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Experiencing War
This edited collection explores aspects of contemporary war that affect average people –physically, emotionally, and ethically through activities ranging from combat to television viewing. The aim of this work is to supplement the usual emphasis on strategic and national issues of war in the interest of theorizing aspects of war from the point of view of individual experience, be the individual a combatant, a casualty, a supporter, opponent, recorder, veteran, distant viewer, an international lawyer, an ethicist or other intellectual. This volume presents essays that push the boundaries of war studies and war thinking, without promoting one kind of theory or methodology for studying war as...
Art/Museums
Art/Museums takes the study of international relations to the art museum. It seeks to persuade those who study international relations to take art/museums seriously and museum studies to take up the insights of international relations. And it does so at a time when both international relations and art are said to be at an end-that is, out of control and beyond sight of their usual constituencies. The book focuses on the British Museum, the National Gallery of London, the Museum of Iraq, the Museum of Modern Art in New York, the Getty museums, the Guggenheim museums, and "museum" spaces instantly created by the attacks on the World Trade Center in 2001. The art includes works over which museu...
Feminist International Relations
Publisher Description
War as Experience
Provides a new theoretical lens for feminists to understand war, security studies and international relations.
Masquerades of War
This collection explores the concepts and practices of masquerade as they apply to concepts and practices of war. The contributors insist that masquerades are everyday aspects of the politics, praxis, and experiences of war, while also discovering that finding masquerades and tracing how they work with war is hardly simple. With a range of theories, innovative methodologies, and contextual binoculars, masquerade emerges as a layered and complex phenomenon. It can appear as state deception, lie, or camouflage, as in the population-centric American warfare in Iraq that was sold as good for the local people, or the hidden violence Russian military forces used on each other and on local men in C...
Feminist Theory and International Relations in a Postmodern Era
This book evaluates the major debates around which the discipline of international relations has developed in the light of contemporary feminist theories.
Art/Museums
Art/Museums takes the study of international relations to the art museum. It seeks to persuade those who study international relations to take art/museums seriously and museum studies to take up the insights of international relations. And it does so at a time when both international relations and art are said to be at an end-that is, out of control and beyond sight of their usual constituencies. The book focuses on the British Museum, the National Gallery of London, the Museum of Iraq, the Museum of Modern Art in New York, the Getty museums, the Guggenheim museums, and "museum" spaces instantly created by the attacks on the World Trade Center in 2001. The art includes works over which museu...
Curating and Re-curating the American Wars in Vietnam and Iraq
We have long saved--and curated--objects from wars to commemorate the war experience. These objects appear at national museums and memorials and are often mentioned in war novels and memoirs. Through them we institutionalize narratives and memories of national identity, as well as international power and purpose. While people interpret war in different ways, and there is no ultimate authority on the experiences of any war, curators of war objects make different choices about what to display or write about, none of which are entirely problematic, good, or accurate. This book asks whose vantage points on war are made available, and where, for public consumption; it also questions whose war exp...
Women and Militant Wars
This book explores women’s militant activities in insurgent wars and seeks to understand what women ‘do’ in wars. In International Relations, inter-state conflict, anti-state armed insurgency and armed militancy are essentially seen as wars where collective violence (against civilians and security forces) is used to achieve political objectives. Extending the notion of war as ‘politics of injury' to the armed militancy in Indian administered Kashmir and the Tamil armed insurgency in Sri Lanka, this book explores how women participate in militant wars, and how that politics not only shapes the gendered understandings of women’s identities and bodies but is in turn shaped by them. Th...
Women and War
Jean Elshtain examines how the myths of Man as "Just Warrior" and Woman as "Beautiful Soul" serve to recreate and secure women's social position as noncombatants and men's identity as warriors. Elshtain demonstrates how these myths are undermined by the reality of female bellicosity and sacrificial male love, as well as the moral imperatives of just wars.
