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Modernism
  • Language: en
  • Pages: 447

Modernism

Modernism flourished from 1914 to 1939 and it was a key point of reference for 20th century architecture, design and art. This work explores Modernism and design from an international perspective and reveals the ways in which it has shaped our world and its visual culture.

Marcel Breuer, Furniture and Interiors
  • Language: en
  • Pages: 200

Marcel Breuer, Furniture and Interiors

  • Type: Book
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  • Published: 1981
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  • Publisher: Unknown

None

Creating the British Galleries at the V & A
  • Language: en
  • Pages: 332

Creating the British Galleries at the V & A

  • Type: Book
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  • Published: 2004
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  • Publisher: Unknown

Opened in 2001, the British Galleries immediately received international acclaim and subsequently won awards. This book details the immense task of putting the galleries together, from the initial early days of research to the acquisition, design and implementation.

Thonet
  • Language: en
  • Pages: 152

Thonet

  • Categories: Art
  • Type: Book
  • -
  • Published: 1980
  • -
  • Publisher: Unknown

None

Western Furniture
  • Language: en
  • Pages: 252

Western Furniture

None

Fornasetti
  • Language: en
  • Pages: 292

Fornasetti

Piero Fornasetti used illusions, architectural perspectives and a host of personal leitmotifs, such as the sun, playing cards, fish and flowers to create a style that was his own. This book documents Fornasetti's life and art, and Ettore Sottsass provides a personal tribute.

Plywood
  • Language: en

Plywood

The first fully comprehensive publication on the history of plywood, from the nineteenth century to the present day Plywood is an astonishingly versatile material, made by gluing together layers of cross-grained veneers, creating a pliable board that can be stronger than solid wood. Stylish and practical, plywood offers huge possibilities for experimental design, and it has been used to make a wide range of products, from airplanes, boats, and automobiles to architecture and furniture. This book traces the history of plywood from its use in eighteenth-century furniture, through its emergence as an industrial product in the nineteenth century, to a material celebrated by twentieth-century modernists such as Alvar Aalto and Charles and Ray Eames. An ideal material for the digital age, plywood has become popular again in recent years and is widely used in contemporary design and manufacturing. Produced to accompany an exhibition at the V&A, this book is the first comprehensive study of the history of plywood and its myriad applications throughout the ages, unveiling the stories behind objects that surround us and that we often take for granted.

Frank Lloyd Wright
  • Language: en
  • Pages: 96

Frank Lloyd Wright

This work examines in detail the background of the only complete Frank Lloyd Wright interior in Europe, the Kaufmann Office. It includes chapters on: the architect; his client, Edgar Kaufmann; the project; and the latter history of the office.

Physical Rehabilitation of the Injured Athlete
  • Language: en
  • Pages: 716

Physical Rehabilitation of the Injured Athlete

  • Type: Book
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  • Published: 2004
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  • Publisher: Unknown

Represents collaboration among orthopaedists, physical trainers, and athletic trainers. It reviews the rehabilitation needs for all types of sports injuries, stressing the treatment of the entire kinetic chain with various exercises. Chapters have been extensively revised, featuring new concepts and techniques. The 3rd edition includes four new chapters (Proprioception and Neuromuscular Control; Cervical Spine Rehabilitation; Functional Training and Advanced Rehabilitation; and Plyometrics), new contributors and new features, such as summary boxes and tables.

Worlds Apart: Modernity Through the Prism of the Local
  • Language: en
  • Pages: 288

Worlds Apart: Modernity Through the Prism of the Local

  • Type: Book
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  • Published: 2003-12-16
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  • Publisher: Routledge

Worlds Apart is concerned with one of the new futures of anthropology, namely the advances in technologies which r eate an imagination of new global and local forms. It also analyses studies of the consumption of these forms and attempts to go beyond the assumptions that consumption either localises or fails to effect global forms and images. Several of the chapters are written by anthropologists who have specialised in material culture studies and who examine the new forms, especially television and mass commodities, as well as some new uses of older forms, such as the body. The book also considers the ways in which people are increasingly not the primary creators of these images but have become secondary consumers.