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The Condition of Women in France
Claire Laubier brings together documentary and statistical material; extracts from newspapers and journals, literary texts, advertisements, manifestos, and personal testimonies. Each extract relates to the different experiences of women in France at work, in politics, at home and in the family. Together they offer a direct and thought-provoking chronological and thematic account of women's lives in post-war France.
Integrating Gender
This is a contribution to the debate on the role of the European Union which looks at the position of women in the institutions of the EU. The book tracks the development and implementation of policy affecting women, and analyzes the role of feminism in the political and legal history of the EU.
Feminist Review
A wide-ranging issue of the UK's leading socialist feminist journal including articles on motherhood, disabillity and women and modernism.
The Condition of women in France, 1945 to the present
Claire Laubier brings together documentary and statistical material; extracts from newspapers and journals, literary texts, advertisements, manifestos, and personal testimonies. Each extract relates to the different experiences of women in France at work, in politics, at home and in the family. Together they offer a direct and thought-provoking chronological and thematic account of women's lives in post-war France.
Enfants Terribles
Weiner highlights the new importance of youth as a social category of identity in the context of the postwar explosion of the mass media and explores the ways in which girls both defined and disrupted this category.
The Lost Wave
The first women entered national government in Italy in 1946, and represented a "lost wave" of feminist action. They used a specific electoral and legislative strategy, "constitutional rights feminism," to construct an image of the female citizen as a bulwark of democracy. Mining existing tropes of femininity such as the Resistance heroine, the working mother, the sacrificial Catholic, and the "mamma Italiana," they searched for social consensus for women's equality that could reach across religious, ideological, and gender divides. The political biographies of woman politicians intertwine throughout the book with the legislative history of the women's rights law they created and helped pass...
THE HOTEL BOOK(NO.1)
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The Museum Establishment and Contemporary Art
This book provides an in-depth account of the protests that shook France in 1968 and which served as a catalyst to a radical reconsideration of artistic practice that has shaped both art and museum exhibitions up to the present. Rebecca DeRoo examines how issues of historical and personal memory, the separation of public and private domains, and the ordinary objects of everyday life emerged as central concerns for museums and for artists, as both struggled to respond to the protests. She argues that the responses of the museums were only partially faithful to the aims of the activist movements. Museums, in fact, often misunderstood and misrepresented the work of artists that was exhibited as a means of addressing these concerns. Analyzing how museums and critics did and did not address the aims of the protests, DeRoo highlights the issues relevant to the politics of the public display of art that have been central to artistic representation, in France as well as in North America.
Masters of the Ninth Art
In English-speaking countries, Francophone comic strips like Hergés's Les Aventures de Tin Tin and Goscinny and Uderzo's Les Aventures d'Asterix are viewed—and marketed—as children's literature. But in Belgium and France, their respective countries of origin, such strips—known as bandes dessinées—are considered a genuine art form, or, more specifically, "the ninth art." But what accounts for the drastic difference in the way such comics are received? In Masters of the Ninth Art, Matthew Screech explores that difference in the reception and reputation of bandes dessinées. Along with in-depth looks at Tin Tin and Asterix, Screech considers other major comics artists such as Jacque Tardi, Jean Giraud, and Moebius, assessing in the process their role in Francophone literary and artistic culture. Illustrated with images from the artists discussed, Masters of the Ninth Art will appeal to students of European popular culture, literature, and graphic art.
The Human Tradition in Modern France
The Human Tradition in Modern France gives a human perspective of the history of France from 1789 to the present, revealed in essays that highlight individuals and intriguing events that too often have been lost under labels and statistics. Students will gain an understanding of the humor and passion in French history from these new, original essays by well-established scholars. This collection also relates the individuals, events, and controversies to current historiographical debates. The Human Tradition in Modern France is an excellent supplementary text for courses on French history and is also useful for courses in world history and Western Civilization.
