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Chapels of England
After the Protestant Reformation, religion remained remarkably unstable in Great Britain, and places of worship were the focus of dispute and regular change. Beginning in the seventeenth century, the growth of the Nonconformist denominations left a particularly rich architectural legacy in the form of a vast and diverse network of churches and chapels constructed throughout the towns and cities of England. Although many of these buildings have been lost, about 20,000 remain, some still in use by congregations to this day. The Chapels of England provides the first chronological history of Nonconformist architecture in England, from the seventeenth century to the present day. Beautifully illustrated throughout with interior and exterior photography, the book includes examples that range from small wayside chapels to large urban churches and encompass all the country's regions and each of Nonconformity's main religious traditions. The book's chronological organization allows readers to follow the main developments in the architecture of Nonconformity and understand how these developments fit within broader religious and cultural conversations.
The Victorian Church
This is a reassessment of the phenomenon of church architecture in the 19th century. It presents a range of interpretations that approach Victorian churches as products of institutional needs, socio-cultural developments, and economic forces.
Staffordshire
The newly revised Pevsner guide covering the very best of Staffordshire's buildings and architectural features An expanded, updated and fully revised guide to the buildings of Staffordshire, published fifty years after Pevsner's original survey of 1974. The first edition completed the original Buildings of England series, and its successor is in turn the final instalment of the revision programme begun in 1983, when the first large-format English volume appeared. The new edition comprises an expert introduction and a detailed gazetteer, including contributions on the west and south of the county by Chris Pickford. Highlights include the cathedral city of Lichfield, the surprisingly little-kn...
A Serious House
The church is in deep trouble, maybe in its death throes. Losing touch with the church has meant a break with the Western cultural past, its history, its music, its art, its literature, much of which cannot fully be understood without its religious heritage. But something more important than any of that is in danger of being lost. The church is a deeply imperfect and frustrating organization, but within it, community is experienced, values are nurtured, and God’s presence in the world is embodied in a people. The church carries the story of Jesus; it tells the story of who we are, it calls us to give away our lives to others and to find love as life’s central meaning. We have crossed a cultural divide. Before, if you did not hold traditional religious beliefs and belong to a church you felt obliged to explain yourself. Now the pressure is to explain why you do. This is my answer.
Women and Ceramics
This pioneering collection of essays deals with the topic of how Irish literature responds to the presence of non-Irish immigrants in Celtic-Tiger and post-Celtic-Tiger Ireland. The book assembles an international group of 18 leading and prestigious academics in the field of Irish studies from both sides of the Atlantic, including Declan Kiberd, Anne Fogarty and Maureen T. Reddy, amongst others. Key areas of discussion are: what does it mean to be 'multicultural' and what are the implications of this condition for contemporary Irish writers? How has literature in Ireland responded to inward migration? Have Irish writers reflected in their work (either explicitly or implicitly) the existence of migrant communities in Ireland? If so, are elements of Irish traditional culture and community maintained or transformed? What is the social and political efficacy of these intercultural artistic visions? Writers discussed include Hugo Hamilton, Roddy Doyle, Colum McCann, Éilís Ní Dhuibhne, Dermot Bolger, Chris Binchy, Michael O'Loughlin, Emer Martin, and Kate O'Riordan.
Design and Plan in the Country House
The way a man thinks about his day-to-day living and the needs of his household reveals a great deal about his ambitions, his idea of himself, and his role in the community. And his house or castle offers many clues to his habits as well as those of the members of his household. This intriguing book explores the evolution of country house plans throughout Britain and Ireland, from medieval times to the eighteenth century. With photographs and detailed architectural plans of each house under discussion, the book presents a whole range of new insights into how these homes were designed and what their varied designs tell us about the lives of their residents. Starting with fortified medieval tower houses, the book traces patterns that developed and sometimes repeated in country house design over the centuries. It discusses who slept in the bedchambers, where food was prepared, how rooms were arranged for official and private activities, what towers signified, and more. Groundbreaking in its depth, the volume offers a rare tour of country houses for scholar and general reader alike.
London 2
London 2: South is a uniquely comprehensive guide to the twelve southern boroughs. Its riverside buildings range from the royal splendours of Hampton Court and Greenwich and the Georgian delights of Richmond, to the monuments of Victorian commerce in Lambeth and Southwark. But the book also charts lesser known suburbs, from former villages such as Clapham to still rural, Edwardian Chislehurst, as well as the results of twentieth-century planners' dreams from Roehampton to Thamesmead. Full accounts are given of London landmarks as diverse as Southwark Cathedral, Soane's Dulwich Picture Gallery and the arts complex of the South Bank. The outer boroughs include diverse former country houses - Edward IV's Eltham Palace, the Jacobean Charlton House, and the Palladian Marble Hill. The rich Victorian churches and school buildings are covered in detail, as are the exceptional structures of Kew Gardens.
Lincolnshire
Lincolnshire is incredibly rich in medieval churches from Saxon times onwards, many of them still little known. Lincoln Cathedral is justly famous, and second only to Durham in the grandeur of its setting. The prosperous years from the Middle Ages though to the eighteenth century have left a splendid legacy in the great town churches of Boston and Louth, in the innumerable village churches of the south of the county, the delightful manor houses (such as Tennyson's Somersby) and the Georgian town houses and coaching inns of Boston and Grantham, of Lincoln and Louth, and above all of Stamford. Monuments to industry include the vast maltings at Sleaford, the soaring dock tower of Grimsby, and an abundance of windmills.
Lancashire
A comprehensive guide to the buildings of south-east Lancashire.
Clwyd: Denbighshire and Flintshire
Clwyd, covering the former counties of Denbighshire and Flintshire, is exceptionally rewarding in architecture. the medieval period has left a fine legacy, including castles of the time of Edward I as sophisticated as any in Europe, the monastic ruins of Basingwerk and Valle Crucis, and the distinctive local 'double-nave' type of Perpendicular church. Country houses range in size and ambition from Erddig, Kinmel and Chirk Castle to a host of lesser buildings, humbler but still of quality. Towns such as Denbigh and Ruthin, village groups and Victorian seaside resorts all add to the pattern of styles and materials, a pattern further enriched by relics of the Industrial revolution and the striking diversity of vernacular styles.
