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Gustav Holst and British Operatic Culture
Gustav Holst is rarely thought of as an opera composer. Though his success and enduring fame rests primarily in orchestral and choral works, such as The Planets and The Hymn of Jesus, opera was the only genre in which he maintained a steady output across his entire career. Holstâe(tm)s operatic repertoire begins with unpublished student works such as Lansdown Castle and The Revoke, continues through the better-known Sanskrit operas, and concludes with The Wandering Scholar, one of his last compositions. These works provide a gateway to the exploration of how a budding opera composer negotiated the British operatic world across his career and how his synthesis of a myriad of cultural influen...
The Sea in the British Musical Imagination
10 Political Visions, National Identities, and the Sea Itself: Stanford and Vaughan Williams in 1910 -- 11 Bax's 'Sea Symphony' -- 12 'Close your eyes and listen to it': Special Sound and the Sea in BBC Radio Drama, 1957-59 -- Afterword : Channelling the Swaying Sound of the Sea -- Index
The Five Biggest Lies Bush Told Us About Iraq
The Five Biggest Lies Bush Told Us About Iraq is the comprehensive source on the administration's campaign of disinformation before, during, and after the second Gulf War. From the careful linking of Saddam Hussein with Al Qaeda, to the WMD canard, to the September 2003 damage-control sideshow, AlterNet.org's Christopher Scheer and Lakshmi Chaudhry team up with renowned journalist Robert Scheer to take the full measure of official deception. They not only lied, the authors conclude; the pattern of obfuscation, misstatement, and half-retraction amounted to a devious entrapment of the American people. The Five Biggest Lies Bush Told Us About Iraq offers the first analysis of this pattern, unde...
Enchanted Modernities
When the occult came to the American West: individualism and magic in the art of California, from Agnes Pelton to Jess "It is in America that the transformation will take place, and has already silently commenced." With these words, written in The Secret Doctrine in 1888, occultist philosopher Helena Blavatsky drew a direct connection between the Theosophical Society and the dynamic energy of 19th-century Americanism. Blavatsky and her successors identified the American West as the perfect site for a rebirth and re-enchantment of humanity, drawing those seeking spiritual fulfilment outside of organized religion to the dramatic landscapes of California, Arizona, Utah and New Mexico--places wh...
British Music and Modernism, 1895-1960
Imaginative analytical and critical work on British music of the early twentieth century has been hindered by perceptions of the repertory as insular in its references and backward in its style and syntax, escaping the modernity that surrounded its composers. Recent research has begun to break down these perceptions and has found intriguing links between British music and modernism. This book brings together contributions from scholars working in analysis, hermeneutics, reception history, critical theory and the history of ideas. Three overall themes emerge from its chapters: accounts of British reactions to Continental modernism and the forms they took; links between music and the visual arts; and analysis and interpretation of compositions in the light of recent theoretical work on form, tonality and pitch organization.
Explorations in Music and Esotericism
Scholars explore from many fresh angles the interweavings of two of the richest strands of human culture-music and esotericism-with examples from the medieval period to the modern age. Music and esotericism are two responses to the intuition that the world holds hidden order, beauty, and power. Those who compose, perform, and listen to music have often noted that music can be a bridge between sensory and transcendent realms. Such renowned writers as Boethius expanded the definition of music to encompass not only sounded music but also the harmonic fabric of human and cosmic life. Those who engage in pursuits called "esoteric," from ancient astrology, magic, and alchemy to recent and more nov...
Benjamin Britten in Context
A thematically organised overview of the musical, social and cultural contexts for the multi-faceted career of this pivotal British composer.
Theosophy across Boundaries
Theosophy across Boundaries brings a global history approach to the study of esotericism, highlighting the important role of Theosophy in the general histories of religion, science, philosophy, art, and politics. The first half of the book consists of seven perspectives on the activities of the Theosophical Society in very different regional contexts, ranging from India, Vietnam, China, and Japan to Victorian Britain and Israel, shedding new light on the entanglement of "Western" and "Oriental" ideas around 1900. The second half explores specific cultural influences that Theosophy exerted in the spheres of literature, art, and politics, using case studies from Sri Lanka, Burma, India, Japan, Ireland, Germany, and Russia. The examples clearly show that Theosophy was part of a truly global movement, thus providing an outstanding example of the complex entanglements of the global religious history of the nineteenth and early twentieth centuries.
The Symphonic Poem in Britain, 1850-1950
The Symphonic Poem in Britain 1850-1950 aims to raise the status of the genre generally and in Britain specifically. The volume reaffirms British composers' confidence in dealing with literary texts and takes advantage of the contributors' interdisciplinary expertise by situating discussions of the tone poem in Britain in a variety of historical, analytical and cultural contexts. This book highlights some of the continental models that influenced British composers, and identifies a range of issues related to perceptions of the genre. Richard Strauss became an important figure in Britain during this time, not only in terms of the clear impact of his tone poems, but the debates over their valu...
