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The Chair - Fine Art Nude Photography
The nude and the chair have long been used by artists in a wide range of styles and periods, and their use continues to evolve and inspire new artistic interpretations. The chair can be used as a symbol or metaphor for human presence or absence, power dynamics, or social roles. In art, chairs can be used to suggest the presence of a person who has recently left the room or anticipation of return. In portraiture, chairs can be used to convey the sitter's social status or occupation. Chairs can be simple, functional or decorative but a chair not being used could be said to be a chair without purpose. The nude figure can be used to convey emotion or psychological states, such as vulnerability, ...
Blackburn
None
This Is The Room
The photographs within this monograph were made between 1990 and 2015 in various derelict, uninhabited buildings within the cities of Derby and London. These buildings ranged from neglected nightclubs, flats, pubs to shops and industrial spaces. Each were awaiting either demolition or restoration and all were haunted by a longing for new purpose. Christopher much prefers the organic qualities offered by film and the aesthetics of the square format. He used a variety of equipment, including Twin Lens Reflex, pin-hole, Holga, Diana and various vintage cameras, to create the images within this book. "...sensual nudes that pay homage to the female form in a manner that is both graceful and elegant. Very rarely do we come across a portfolio that strikes us so deeply..." - The New Nude Magazine
The Bodies Untamed
The 130 fine art nude, monochrome, photographs within this monograph were made between 1996 and 2014 in the location of Trent Park, London. Christopher much prefers the organic qualities offered by film and the aesthetics of the square format. He used a variety of equipment, including Twin Lens Reflex, pin-hole, Holga, Diana and various vintage cameras, to create the images within this book. "...sensual nudes that pay homage to the female form in a manner that is both graceful and elegant. Very rarely do we come across a portfolio that strikes us so deeply..." - The New Nude Magazine
Throwing Stones
'Throwing Stones' explores the decline of Adam Lazenby, a successful society and art photographer, when portraits of children he has made are found to have been distributed by an internet paedophile ring. He protests his innocence, claiming the images have been manipulated, but as the police, social workers and tabloid reporters delve into his life, even those closest to him start to have their doubts. His professional life falls apart, friends start to desert him and he risks losing his young daughter. 'Throwing Stones' is a challenging and thought-provoking modern drama that poses the question 'What's in your family album?' "Mid-life male photographer meets young, nubile female student-cum-artistic muse - so far it's old hat. But photographer turned playwright Christopher John Ball and co-writer Dean Sipling, whose background is film and television, bring the pairing into a thoroughly contemporary world of intercepted emails, sinister insinuation and sharp retorts." Barbara Lewis - The Stage
A Dream of John Ball
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Dream of John Ball
William Morris (1834-1896) was an English artist, writer, socialist and activist. He was one of the principal founders of the British arts and crafts movement, best known as a designer of wallpaper and patterned fabrics, a writer of poetry and fiction and a pioneer of the socialist movement in Britain. Morris and his friends formed an artistic movement, the Pre-Raphaelite Brotherhood. They eschewed the tawdry industrial manufacture of decorative arts and architecture and favoured a return to hand-craftsmanship, raising artisans to the status of artists. He espoused the philosophy that art should be affordable, hand-made, and that there should be no hierarchy of artistic mediums. His best-known works are The Defence of Guinevere, and Other Poems (1858), Hopes and Fears for Art (1882), Chants for Socialists (1885), A Dream of John Ball: A King's Lesson (1888), The House of the Wolfings (1889), Child Christopher and Goldilind the Fair (1895), Old French Romances (1896), The Well at the World's End (1896), and The Hollow Land (1897).
A Dream of John Ball
William Morris (1834-1896) was an English artist, writer, socialist and activist. He was one of the principal founders of the British arts and crafts movement, best known as a designer of wallpaper and patterned fabrics, a writer of poetry and fiction and a pioneer of the socialist movement in Britain. Morris and his friends formed an artistic movement, the Pre-Raphaelite Brotherhood. They eschewed the tawdry industrial manufacture of decorative arts and architecture and favoured a return to hand-craftsmanship, raising artisans to the status of artists. He espoused the philosophy that art should be affordable, hand-made, and that there should be no hierarchy of artistic mediums. His best-known works are The Defence of Guinevere, and Other Poems (1858), Hopes and Fears for Art (1882), Chants for Socialists (1885), A Dream of John Ball: A King's Lesson (1888), The House of the Wolfings (1889), Child Christopher and Goldilind the Fair (1895), Old French Romances (1896), The Well at the World's End (1896), and The Hollow Land (1897).
Naked Steel
Gunter Blum loved powerful women. Women who like a challenge. And women who like to challenge. In spite of Impossible odds, the lithe, improbably perfect bodies of his subjects seem to hold their own whether pitted against the vast chains, the gigantic cogs of brutal machines, or the inorganic symbols of the alien but strangely familiar environments in which these strong women play out their defiant fantasies.
Linger
A collection of photography and poetry.
