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Sir John Vanbrugh and Landscape Architecture in Baroque England
Sir John Vanbrugh is celebrated today as one of England's finest country house architects. His masterpieces include palatial private homes such as Castle Howard and Blenheim Palace, greatly admired by any enthusiast of English Baroque architecture. However, his work extended far beyond such projects, and included a remarkable variety of temples, belvederes, pyramids and many other features which he designed for the gardens and parks of the estates at which he worked. The originality of such work has shown that Vanbrugh played a crucial role in the development of the eighteenth-century English garden, and this unique and fascinating book uses the fruits of new research to assess just what contribution this great man made to our heritage.
How the Country House Became English
The story of how the country house, historically a site of violent disruption, came to symbolize English stability during the eighteenth century. Country houses are quintessentially English, not only architecturally but also in that they embody national values of continuity and insularity. The English country house, however, has more often been the site of violent disruption than continuous peace. So how is it that the country how came to represent an uncomplicated, nostalgic vision of English history? This book explores the evolution of the country house, beginning with the Reformation and Civil War, and shows how the political events of the eighteenth century, which culminated in the reaction against the French Revolution, led to country houses being recast as symbols of England’s political stability.
Women and the Country House in Ireland and Britain
In recent years, the role of women in country houses and estates across Ireland and the UK has been the focus of greater attention. Chatelaines, mothers, wives, daughters, widows, sisters, housekeepers, and maids were ever-present figures in the microcosm of the country house. New research has begun to reveal the extent of their involvement in managing households and estates, influencing design, adopting public roles, championing good causes, as well as raising families and committing their thoughts to paper in literary expression. This volume of essays, many of which draw on hitherto unseen family archives, will bring new perspectives to our understanding of the country house as a place whe...
Power and Virtue
This is the first full-length study on the connections between English architecture and intellectual change between 1660 and 1730. As new ideas developed in post-Restoration England across the realms of politics, culture, academia and morality, so too did architectural expression of these ideas. Power and Virtue articulately engages English architecture with notions of power and virtue in terms of empirical knowledge on the one hand and humanism and virtuosi on the other. Aimed at an academic readership in history and theory of architecture and the history of English architecture, this unique study will also interest those studying the ideas of material culture.
The British Country House Revival
Fifty years ago, the future for country houses in Britain looked bleak. The Victoria & Albert Museum's exhibition The Destruction of the Country House, which opened in October 1974, charted the loss of over a thousand country houses in the preceding century. The makers of the exhibition warned that history could be "about to repeat itself" because of the threats besetting mansion properties, principally from higher taxation. Houses faced the prospect of having to be stripped of their collections and sold for use as offices, hotels, or hospitals, with their parks and gardens turned into golf clubs. Government might afford to save just a handful of the most significant of these places, working...
Sport and Leisure in the Irish and British Country House
Sir Shane Leslie once wrote that 'Country life was entirely organized to give nobility and gentry and demi-gentry a good time.'0Throughout Ireland and Britain the country house was a centre of hospitality, entertainment and leisure, with the hosting of house parties, soirees and balls. Pastimes included photography, painting, astronomy and taxidermy. Outdoors the parkland was used for a variety of sporting activities including archery, cricket, croquet and shooting, as well as local sports events, and beyond the demesne activities included hunting, horse racing and yachting. In Ireland demesne lands were developed as golf courses and estates offered land to the nationalist-dominated Gaelic Athletic Association for football and hurling.0This volume provides fresh and original insights into how leisure and sport underpinned the social hierarchy of country houses and their local communities in Ireland and Britain in the nineteenth and twentieth centuries
The Song of the Earth
In the first ecological reading of English literature, Jonathan Bate traces the distinctions among "nature," "culture," and "environment" and shows how their meanings have changed since their appearance in the literature of the eighteenth century.
Burning the Big House
The gripping story of the tumultuous destruction of the Irish country house, spanning the revolutionary years of 1912 to 1923 During the Irish Revolution nearly three hundred country houses were burned to the ground. These "Big Houses" were powerful symbols of conquest, plantation, and colonial oppression, and were caught up in the struggle for independence and the conflict between the aristocracy and those demanding access to more land. Stripped of their most important artifacts, most of the houses were never rebuilt and ruins such as Summerhill stood like ghostly figures for generations to come. Terence Dooley offers a unique perspective on the Irish Revolution, exploring the struggles over land, the impact of the Great War, and why the country mansions of the landed class became such a symbolic target for republicans throughout the period. Dooley details the shockingly sudden acts of occupation and destruction--including soldiers using a Rembrandt as a dart board--and evokes the exhilaration felt by the revolutionaries at seizing these grand houses and visibly overturning the established order.
The Morpeth Roll
"In 1841, on stepping down as chief secretary, George Howard, Lord Morpeth, received a grand farewell testimonial from the people of Ireland. This took the form of over 160,000 signatures on sheets of paper wrapped around a gigantic bobbin; when unwound, the testimonial measures a staggering 420 metres. After decades of lying in obscurity in Castle Howard, North Yorkshire, the Morpeth Roll has been the subject of intense research, digitization and conservation. This lavishly illustrated book of essays discusses the significance of the roll, and examines what it can tell us about pre-Famine Ireland. Just how the roll was commissioned and assembled in a matter of weeks, with signatures collected from across Ireland, is one focus of enquiry; as are the reasons for Morpeth's extraordinary popularity, which endured when he returned to Dublin as viceroy in the 1850s. The roll is not only a document of national significance, it is also a unique mechanical object, presenting very special challenges for display and interpretation"--Back cover.
Of Gardens
Paula Deitz has delighted readers for more than thirty years with her vivid descriptions of both famous and hidden landscapes. Her writings allow readers to share in the experience of her extensive travels, from the waterways of Britain's Castle Howard to the Japanese gardens of Kyoto, and home again to New York City's Central Park. Collected for the first time, the essays in Of Gardens record her great adventure of continual discovery, not only of the artful beauty of individual gardens but also of the intellectual and historical threads that weave them into patterns of civilization, from the modest garden for family subsistence to major urban developments. Deitz's essays describe how peopl...
