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Fairacres Publications 111 The watershed shown on the front cover is Striding Edge in the Helvellyn area of the Lake District. The shadow on one side of the ridge and light on the other are a striking visual image of the experience of forgiveness and new life which the author has come to associate with repentance. Her personal introduction to this sacrament explains why to go to confession and how to set about it. As Michael Mayne says in his foreword, ‘Those who have known that sense of liberation, even resurrection, within the context of sacramental confession will not need Chris North’s words to confirm their own experience. Others, who are not aware that confession is available or are suspicious of this good Anglican practice, may be reassured and encouraged to explore for themselves this most costly yet rewarding of ways of encountering the grace of God.
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For a decimated post-war West Germany, the electronic music studio at the WDR radio in Cologne was a beacon of hope. Jennifer Iverson's Electronic Inspirations: Technologies of the Cold War Musical Avant-Garde traces the reclamation and repurposing of wartime machines, spaces, and discourses into the new sounds of the mid-century studio. In the 1950s, when technologies were plentiful and the need for reconstruction was great, West Germany began to rebuild its cultural prestige via aesthetic and technical advances. The studio's composers, collaborating with scientists and technicians, coaxed music from sine-tone oscillators, noise generators, band-pass filters, and magnetic tape. Together, they applied core tenets from information theory and phonetics, reclaiming military communication technologies as well as fascist propaganda broadcasting spaces. The electronic studio nurtured a revolutionary synthesis of science, technology, politics, and aesthetics. Its esoteric sounds transformed mid-century music and continue to reverberate today. Electronic music--echoing both cultural anxiety and promise--is a quintessential Cold War innovation.