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Henning Christiansen, Bjørn Nørgaard - MANRESA HAUPTBANHOF
Joseph Beuys performed one of his most radical pieces, the Action MANRESA, on 15 December 1966, at the Galerie Schmela in Düsseldorf. He was accompanied by Henning Christiansen and Bjørn Nørgaard. In 1994 these two Danish artists gave continuity to the original piece with the performance Manresa Hauptbahnhof (Manresa, Central Station), which was done in the very city that had given name to the earlier Beuys action. That same city was where in 1522 Saint Ignatius of Loyola had the revelations that led him to write the Spiritual Exercises, a text that wielded a powerful influence on the German artist. This book brings together for the first time all the material related to that second perfo...
Henning Christiansen
The third issue of Blank Forms' journal is released in conjunction with Freedom is Around the Corner, a retrospective exhibition and performance series devoted to the work of pioneering Danish composer and artist Henning Christiansen (1932-2008).
Guide to the Tuba Repertoire, Second Edition
Guide to the Tuba Repertoire is the most comprehensive investigation ever undertaken into the literature and discography of any single musical instrument. Under the direction of R. Winston Morris and Daniel Perantoni, this publication represents more than 40 years of research by dozens of leading professionals throughout the world. The guide defines the current status of the tuba and documents its growth since its inception in 1835. Contributors are Ron Davis, Jeffrey Funderburk, David Graves, Skip Gray, Charles A. McAdams, R. Winston Morris, Mark A. Nelson, Timothy J. Northcut, Daniel Perantoni, Philip Sinder, Joseph Skillen, Kenyon Wilson, and Jerry A. Young.
Index of Patents Issued from the United States Patent Office
pt. 1. List of patentees.--pt. 2. Index to subjects of inventions.
Silence and its Derivatives
This edited book examines silence and silencing in and out of discourse, as viewed through a variety of contexts such as historical archives, day-to-day conversations, modern poetry, creative writing clubs, and visual novels, among others. The contributions engage with the historical shifts in how silence and silencing have been viewed, conceptualized and recorded throughout the course of the twentieth and twenty-first centuries, then present a series of case studies from disciplines including linguistics, history, literature and culture, and geographical settings ranging from Argentina to the Philippines, Nigeria, Ireland, Morocco, Japan, South Africa, and Vietnam. Through these examples, the authors underline the thematic and methodological contact zones between different fields and traditions, providing a stimulating and truly interdisciplinary volume that will be of interest to scholars across the humanities.
A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975
A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 is the first publication to deal with the postwar avant-garde in the Nordic countries from a transnational perspective including all the arts and a broader cultural and political context.
Broken Music
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