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In the Fire of Conflict
  • Language: en
  • Pages: 48

In the Fire of Conflict

This version of the publication includes the Flute and Vibraphone parts but does not include the digital audio files. These may be purchased from https://43.dpdcart.com/product/163345. In the Fire of Conflict is named after the theme for the 2008 Toronto Summer Music Festival for which it was composed. Set in two continuous movements, the live percussion part is performed with the rap music in the digital audio part, sourced from American rapper Steve Henry a.k.a. 'Bugsy H.', of the Christian rap group Poetik Disciples. The live percussion weaves constantly around the rap lyrics, often drawing melodic contours from the prosodic contours of the spoken text.

Fertility Rites
  • Language: en
  • Pages: 33

Fertility Rites

Inspired by Inuit throat singing, Fertility Rites (1997) for marimba and digital audio is a haunting and highly expressive work. It is innovative for the way it combines live percussion with the digital audio part, consisting of prerecorded marimba sounds and Inuit throat singing. The katajjaq (vocal games) used in this work are used to evoke the sounds of the fertility ritual, a shamanistic mating call, which makes it particularly engaging for performers and listeners. This version of the publication does not include the digital audio files. These may be purchased from https://43.dpdcart.com/product/131010.

Telluric dances
  • Language: en
  • Pages: 68

Telluric dances

This edition is an arrangement of the original work, scored for oboe and orchestra, and has been arranged to work as a stand-alone recital piece but also functions as a rehearsal tool for the orchestral version. Influenced by Greek dance music, Hatzis' concerto for oboe and orchestra showcases virtuosic oboe performance through a blend of exotic and exciting music based on Mediterranean and Eastern European dance forms. Each of the three movements centres on a style of dance: chiftetelli, a common dance form originating from the Eastern Mediterranean; a passacaglia based on a 9-beat rhythmic pattern known in Greece as a zeibekiko (an improvised dance characterised by sudden and unexpected movements); and a common Balkan folk dance. Throughout the work, Hatzis references tonal modes characteristic of Turkish and Arabic music, which he first encountered in the Greek night-clubs of Toronto while working as a young composer in local bands. As such, this work reveals aspects in the genesis of Hatzis' eclectic style of music. Professional and advancing oboists alike will soar and exhilarate audiences with this work.

Isle is Full of Noises: for Orchestra
  • Language: en

Isle is Full of Noises: for Orchestra

  • Type: Book
  • -
  • Published: Unknown
  • -
  • Publisher: Unknown

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Arctic Dreams I
  • Language: en
  • Pages: 44

Arctic Dreams I

This version of the publication includes the Flute and Vibraphone parts but does not include the digital audio files. These may be purchased from https://43.dpdcart.com/product/139135. The starting point for this work is Voices of the Land, the third part of Footprints In New Snow, a radio documentary/composition about the Inuit and their culture which the composer created in 1995 with CBC Radio producer Keith Horner. In the documentary, the foreground is occupied by the voice of Winston White, an Inuit Elder and broadcaster from Nunavut who speaks about the north and its inhabitants. In the present work, this place is taken by the flute and vibraphone.

Humane Music Education for the Common Good
  • Language: en
  • Pages: 299

Humane Music Education for the Common Good

Why teach music? Who deserves a music education? Can making and learning about music contribute to the common good? In Humane Music Education for the Common Good, scholars and educators from around the world offer unique responses to the recent UNESCO report titled Rethinking Education: Toward the Common Good. This report suggests how, through purpose, policy, and pedagogy, education can and must respond to the challenges of our day in ways that respect and nurture all members of the human family. The contributors to this volume use this report as a framework to explore the implications and complexities that it raises. The book begins with analytical reflections on the report and then explor...

Managing in Uncertainty: Theory and Practice
  • Language: en
  • Pages: 560

Managing in Uncertainty: Theory and Practice

This book provides a new point of view on the subject of the management of uncertainty. It covers a wide variety of both theoretical and practical issues involving the analysis and management of uncertainty in the fields of finance, management and marketing. Audience: Researchers and professionals from operations research, management science and economics.

High Throughput Screening Methods
  • Language: en
  • Pages: 416

High Throughput Screening Methods

High throughput screening remains a key part of early stage drug and tool compound discovery, and methods and technologies have seen many fundamental improvements and innovations over the past 20 years. This comprehensive book provides a historical survey of the field up to the current state-of-the-art. In addition to the specific methods, this book also considers cultural and organizational questions that represent opportunities for future success. Following thought-provoking foreword and introduction from Professor Stuart Schreiber and the editors, chapters from leading experts across academia and industry cover initial considerations for screening, methods appropriate for different goals ...

Interventional Pulmonology
  • Language: en
  • Pages: 357

Interventional Pulmonology

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Hungry Listening
  • Language: en

Hungry Listening

"This highly theoretical work of ethnomusicology is a reclamation of Indigenous ceremonial and artistic practice arguing that the inclusion and appropriation of Indigenous performers in classical music traditions only enriches the settler nation-state. Robinson gives shape to Western musical and aesthetic practices as well as to Indigenous listening practices in order to eschew traditional (Western) forms of musical analysis. Instead, the work argues that new modes of listening and studying reception, emerging out of critical Indigenous studies, are essential to understanding Indigenous musical expression in ways that do not reify the power of the settler state"--