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How the Movies Got a Past
How the Movies Got a Past presents a comprehensive survey of the rise of historiographical discourse on cinema in North America as it is reflected in publications, exhibitions, lectures, and films about the cinema as a technology, artform, and source of entertainment, from its inception up to 1930. With a wealth of case studies and illustrations, this book will appeal to media historians, silent movie buffs, film archivists, and students alike.
The Bressonians
How should we understand film authorship in an era when the idea of the solitary and sovereign auteur has come under attack, with critics proclaiming the death of the author and the end of cinema? The Bressonians provides an answer in the form of a strikingly original study of Bresson and his influence on the work of filmmakers Jean Eustache and Maurice Pialat. Extending the discourse of authorship beyond the idea of a singular visionary, it explores how the imperatives of excellence function within cinema’s pluralistic community. Bresson’s example offered both an artistic legacy and a creative burden within which filmmakers reckoned in different, often arduous, and altogether compelling ways.
The Parisian Avant-Garde in the Age of Cinema, 1900-1923
The first decades of the twentieth century were pivotal for the historical and formal relationships between early cinema and Cubism, mechanomorphism, abstraction, and Dada. To examine these relationships, Jennifer Wild’s interdisciplinary study grapples with the cinema’s expanded identity as a modernist form defined by the concept of horizontality. Found in early methods of projection, film exhibition, and in the film industry’s penetration into cultural life by way of film stardom, advertising, and distribution, cinematic horizontality provides a new axis of inquiry for studying early twentieth-century modernism. Shifting attention from the film to the horizon of possibility around, b...
The Broken Years
The forgotten history of Russian disabled veterans' political struggle for equal rights, specialised care, education and adapted work.
The Social Architecture of French Cinema, 1929-1939
This book provides a vital new reading of documentary and realist fiction film of the French 1930s that focuses on how these genres interlock their representations of urban spaces and places.
André Bazin's Film Theory
Through metaphors and allusions to art, science, and religion, Andr� Bazin's writings on the cinema explore a simple yet profound question: what is a human? For the famous French film critic, a human is simultaneously a rational animal and an irrational being. Bazin's idea of the cinema is a mind-machine where the ethical implications have priority over aesthetic issues. And in its ability to function as an art form for the masses, cinema is the only medium that can address an audience at the individual and community levels simultaneously-- the audience sees the same film, but each individual relates to the narrative in a different way. In principle, cinema can unsettle our routines in pro...
Disappearing Tricks
This work revisits the golden age of theatrical magic and silent film to reveal how professional magicians shaped the early history of cinema. The author treats cinema and stage magic as overlapping practices that together revise our understanding of the origins of motion pictures and cinematic spectacle.
Curiosity Killed the Cat! (Enhanced Edition)
Enhanced ebook (includes audio) Travel through time following a charming little mouse called Minim who loves cheese and music. The setting is a lively open-air café on a beautiful spring day after a long, hard winter. In the midst of people talking and laughing, a very strange fellow sits by himself, book in hand, reading a poem about a trout swimming joyfully in a brook. The small rodent spots a scrumptious piece of gruyere on the floor next to the man’s table and is completely oblivious to the fact that it’s being used as bait for a mousetrap. Fortunately, before he can sink his teeth into the cheese, he is quickly lifted off the floor by the odd-looking daydreamer...who happens to be Franz Schubert! A brilliant composer who has no qualms about making time for the little things in life. Recordings of the narrated story and the performance of the composition “Trout Quintet” (“Forellenquintett”) included.
The Rhapsodes
Pauline Kael, Andrew Sarris, and Roger Ebert were three of America's most revered and widely read film critics, more famous than many of the movies they wrote about. But their remarkable contributions to the burgeoning American film criticism of the 1960s and beyond were deeply influenced by four earlier critics: Otis Ferguson, James Agee, Manny Farber, and Parker Tyler. Film scholar and critic David Bordwell restores to a wider audience the work of Ferguson, Agee, Farber, and Tyler, critics he calls the 'Rhapsodes' for the passionate and deliberately offbeat nature of their vernacular prose.
