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Bernhard Lang
Bernhard Lang: Critical Guides to Contemporary Composers offers a critical guide and introduction to the work of Austrian composer Bernhard Lang (b. 1957). It identifies the phenomenon of repetition as a central concern in Lang’s thinking and making. The composer’s artistic practice is identified as one of ‘loop aesthetics’: a creative poetics in which repetition serves not only as methodology, but also as material, language, and subject matter. The book is structured around the four central thematic nodes of philosophy, music, theatre, and politics. After introducing Lang as a composer whose work is thoroughly influenced by philosophical thought, the book develops a typology of musi...
Music After the Fall
Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z
Trauermarsch. L'Orchestre de Paris dans l'Argentine de la dictature
Décembre 1977 : les relations franco-argentines sont en crise à la suite de l'assassinat des deux religieuses françaises proches des mères des disparus. La visite de Daniel Barenboïm et de l'Orchestre de Paris à Buenos Aires en juillet 1980 pose la question du pouvoir critique des musiciens face à cette dictature féroce. Au Teatro Colón, la Cinquième Symphonie de Gustav Mahler, qui s'ouvre sur la Trauermarsch – une gigantesque marche funèbre, où Adorno avait entendu " un cri d'effroi devant pire que la mort " –, fut suivie d'une ovation interminable en l'honneur des musiciens français et de leur chef israélo-argentin, de retour dans sa ville natale après vingt années d'ab...
Brian Ferneyhough
One of contemporary music's most significant and controversial figures, Brian Ferneyhough's complex and challenging music draws inspiration from painting, literature, and philosophy, as well as music from the recent and distant past. His dense, multilayered compositions intrigue musicians while pushing both performer and instrument to the limits of their abilities. A wide-ranging survey of his life and work to date, Brian Ferneyhough examines the critical issues fundamental to understanding the composer as a musician and a thinker. Debuting in celebration of Ferneyhough's seventieth birthday in 2013, this book strikes a rich balance between critical analysis of the music and close scrutiny of its aesthetic and philosophical contexts, making possible a more rounded view of the composer than has been available.
seizoenspocket 18-19
Seizoenspocket 18-19
Decomposed
The hidden material histories of music. Music is seen as the most immaterial of the arts, and recorded music as a progress of dematerialization—an evolution from physical discs to invisible digits. In Decomposed, Kyle Devine offers another perspective. He shows that recorded music has always been a significant exploiter of both natural and human resources, and that its reliance on these resources is more problematic today than ever before. Devine uncovers the hidden history of recorded music—what recordings are made of and what happens to them when they are disposed of. Devine's story focuses on three forms of materiality. Before 1950, 78 rpm records were made of shellac, a bug-based res...
The Music of Mauricio Kagel
Mauricio Kagel was undoubtedly one of the major figures in the new music of the last fifty years. Growing up in the rich cultural atmosphere of Buenos Aires in the 1940s and '50s, where the writer Jorge Luis Borges was one of his teachers, he became a member of avant-garde circles as well as receiving a rigorous musical education. By 1957 Kagel had acted on the advice of Pierre Boulez to move to Europe to pursue a career as a composer. He quickly established himself at Cologne, the rallying point for young composers at the time, and became one of the leading, if controversial, figures at the famous Darmstadt summer courses. He embraced multiple serialism, aleatory technique and electronics, ...
Intelligent Audio Analysis
This book provides the reader with the knowledge necessary for comprehension of the field of Intelligent Audio Analysis. It firstly introduces standard methods and discusses the typical Intelligent Audio Analysis chain going from audio data to audio features to audio recognition. Further, an introduction to audio source separation, and enhancement and robustness are given. After the introductory parts, the book shows several applications for the three types of audio: speech, music, and general sound. Each task is shortly introduced, followed by a description of the specific data and methods applied, experiments and results, and a conclusion for this specific task. The books provides benchmark results and standardized test-beds for a broader range of audio analysis tasks. The main focus thereby lies on the parallel advancement of realism in audio analysis, as too often today’s results are overly optimistic owing to idealized testing conditions, and it serves to stimulate synergies arising from transfer of methods and leads to a holistic audio analysis.
