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Gone Missing
THE STORY: A wry and whimsical documentary musical of loss devised from interviews with real-life New Yorkers by The Civilians, the acclaimed New York-based company. This collection of very personal accounts of things gone missing--everything from
The Theatre of Les Waters
The Theatre of Les Waters: More Like the Weather combines original writings from Les Waters with short essays by a wide range of his collaborators, creating a personal and multi-faceted portrait of an influential director, revered mentor, and inspirational theatre artist. The book begins with a critical introduction of Waters’s work, followed by essays written by a wide range of Waters's collaborators over the past four decades. These essays are framed by shorter pieces of writing by Waters himself: reflections, inspirations, observations, and personal anecdotes. At the heart of this book lies the notion that the director’s central position in theatrical production is defined by collabor...
Experiential Spectatorship
Experiential Spectatorship offers a lens for analyzing audience experience with(in) a variety of contemporary media. Using a broad-based perspective, this media includes participatory theatre, video games, digital simulations, social media platforms, alternate reality games, choose your own adventure narratives, interactive television, and a variety of other experiential performance events. Through a taxonomy that includes Immersion, Participation, Game Play, and Role Play the book guides the reader to understand the ways mediatization and technics brought about by digital technologies are changing the capacities and expectations of contemporary audiences. In their daily interactions and rel...
The Civilians
Collected for the first time in one volume are six inventive theater pieces created by Obie Award-winning theater company The Civilians. Based on the creative investigation of actual experience, and often intertwined with experimental cabaret, their pieces are boldly theatrical and always unique -- from a story about a Hollywood movie and a lost flock of geese (Canard, Canard, Goose?); to a tale about things lost and found, charting a musical landscape of loss (Gone Missing); to a dark ride through the landscape of American public culture, asking a thorny question: how do we know what we know when everyone in power seems to be lying? ((I Am) Nobody's Lunch). Includes the plays Canard, Canard, Goose? by The Civilians, Gone Missing by The Civilians, (I Am) Nobody's Lunch by The Civilians, The Ladies by Anne Washburn, Paris Commune by Steven Cosson and Michael Friedman, Shadow of Himself by Neal Bell. With a foreword by Oskar Eustis, Artistic Director of the Public Theater.
Armed with Abundance
Popular representations of the Vietnam War tend to emphasize violence, deprivation, and trauma. By contrast, in Armed with Abundance, Meredith Lair focuses on the noncombat experiences of U.S. soldiers in Vietnam, redrawing the landscape of the war so that swimming pools, ice cream, visits from celebrities, and other "comforts" share the frame with combat. To address a tenuous morale situation, military authorities, Lair reveals, wielded abundance to insulate soldiers--and, by extension, the American public--from boredom and deprivation, making the project of war perhaps easier and certainly more palatable. The result was dozens of overbuilt bases in South Vietnam that grew more elaborate as...
The Divine Institution
The Divine Institution provides an account of how a theology of the family came to dominate a white evangelical tradition in the post-civil rights movement United States, providing a theological corollary to Religious Right politics. This tradition inherently enforces racial inequality in that it draws moral, religious, and political attention away from problems of racial and economic structural oppression, explaining all social problems as a failure of the individual to achieve the strong gender and sexual identities that ground the nuclear family. The consequences of this theology are both personal suffering for individuals who cannot measure up to prescribed gender and sexual roles, and political support for conservative government policies. Exposure to experiences that undermine the idea that an emphasis on the family is the solution to all social problems is causing a younger generation of white evangelicals to shift away from this narrow theological emphasis and toward a more social justice-oriented theology. The material and political effects of this shift remain to be seen.
Theatre Directory
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How to Start Your Own Theater Company
With advice and instruction from an experienced actor and theater director, this pragmatic, authoritative guide imparts backstage know-how for wouldbe playhouse practitioners on everything from fundraising and finding a space to selecting plays and navigating legal issues. Chronicling three seasons at Chicago's award-winning Congo Square Theatre, this journey behind the curtain reveals the nitty-gritty details—such as managing rent, parking, and safety issues; determining tax status and calculating budgets; and finding flexible day jobs—that are often overlooked amid the zeal of artistic pursuit. Inspired by Congo Square's own unique inception, the valuable how-to also speaks directly to the many underserved audiences who want to create their own companies, including African American, Asian American, Latino, physically challenged, and GLBT communities. With lists of Equity offices, legal advisers, and important organizations, this complete resource is sure to help ambitious theater lovers establish and maintain their own successful companies.
This Beautiful City
THE STORY: THIS BEAUTIFUL CITY investigates the growth of the evangelical movement in Colorado Springs. While The Civilians were conducting interviews with people involved with or affected by the mega-church movement and the battle raging over gay
Live Arts at The Met
From the mid-twentieth century to the present day, The Met has been a popular venue for the performing arts and has hosted a wide range of world-renowned musicians, composers, and dancers, including Nina Simone, Merce Cunningham, Leonard Bernstein, and Twyla Tharp. Live Arts at The Met celebrates this rich history of performance at the Museum and features recollections by artists Lee Mingwei, Bijayini Satpathy, Andrea Miller, Silas Farley, Louisa Proske, and Vijay Iyer, who all share how their engagements with The Met influenced their music, dance, sound, or theater. An interview by Adam Gopnik with Limor Tomer, Lulu C. and Anthony W. Wang General Manager of Live Arts, provides additional context on the last decade of groundbreaking projects and suggests an exciting new future for performance at The Met.
