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The Legitimacy of the Modern Age
In this major work, Blumenberg takes issue with Karl Löwith's well-known thesis that the idea of progress is a secularized version of Christian eschatology, which promises a dramatic intervention that will consummate the history of the world from outside. Instead, Blumenberg argues, the idea of progress always implies a process at work within history, operating through an internal logic that ultimately expresses human choices and is legitimized by human self-assertion, by man's responsibility for his own fate.
St. Matthew Passion
St. Matthew Passion is Hans Blumenberg's sustained and devastating meditation on Jesus's anguished cry on the cross, "My God, my God, why have you forsaken me?" Why did this abandonment happen, what does it mean within the logic of the Gospels, how have believers and nonbelievers understood it, and how does it live on in art? With rare philological acuity and vast historical learning, Blumenberg unfolds context upon context in which this cry has reverberated, from early Christian apologetics and heretics to twentieth-century literature and philosophy. Blumenberg's guide through this unending story of divine abandonment is Johann Sebastian Bach's monumental Matthäuspassion, the parabolic mir...
The Pace of Modernity
Wittgenstein said that philosophers should greet each other, not by saying, “Hello,” but rather, “Take your time.” But what is time? Time is money, but this points to an even better answer to this basic question for our modern epoch: time is acceleration. In a cultural system which stresses economic efficiency, the quicker route is always the more prized, if not always the better one. Wittgenstein’s dictum thus constitutes an act of rebellion against the dominant vector of our culture, but as such it threatens to become (quickly) anti-modern. We need an approach to “reading” our information-rich culture which is ...
The Immanence of the Infinite
Most scholars would agree that there is an epochal threshold between the world of the Middle Ages and the modern world. Agreement on the nature and dynamic structure of that threshold is harder to come by. Hans Blumenberg's original and compelling account of the transition from medieval to modern, given in his 1966 work The Legitimacy of the Modern Age, has received wide attention. Elizabeth Brient begins her own account of the transition with an extensive, critical assessment of central aspects of Blumenberg's work. She elucidates his "dialogical" method of historical explanation, then discusses the shortcomings of his defense of the "legitimacy" of modernity. The transition to the modern w...
Interrogating Modernity
Interrogating Modernity returns to Hans Blumenberg's epochal The Legitimacy of the Modern Age as a springboard to interrogate questions of modernity, secularisation, technology and political legitimacy in the fields of political theology, history of ideas, political theory, art theory, history of philosophy, theology and sociology. That is, the twelve essays in this volume return to Blumenberg's work to think once more about how and why we should value the modern. Written by a group of leading international and interdisciplinary researchers, this series of responses to the question of the modern put Blumenberg into dialogue with other twentieth, and twenty-first century theorists, such as Arendt, Bloch, Derrida, Husserl, Jonas, Latour, Voegelin, Weber and many more. The result is a repositioning of his work at the heart of contemporary attempts to make sense of who we are and how we’ve got here.
Contesting Modernity in the German Secularization Debate
Sjoerd Griffioen investigates the polemics between Löwith, Blumenberg and Schmitt in the German secularization debate (1950’s-1980’s). ‘Secularization’ is revealed as a contested concept in ideological struggles over modernity and religion, both in this debate and contemporary postsecularism.
Let’S Get Down to Basics
Lets Get Down to Basics was originally written as curriculum for a class for new Christians or people who were new to the church and to the particular viewpoint of Wesleyan-Arminiam theology. It has thirteen chapters and each chapter has review questions at the end with the answers at the end of the book, making it excellent for a class, for a personal review or for someone who wants to investigate the basics of Christianity on their own. The book does not criticize any other religions or branches of Christianity, but is an attempt to lift up basics of the faith that are common to all Christians. There are some chapters that are particular to the Church of God (Anderson, Indiana) or to the W...
The Laughter of the Thracian Woman
An important work by 20-century philosopher Hans Blumenberg, here translated into English for the first time, The Laughter of the Thracian Woman describes the reception history of an anecdote best known from Plato's Theaetetus dialogue: while focused on observing the stars, the early astronomer and proto-philosopher Thales of Miletus fails to see a well directly in his path and tumbles down. A Thracian servant girl laughs, amused that he sought to understand what was above him when he was not mindful of what was right in front of him. Blumenberg sees the story as a highly sought substitute for our missing knowledge of the earliest historical events that would fit the label “theory.” By retelling the anecdote, philosophers reveal their distinctive values regarding absorption in curiosity, philosophy's past, and the demand that theorists abide by sanctioned methods and procedures. In this work and others, Blumenberg demonstrates that philosophers' most beloved images and anecdotes have become indispensable to philosophy as metaphors; that is, as representations whose meanings remain indefinite and invite frequent reinterpretation.
Work on Myth
In this rich examination of how we inherit and transform myths, Hans Blumenberg continues his study of the philosophical roots of the modern world. Work on Myth is in five parts. The first two analyze the characteristics of myth and the stages in the West's work on myth, including long discussions of such authors as Freud, Joyce, Cassirer, and Valéry. The latter three parts present a comprehensive account of the history of the Prometheus myth, from Hesiod and Aeschylus to Gide and Kafka. This section includes a detailed analysis of Goethe's lifelong confrontation with the Prometheus myth, which is a unique synthesis of "psychobiography" and history of ideas. Work on Myth is included in the series Studies in Contemporary German Social Thought, edited by Thomas McCarthy.
Paradigms for a Metaphorology
What role do metaphors play in philosophical language? Are they impediments to clear thinking and clear expression, rhetorical flourishes that may well help to make philosophy more accessible to a lay audience, but that ought ideally to be eradicated in the interests of terminological exactness? Or can the images used by philosophers tell us more about the hopes and cares, attitudes and indifferences that regulate an epoch than their carefully elaborated systems of thought? In Paradigms for a Metaphorology, originally published in 1960 and here made available for the first time in English translation, Hans Blumenberg (1920-1996) approaches these questions by examining the relationship betwee...
