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The Queer Museum examines how relationships between institutions and LGBTQ+ communities function and how they help to define queer museum practice. Analysing what it means to queer the museum in Western contexts, the book builds upon and challenges texts about inclusionary, activist museum practice and discusses the ways in which Othered communities are engaged with and represented. Arguing that an institution’s understanding of queerness is directly related to the kind, and extent, of change pursued by the museum, the author clarifies that governance structures, staff hierarchies, funding and relationships to queer communities affect the way queering might be pursued. The analysis looks c...
'A timely probe into small acts of dissent, seeking out a wild tenderness and new sources of light.' Jeremy Atherton Lin, author of Gay Bar In this highly accessible, entertaining and provocative work of non-fiction Kevin Brazil combines essay and memoir to ask one of the most pertinent questions of our current age: whatever happened to queer happiness? Exploring the lives of artists and writers from the past, current discourse around queerness and his own experiences, Brazil argues that art and literature needs to move away from celebrating the pain of queerness and embracing all the positive, ecstatic, collective joy that queer culture produces. Brazil's enlivening ideas around queerness combat the isolation of individuality and shame, instead championing collectivity, commonality, and visions of shared pleasure; offering both critique and a way of remaking the world. A timely, eminently readable and fascinating book for all readers of creative non-fiction, Whatever Happened to Queer Happiness? is a work of literature that will reverberate for years to come.
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A reimagining of how the aesthetic movement of the Victorian era ushered in modern queer theory. Late Victorian aesthetes were dedicated to the belief that an artwork's value derived solely from its beauty, rather than any moral or utilitarian purpose. Works by these queer artists have rarely been taken seriously as contributions to the theories of sexuality or aesthetics. But in Before Queer Theory, Dustin Friedman argues that aestheticism deploys its "art for art's sake" rhetoric to establish a nascent sense of sexual identity and community. Friedman makes the case for a claim rarely articulated in either Victorian or modern culture: that intellectually, creatively, and ethically, being qu...
In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the poli...
One By One. . . Two decades ago, at a private women's college in upstate New York, a student was brutally attacked in her dorm room. Her assailant was never found. . . They Disappear. . . Sue Barlow arrives at Wilbourne College twenty years later. When a classmate disappears, Sue thinks it's an isolated incident. But then two other girls vanish. . . And Die. . . As fear grows on campus, Sue begins to sense she's being watched. And as the body count rises, she soon realizes that a twisted psychopath is summoning her to play a wicked game--a game that only will end when she dies. . . "If you like Dean Koontz, you'll love John Manning!" --Wendy Corsi Staub, New York Times bestselling author