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“A strange and surprisingly touching novel about how people find good and evil where they look for them” (Booklist). In 1930s Russia, an eight-year-old boy named Vladimir is suddenly stricken with a chronic case of the hiccups. He soon finds himself spirited away to a Moscow hospital by the famous physician Sergei Namestikov, who puts him through a series of extraordinary—and often bizarre—treatments in an effort to find a cure. Then Sergei’s chief medical rival, the brilliant Alexander Afiniganov, determines that beneath Vladimir’s blank eyes lurks a pure, unbridled evil—and takes steps to remove the child from polite society. Abandoned by everyone but his hiccups, Vladimir is about to embark on a journey that is funny, poignant, and surreal—and that takes a close look at the nature of good and evil—in this novel, a winner of the Canadian Authors Association Award for Fiction from the author of Hanna Who Fell From the Sky. “A beautifully written novel, part folk tale, part parable.” —Will Ferguson, author of Happiness
‘I adore Meades’s book . . . I want more of his rule-breaking irreverence in my kitchen’ New York Times ‘The Plagiarist in the Kitchen is hilariously grumpy, muttering at us “Don’t you bastards know anything?” You can read it purely for literary pleasure, but Jonathan Meades makes everything sound so delicious that the non-cook will be moved to cook and the bad cook will cook better’ David Hare, Guardian The Plagiarist in the Kitchen is an anti-cookbook. Best known as a provocative novelist, journalist and film-maker, Jonathan Meades has also been called ‘the best amateur chef in the world’ by Marco Pierre White. His contention here is that anyone who claims to have inven...
Fifteen-year-old Jacob feels almost on the inside: almost smart, almost funny, almost good-looking, almost worthy of falling in love. His sister is too busy dating guys in Whitesnake jackets to notice, and his best friend is occupied with his own painful pubescent crisis. Jacob's mother has just started a curious (and rather un-Christian) holy war with the church across the street, while his father has secretly moved into the garage. Everything changes when Jacob meets Mary. Jacob thinks Mary is the most beautiful girl in the world. If only Mary's father wasn't the minister at the enormous rival church. If only she wasn't dating a youth pastor with pristine white teeth and impeccably trimmed hair. If only Jacob could work up the courage to tell Mary how he feels . . . As the conflict between the churches escalates, a peeping Tom prowls the neighborhood, a bearded lady terrorizes unsuspecting Dairy Queen customers, a beautiful young girl entices Jacob into a carnal romp in a car wash, and the church parishioners prepare their annual re-enactment of Operation Desert Storm. For the Love of Mary is sidesplitting satire with a surprising amount of heart.
Longing to break out of his dreary existence, Henrik Nordmark--a bald, middle-aged security guard with few friends and no romantic possibilities--is determined to experience one moment of inimitable distinction, even if it kills him. His quest for authentic experience leads him to the throes of addiction, virtuous recovery, and disenchanted notoriety as a public menace. When his attempts at courtship and romance falter, he inadvertently becomes the target of a team of elderly assassins--one blind, one deaf, and the other mute. Alongside his impulsive young office mate Roland, who chucks everything in the mistaken belief that he has won the lottery, Henrik becomes entangled with a pair of star-crossed, disenchanted lovebirds named Bonnie and Clyde who now want to kill each other. The comic hysteria reaches a crescendo in which Henrik finally realizes his purpose on earth.
This landmark publication collects three decades of writing from one of the most original, provocative and consistently entertaining voices of our time. Anyone who cares about language and culture should have this book in their life. Thirty years ago, Jonathan Meades published a volume of reportorial journalism, essays, criticism, squibs and fictions called Peter Knows What Dick Likes. The critic James Wood was moved to write: ‘When journalism is like this, journalism and literature become one.’ Pedro and Ricky Come Again is every bit as rich and catholic as its predecessor. It is bigger, darker, funnier, and just as impervious to taste and manners. It bristles with wit and pin-sharp eloquence, whether Meades is contemplating northernness in a German forest or hymning the virtues of slang. From the indefensibility of nationalism and the ubiquitous abuse of the word ‘iconic’, to John Lennon’s shopping lists and the wine they call Black Tower, the work assembled here demonstrates Meades's unparalleled range and erudition, with pieces on cities, artists, sex, England, concrete, politics and much, much more.
Jonathan Meades has an obsessive preoccupation with places. He has spent thirty years constructing sixty films, two novels and hundreds of pieces of journalism that explore an extraordinary range of them, from natural landscapes to man-made buildings and 'the gaps between them', drawing attention to what he calls 'the rich oddness of what we take for granted'. This book collects fifty-four pieces and six film scripts that dissolve the barriers between high and low culture, good and bad taste, deep seriousness and black comedy. Meades delivers what he calls 'heavy entertainment' – strong opinions backed up by an astonishing depth of knowledge. To read Meades on places, buildings, politics or cultural history is an exhilarating workout for the mind. He leaves you better informed, more alert, less gullible.
These short stories mark the start of a brilliant and black literary career. A dog who stars in bestial pornographic movies describes the slippery slope towards aniseed addiction in 'Fur and Skin'. 'The Sylvan Life' is a story of rustling, hallucinogenic mushrooms and incest as they proliferate in the New Forest. In 'Spring and Fall' a rich and childless woman offers a sybaritic young boy a clandestine family life which becomes his downfall. The most extraordinary circumstances combine to provide the perfect alibi for a homosexual 'crime passionnel' in 'Oh So Bent', 'The Brute's Price' demonstrates the inadvertent steps an innocent man may take in bringing himself under suspicion of heinous ...
THE TIKTOK SENSATION Discover the million-copy bestselling fantasy read. The circus arrives without warning. It is simply there, when yesterday it was not. Against the grey sky the towering tents are striped black and white. A sign hanging upon an iron gates reads: Opens at Nightfall Closes at Dawn Full of breath-taking amazements and open only at night, Le Cirque des Rêves seems to cast a spell over all who wander its circular paths. But behind the glittering acrobats, fortune-tellers and contortionists a fierce competition is underway. Celia and Marco are two young magicians who have been trained since childhood for a deadly duel. With the lives of everyone at the Circus of Dreams at stake, they must test the very limits of the imagination, and of their love. Complete your collection with The Starless Sea, the second novel from the author of the The Night Circus, out now. 'The only response to this novel is simply: wow. It is a breath-taking feat of imagination, a flight of fancy that pulls you in and wraps you up in its spell' The Times
Photographer Christopher Herwig has covered more than 30,000 km by car, bike, bus and taxi in 13 former Soviet countries discovering and documenting these unexpected treasures of modern art. From the shores of the Black Sea to the endless Kazakh steppe, these bus stops show the range of public art from the Soviet era and give a rare glimpse into the creative minds of the time. These books represent the most comprehensive and diverse collection of Soviet bus stop design ever assembled from: Kazakhstan, Turkmenistan, Uzbekistan, Kyrgyzstan, Tajikistan, Ukraine, Moldova, Armenia, Abkhazia, Georgia, Lithuania, Latvia and Estonia. With a foreword by writer, critic and television presenter Jonathan Meades. --Volume 1.