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The Rich Visit the Poor, the Poor Visit the Rich
Emerging artists in Europe are casting a discerning eye onto the increasing economic disparity created by Western mega-powers between the haves and the have-nots. Krystufek creates a complex and charged dialogue through a riot of color collages composed of appropriated images taken from slick color advertisements, news photos and carefully selected text. This work has strong historical roots to the Dada and Assemblage movements of the 20th century. Warning: will not work well above the new couch!
Roman Ondák
Roman Ondák represents the Slovak Republic at the 2009 Venice Biennale. In this volume the Slovak artist Roman Ondák has brought together some of his works that deal with time, measurement, and surveying along with those that make visible what evades the visual, namely boundaries and experience. Alongside a complete documentation of the exhibition Measuring the Universe, where the museum attendants checked the body size of the visitors throughout its duration, one also finds Failed Fall (2008), a greenhouse's floor filled with dried autumn leaves, and Across that Place (2008), the story of the no longer existing Canal Zone by the Panama Canal. Whether working with installation, photography...
Michaël Borremans
Belgian artist Michaël Borremans (born 1963) is among the most brilliant painters of emotion of the past half-century. An heir to the sober, enigmatic character studies of Manet and Velazquez and the thick indoor atmospheres of Vermeer, Borremans has greatly advanced this tradition, in part through his incorporation of cinematic allusion and of that uniquely Belgian take on Surrealism that is at once deeply phlegmatic and bizarrely comical. Any divisions between realism and flights of fantasy are mysteriously abolished by Borremans, however, leaving the viewer to confront his intense, almost claustrophobic painterly world. Published for an exhibition at BAWAG Contemporary in Vienna, Magnetics presents a concise selection of a dozen canvases made over the past five years, examined in dialogue with the artist's drawings and films.
Anywhere or Not at All
A new reading of the philosophy of contemporary art by the author of The Politics of Time Contemporary art is the object of inflated and widely divergent claims. But what kind of discourse can open it up effectively to critical analysis? Anywhere or Not at All is a major philosophical intervention in art theory that challenges the terms of established positions through a new approach at once philosophical, historical, social and art-critical. Developing the position that “contemporary art is postconceptual art,” the book progresses through a dual series of conceptual constructions and interpretations of particular works to assess the art from a number of perspectives: contemporaneity and...
Romantic conceptualism
Featuring work by 23 international artists including Bas Jan Ader, Tacita Dean, Felix Gonzalez-Torres, Rodney Graham, Louise Lawler, Yoko Ono and Frances Stark, this illustrated reader takes on romantic motifs (desire, melancholia) and methods (fragmentation, ephemerality, process) in Conceptualism, thwarting the conventional opposition between romantic inwardness and conceptual rationalism.
Richard Jackson
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Telling Stories
Trespassing disciplines and binding together practice and theory, Telling Stories: Visual Practice, Theories and Narrative crosses strange territories and occupies liminal spaces. It addresses a contemporary preoccupation with narrative and narration, which is being played out across the arts, humanities and beyond, and considers how visual and performative encounters contribute to thinking. How might they tell theories? Telling Stories results from a series of symposia, held at Loughborough University School of Art and Design in 2007. The programme included papers, screenings and performances and was based around the convenors’ shared interests in Peggy Phelan’s notion of ‘performativ...
