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Giuseppe Verdi
This comprehensive research guide surveys the most significant published materials relating to Giuseppe Verdi. This new edition includes research since the publication of the first edition in 1998.
Bizet
Today, Georges Bizet is most immediately recognized as the composer of the acclaimed opera Carmen. In the new Master Musicians edition of Bizet, author Hugh Macdonald takes an in-depth look at the composer's entire life and oeuvre. Featuring the latest in Bizet scholarship, including previously unknown pieces discovered by Macdonald while assembling the first comprehensive catalogue of the composer's work, this biography reveals the true extent of Bizet's work as an arranger and transcriber as well as his considerable influence on his contemporaries.
Music as Social and Cultural Practice
"The linking theme of the essays collected here is the intersection of musical work with social and cultural practice. Inspired by Professor Strohm's ideas, as is fitting in a volume in his honour, leading scholars in the field explore diverse conceptualizations of the 'work' within the contexts of a specific repertory, over four main sections. Music in Theory and Practice studies the link between treatises and musical practice, and analyses how historical writings can reveal period views on the 'work' in music before 1800. Art and Social Process: Music in Court and Urban Societies looks at the social and cultural practices informing composition from the late Renaissance until the mid-eighte...
Notes for Violists
Notes for Violists: A Guide to the Repertoire offers historical and analytical information about thirty-five of the best-known pieces for the instrument, making it an essential resource for professional, amateur, and student violists alike. With engaging prose supported by fact-filled analytical charts, the book offers rich biographical information and insightful analyses that help violists gain a more complete understanding of pieces like Béla Bartók's Concerto for Viola and Orchestra, Rebecca Clarke's Sonata for Viola and Piano, Robert Schumann's Märchenbilder for Viola and Piano, op. 113, Carl Stamitz's Concerto for Viola and Orchestra in D Major, Igor Stravinsky's Élégie for Viola o...
Franz Schubert
This three-volume boxed set is the definitive work on Franz Schubert’s vocal music with piano. A richly illustrated encyclopedia, these substantial volumes contain more than seven hundred song commentaries with parallel text and translations (by Richard Wigmore), detailed annotations on the songs’ poetic sources, and biographies of one hundred and twenty poets, as well as general articles on accompaniment, tonality, transcriptions, singers, and more. Written by Graham Johnson—celebrated accompanist, author, and the first pianist ever to record all of Schubert’s songs and part-songs—this sumptuous work is a must for performers, scholars, and all lovers of Schubert lieder.
Opera After the Zero Hour
'Opera After the Zero Hour' argues that newly composed opera in West Germany after World War II was a site for the renegotiation of musical traditions during an era in which tradition had become politically fraught.
Georges Bizet's Carmen
The popularity of Carmen endures across generations and continents, with one of the most frequently performed and instantly recognizable operatic scores of all time and a libretto derived from Prosper M rim e's novella of the same name, written 30 years prior to the opera's 1875 debut. In Georges Bizet's Carmen--the latest volume in the Oxford Keynotes series--author Nelly Furman explores the evolution of Carmen's story and its meaning, illuminating how the titular heroine has maintained her status as a universally recognizable cultural icon. Grounded in Ludovic Hal vy's and Henri Meilhac's libretto--and drawing on a wealth of mostly French critical theory--this book traces the textual, oper...
Catholicism and Austrian Culture
Here are eight essays in cultural history on the intimate connection of Roman Catholic devotion -- and its opposite, anticlericalism -- with Austrian culture from the seventeenth to the twentieth century.
Composers of the Nazi Era
How does creativity thrive in the face of fascism? How can a highly artistic individual function professionally in so threatening a climate? The final book in a critically acclaimed trilogy that includes Different Drummers (OUP 1992) and The Twisted Muse (OUP 1997), this is a detailed study of the often interrelated careers of eight outstanding German composers who lived and worked amid the dictatorship of the Third Reich: Werner Egk, Paul Hindemith, Kurt Weill, Karl Amadeus Hartmann, Carl Orff, Hans Pfitzner, Arnold Schoenberg, and Richard Strauss. Noted historian Michael H. Kater weighs issues of accommodation and resistance to ask whether these artists corrupted themselves in the service of a criminal regime -- and if so, whether this is evident in their music. He also considers the degrees to which the Nazis poetically, socially, economically, and aesthetically succeeded in their treatment of these individuals, whose lives and compositions represent diverse responses to totalitarianism.
