Past
Decisive argument on the issues under review by one of the leading Anglo-Saxon scholars.
Medieval Herbal Remedies
This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.
Beowulf
Beowulf is the oldest and most complete epic poem in any non-Classical European language. Our only manuscript, written in Old English, dates from close to the year 1000. However, the poem remained effectively unknown even to scholars until the year 1815, when it was first published in Copenhagen. This impressive volume selects over one hundred works of critical commentary from the vast body of scholarship on Beowulf - including English translations from German, Danish, Latin and Spanish - from the poem's first mention in 1705 to the Anglophone scholarship of the early twentieth century. Tom Shippey provides both a contextual introduction and a guide to the eighteenth- and nineteenth-century scholarship which generated these Beowulf commentaries. The book is a vital document for the study of one of the major texts of 'the Northern renaissance', in which completely unknown poems and even languages were brought to the attention first of the learned world and then of popular culture. It also acts as a valuable guide to the development of nationalist and racist sentiment, beginning romantically and ending with World War and attempted genocide.
Bibliophiles and Bibliothieves
In Bibliophiles and Bibliothieves, Opritsa Popa has documented what might justifiably be described as the most celebrated case of looting of two German cultural treasures by a member of the U.S. Army at the end of World War II and their subsequent odyssey across both an ocean and a continent: the pilfering from a cellar in Bad Wildungen of the ninth-century Liber Sapientiae, containing the two leaves of the oldest extant German heroic poem, the Old High German Hildebrandslied, along with the fourteenth-century illuminated Willehalm codex, both of which had been removed from the State Library in Kassel for protection from bombing raids.
