Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Nazi Worker
The Nazi Worker is the second in a three-volume project on the figure of the worker and, by extension, questions of class in twentieth-century German culture. It is based on extensive research in the archives and informed by recent debates on the politics of emotion, the end of class, and the future of work. In seven chapters, the book reconstructs the processes by which National Socialism appropriated aspects of working-class culture and socialist politics and translated class-based identifications into the racialized communitarianism of Volksgemeinschaft (folk community). Arbeitertum (workerdom), the operative term within these processes of appropriation, not only established a discursive ...
The Stalin Cult in East Germany and the Making of the Postwar Soviet Empire, 1945–1961
This book examines the construction, dissemination, and reception of the Stalin cult in East Germany from the end of World War II to the building of the Berlin Wall. By exporting Stalin’s cult to the Eastern bloc, Moscow aspired to symbolically unite the communist states in an imagined cult community pivoting around the Soviet leader. Based on Russian and German archives, this work analyzes the emergence of the Stalin cult’s transnational dimension. On one hand, it looks at how Soviet representations of power were transferred and adapted in the former “enemy’s” country. On the other hand, it reconstructs “spaces of agency” where different agents and generations interpreted, man...
Munch Revisited
In her penetrating new study, Na’ama Rokem observes that prose writing—more than poetry, drama, or other genres—came to signify a historic rift that resulted in loss and disenchantment. In Prosaic Conditions, Rokem treats prose as a signifying practice—that is, a practice that creates meaning. During the nineteenth and twentieth centuries, prose emerges in competition with other existing practices, specifically, the practice of performance. Using Zionist literature as a test case, Rokem examines the ways in which Zionist authors put prose to use, both as a concept and as a literary mode. Writing prose enables these authors to grapple with historical, political, and spatial transformations and to understand the interrelatedness of all of these changes.
Aesthetics of Interaction in Digital Art
An art-historical perspective on interactive media art that provides theoretical and methodological tools for understanding and analyzing digital art. Since the 1960s, artworks that involve the participation of the spectator have received extensive scholarly attention. Yet interactive artworks using digital media still present a challenge for academic art history. In this book, Katja Kwastek argues that the particular aesthetic experience enabled by these new media works can open up new perspectives for our understanding of art and media alike. Kwastek, herself an art historian, offers a set of theoretical and methodological tools that are suitable for understanding and analyzing not only ne...
The Scientification of the "Jewish Question" in Nazi Germany
The Scientification of the "Jewish Question" in Nazi Germany describes the attempt of a considerable number of German scholars to counter the vanishing influence of religious prejudices against the Jews with a new antisemitic rationale. As anti-Jewish stereotypes of an old-fashioned soteriological kind had become dysfunctional under the pressure of secularization, a new, more objective explanation was needed to justify the age-old danger of Judaism in the present. In the 1930s a new research field called “Judenforschung” (Jew research) emerged. Its leading figures amalgamated racial and religious features to verify the existence of an everlasting “Jewish problem”. Along with that they offered scholarly concepts for its solution.
Hitler's Salon
From 1937 to 1944 the National Socialist regime organised a series of art exhibitions, Grosse Deutsche Kuntstausstellung, in Munich. This book traces the history of the exhibitions, characterises the artists and artworks shown and investigates how the local Munich tradition of displaying art was reinvented for national purposes.
Nazi Exhibition Design and Modernism
A new and challenging perspective on Nazi exhibition design In one of the most comprehensive analyses ever written on the subject, Michael Tymkiw reassesses the relationship between Nazi exhibition design and modernism. While National Socialist exhibitions are widely understood as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew upon and reconfigured the practices and principles of modernism when designing exhibition spaces and the objects within. In this book, Tymkiw reveals that a central motivation behind such experimentation was the interest in provoking what he calls "engaged spectatorship"—attempts to elicit experiences among exhibition-goers that would pique their desire to become involved in wider processes of social and political change. For historians of art, architecture, performance, and other forms of visual culture, Nazi Exhibition Design and Modernism unravels long-held assumptions, particularly concerning the ideological stakes of participation.
Jesus is Coming
None
Von der Experimentierbühne zum Propagandainstrument
Bereits seit 1924 präsentiert die Funkausstellung, mittlerweile in »Internationale Funkausstellung« (IFA) umbenannt, die Neuerungen der Unterhaltungselektronikbranche. Ursprünglich sollte sie das neue Massenmedium Rundfunk bekannt machen, das erst 1923 seinen regelmäßigen Sendebetrieb aufgenommen hatte. Seither ist die Geschichte des deutschen Rundfunks fest mit der Funkausstellung verknüpft. Zahlreiche technische Innovationen wurden erstmals auf der Funkausstellung öffentlich präsentiert - die ersten Fernsehgeräte 1928 oder der Volksempfänger 1933 bilden dabei die wohl bekanntesten Beispiele. Welche Rolle die Veranstaltung in der Entwicklung des deutschen Rundfunks von 1924 bis 1939 gespielt hat, steht im Zentrum dieses Buches. Anschaulich arbeitet Eva Susanne Breßler die Bedeutung der Ausstellung als technische Experimentierbühne in den Anfangsjahren von Hörfunk und Fernsehen heraus. Außerdem widmet sie sich der Instrumentalisierung der Veranstaltung in der Zeit des Nationalsozialismus, in der die Funkausstellung als politisches Propagandamittel diente und massenwirksam inszeniert wurde.
Representing the Past in the Art of the Long Nineteenth Century
This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, ‘popular’ and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.
